Ye Su sat in the back seat of a Bentley sedan with a quaint shape but elegant design.

Next to him was Miss Kirizaki Chitsuki, who was as savage as a gorilla. Sitting in the passenger seat was the secretary who went to SST to help deal with the handover.

As for the driver, of course, he is a special driver and bodyguard.

This Bentley mu1sanne has a long hood, short front and long rear overhang, the muscular design and clear lines that lift the rear waistline elegantly extend from front to back. The unique 21-inch wheels and other exterior designs highlight the rich British classical charm.

Ye Su doesn't know much about cars, but this luxury car must be valuable, and he still understands it.

At least 10 million yen, or even 100 million... After all, it is a vehicle specially customized by the Ye family, which is more expensive than the ordinary Bentley mu1sanne.

In the eyes of others, luxury cars that may never be able to afford in their entire lives are the simplest scooters in the Ye family.

Ye Su did not observe the difference between this Bentley mu1sanne worth nearly 100 million and an ordinary taxi. He turned his head and looked at the scenery next to him, but was thinking about other things.

His thinking about things is naturally related to Japan's artistic system.

Japan's art world, also known as the entertainment industry, has always been a self-contained system.

In the entertainment industry, Japan is well deserved to be the number one in Asia, but in fact, it is still the case now.

However, as time goes by, although the entertainment industry is not considered a dusk industry in recent years, it has become increasingly sluggish.

After all, the entertainment industry is an economic game. Japan, which has no way of comparison with the past, has a certain impact on the entertainment industry.

However, as the saying goes, a lean camel is bigger than a horse, and Japan's entertainment economic output cannot be underestimated.

One of the three entertainment and cultural production countries in the world is Japan.

The two largest record sales places in the world, the first is the United States and the second is Japan.

The world's movie ticket rankings are the first to be the United States, the second to be China, which replaced Japan, and the third to be Japan, which is as famous as the United Kingdom.

Thinking of the movie, Ye Su suddenly remembered when a Korean zombie film was released in his previous life. Because of various water army propaganda, many people in China shouted about topics such as Korean movies once again leading China for ten years, and they took it as true, and it echoed it, which was simply laughable.

In terms of nominations, Japan beat South Korea, China beat South Korea, in terms of heritage, Hong Kong movies are known as Oriental Hollywood, even if they are no longer brilliant and declining. In terms of box office, both Japan and China have won the best.

After all, the so-called rise of Korean films cannot be called rise. At most, the reason is that the government's strong support has improved.

Here we draw a very simple conclusion. The so-called "Chinese movies" are just because most viewers have low aesthetic abilities and thinking levels.

Whether it is the three major film festivals in the international art film industry, the Venice Film Festival, the Cannes Film Festival, the Berlin Film Festival, the number comparison of all award-winning films is almost O, which is an absolute gap that almost does not need to be compared.

Or the domestic market output value of commercial films is almost completely better than any movie.

Therefore, because it is a very ridiculous act to dare to say that Korean movies and Chinese movies are just a zombie commercial movie.

This was a bit far-reaching. Ye Su shook his head and continued to think about the Japanese entertainment industry.

Speaking of which, in Japan, the status of movies is completely different from that of other countries.

In other countries, movies are often the top position in the entertainment industry. As the saying goes, small screens are not as good as big screens. Even if they are popular on TV, they are just small stars. Only by being on the big screen and showing their strengths in movies can they be considered a real big star. This is a truth recognized by many people.

However, in Japan, movies are at the lowest point in the entire entertainment industry.

In short, in Japan and the entertainment industry, movement and comics are stronger than music, music is stronger than Japanese dramas, and Japanese dramas are stronger than Japanese movies.

Many people know about cartoons, so I won’t mention them here.

In terms of music, as the world's second largest music market, the main reason for this situation is that there is no piracy.

In fact, in the eyes of many Japanese people, they don’t know that there is a concept of pirated records.

However, in other countries, it is very bleak. Some countries with rampant piracy have weak copyright awareness and abnormal industrial chains. I don’t even know that there is the concept of “authentic”.

One is that I don't know there are pirated versions.

One is that I don't know there is another genuine version.

This is the most direct contrast.

In Japan, the degree of perfection of the entertainment industry is simply not a good thing.

Because it is too perfect and the industrial chain is completely flowing, there is no room for progress and weakness is inevitable.

Compared with the golden period of the entertainment industry, the current entertainment industry chain has regressed a lot and is constantly going downhill.

In addition, due to the complete flow of the industrial chain, the Japanese entertainment industry inevitably has a phenomenon of self-entertainment.

Compared with Korean entertainment that vigorously promotes and expands foreign markets, Japan's entertainment industry attaches great importance to its own market. Most of them come from production and sales behind closed doors, regardless of what other people's interests and hobbies are.

The local market in South Korea is extremely weak, but it is crazily expanding its overseas market. Some things can be seen from the trends in some Asian countries and even the United States.

In short, although there is still a market in Japan, its influence abroad is completely gone.

This is the decline of the general environment.

In fact, something can be seen from the S series band competition.

Ye Su thought about these things now, and it seemed that the sst entertainment agency he took over was not a first-class entertainment agency in the industry, and at most it was second-rate. Although it was a bit famous, it was just that. Before he could eat the Japanese market, he began to target the foreign market, which was a bit ambitious.

However, in terms of his current identity, compared with the resources he has, it is actually not too ambitious, and should be called far-sightedness.

The car soon arrived downstairs of the sst entertainment agency.

The office where sst entertainment agency is located is a three-st small building.

After the car stopped, the secretary opened the door. Ye Su and Kiriki got out of the car. Then he saw the president of the sst entertainment economy company, some staff members who came to greet him, and even a few idols, including men and women. Naturally, there was no need to say about appearance. They all looked here curiously, wanting to see who the new boss is?
Chapter completed!