Zhang Ran looked at Cao Bingkun on the stage in amazement. He had never seen Cao Bingkun recite "About Wine", but he really didn't expect to be able to recite to this level.? [(([＜This kid seems to have drunk too much, otherwise he would not be able to recite this boldness and elegance!

Cao Bingkun is the male squad leader of the O1 version and is quite steady. He has no problem with the skills of reciting "Jiangjinjiu", but there is a little lack of heroism and lack of elegance. Cao Bingkun himself knew that, so he drank a bottle of Erguotou before going on stage to make himself as close to the state of Li Bai's writing "Jiangjinjiu", and at the same time he also wanted to let himself go more openly.

Erguotou really worked. Cao Bingkun waved his way, and the whole recitation showed amazing results.

The students in the o1 project book were very excited and talked happily: "Cao Ban's recitation is simply a fuss, it's so wonderful!"

"Yes, let's swing you horizontally!"

"There is no suspense at all, we won this game!"

Jia Niaoliang sang directly: "The sun is about to set in the west, and the doomsday of the Japanese are coming. Play my beloved pipa and sing that moving song..."

Zhang Ran slapped Jia Niaoliang in the face. We just feel happy with this idiot, don’t show it!

The Japanese also learned ancient Chinese poetry, and many of the Japanese students present had learned "Jingjinjiu". However, the Japanese could not recite the heroic spirit and freedom of the Japanese. Now after listening to Cao Bingkun's recitation, everyone was shocked.

"So strong, so awesome!"

"Is this the correct recitation of "Jiangjinjiu"? Unfortunately, I didn't bring a camera, otherwise I would have taken it!"

Although the performances of the Suzuki school emphasize de-dailyization, they also emphasize the investment in emotions, just like the performances of Chinese Peking Opera are also de-live, and they are still strong in the sense of life. Whether it is Peking Opera, drama, or other dramas, what really touches people is emotions.

Kenichi Yoshida's "The Prince's Monologue" is well recited. In his recitation, you can feel Hamlet's inner struggle, entanglement and troubles. However, Kenichi Yoshida's life is good and has never encountered too much setbacks. His emotions are very intense, but he does not express Hamlet's inner struggles in depth.

Cao Bingkun is different. He has worked as a chef, worked as a supporting role at the entrance of the Beijing Film Studio, and experienced too many setbacks and hardships. He can understand Li Bai's unwillingness to be talented, and can also understand Li Bai's inner depression. In terms of emotions, the "Winning to Wine" he recited is much deeper than Kenichi Yoshida's "The Prince's Monologue".

The seven judges on the stage began to give their own answers.

Professor Zhang Renri of the Central Academy of Drama was the first to speak: "The recitation of Kenichi Yoshida's "The Prince's Monologue" is very exciting, but Cao Bingkun's "Jingjinjiu" is free and easy, and recites the atmosphere of the prosperous Tang Dynasty. It is really a soul-stirring. I chose "Jingjinjiu"!"

The second answer is Choi Jung-yi from Korea's Central University: "The "Jingjinjiu" is much better, I support "Jingjinjiu"!"

The third one commented was Qi Shilong from Beijing Film Academy: "The two performances are two different styles, each with their own excitement. It is hard to say who is better. Just like Peking Opera and drama, can you say who is better? But this is a game, and Cao Bingkun's "All Into the Wine" touched me, and I support Cao Bingkun!"

Meng Jing of the National Theater said: "There is nothing to say, I support "Winning to Wine"!"

The students of Beijing Film Academy burst into cheers, with a total of seven judges, Cao Bingkun has won four votes, and the game has been won.

The remaining three judges, Pu Cunxin and Lin Zhaohua, gave them some face and gave them two votes; the game had already lost, and this vote was irrelevant. In order to show his magnanimity, Hara Ichihei of Japan University voted for Cao Bingkun, which won applause from the audience.

In the second line competition, the o1 table won 5:2, and the total score between the two sides reached 1:1.

The third game is a physical duel.

For actors, body shape is an indispensable basic course. Students in the performance department must receive training in ballet basics, stage skills, opera posture, modern dance and other subjects from their freshman year.

The key reason why an actor needs to do physical training is to perform "actions", or "actions". Simply speaking, acting is to perform a bunch of actions. Actors with weak abilities and directors design actions, how you should do them, how you should do them. Actors with strong abilities can design actions by themselves. No matter whether the actors are strong or weak, acting actions are inevitable.

The movements performed do not mean that running and jumping are actions. In fact, even expressions are actions. For example, the movements of the eyes include looking, glancing, glancing, glaring, glaring, looking forward, etc.

Many students from Beijing Film Academy and Central Academy of Drama have studied dance because they have good shape and their emotional expression will not be too bad. Take the O1 Forum for example, nearly half of the students have learned dance.

The representatives of the o1天官网 and the Japanese University physical competition took to the stage and introduced themselves to the audience.

The representative of Japanese universities is a girl who looks a bit like Masami Nagasawa, but her face is not that big. She is wearing a kimono, with white upper body and red lower body, which looks like the witch girl's suit in the cartoon: "My name is Miki Nakagawa, I want to dance "Kakura Dance"!"

The representative of the o1 version is Zhao Ke, who bowed to the audience: "I am Zhao Ke from the o1 version, and I am dancing "Dian Jiang Lip"!"

Zhang Ran and the students in the class seemed very relaxed, and everyone had absolute confidence in Zhao Ke's strength.

Zhao Ke is a professional dancer of the Second Art Troupe and a member of the Chinese Dancers Association. However, because he was injured and could not dance for a long time, he had to change careers and learn performance. The four aspects of the sound and stage form are the least likely to lose. Zhao Ke's dance, and there is almost no suspense in this competition.

"Banban, kill them instantly!"

"Don't give them any chance!"

The first person to perform on stage was Zhao Ke from O1's watch book, dancing "Dian Jiang Lip".

Dianjiang lips first refers to a kind of makeup for women in the Han Dynasty, which is similar to lipstick, but it is not covered with lipstick, but it is dotted with a red dot between the upper and lower lips. The aristocratic beauties in the TV series "The Emperor Wu of Han" put on this kind of makeup, commonly known as "Dianhong". At the same time, Dianjiang lips is also the name of the lyrics. Li Qingzhao's two "Dianjiang lips" are particularly famous, and the dance "Dianjiang lips" is a fusion of the two.

The students in Zhang Ran’s class began to receive classical dance training in the second half of their sophomore year, trying to find the third stage of Stani’s training method through classical dance training. However, the students practiced basic skills. Zhang Ran felt it was a bit boring, so he invited Tong Ruirui from the Chinese Opera and Dance Theater to compile two emotional dances, one to allow everyone to better integrate emotions, and the other to increase the fun of the training. In the end, Tong Ruirui compiled the "General Order" for boys and "Dian Jiang Lip" for girls.

The lights on the stage are on!

The music slowly sounded, with the sound of the pipa as crisp as a stream and as soothing as drizzle. In the middle of the stage is a chair, Zhao Ke, dressed in ancient costume, sat on the chair, with willow leaves bent eyebrows, lotus face, and a little red painted between his lips, looking pretty and charming. Zhao Ke held a mirror in his hand and looked at his face, unable to help but feel pity and shy.

The audience from the audience looked over and saw that the yellow light in the dark blue light was like the morning light of Zhao Ke, which further set off the loneliness of the woman's back. The entire stage was shrouded in sad tones, with a faint sadness.

Suddenly, a heart-beating pipa leg sounded. Zhao Ke looked sideways and seemed to be someone coming back. She twisted and twisted on the chair, intoxicated in herself in the mirror, and was filled with joy and nervousness. Then she trotted quickly and pushed open the door when she arrived at the door. She swung her slender arms, her brisk steps and graceful dance postures, just like a butterfly dancing, and the whole dance suddenly became intense, which was her strongest reaction.

Zhao Ke's movements are long and stretched, with the waist as the axis, and the body flips in the horizontal line in a tilted state. The movements run through the shapes of twisting, tilting, tilting, and lifting along the side. It completely integrates classical dance techniques and emotional expressions into the dance, making it pleasing to the eye.

There was no sound in the entire screening room, and everyone was stunned and immersed in the dance.

The music changed again, and Zhao Ke returned home. He immediately looked in the mirror to sort out his or her clothes and ran to the door to dance again. Zhao Ke danced, turned, flipped, and even used difficult movements such as spinners used by boys to express the characters' strong inner emotions and longing for their lovers.

Li Xinyue looked at Zhao Ke on the stage and couldn't help but say, "It's a pity that Zhao Ke can't continue dancing. Her talent for dancing is much stronger than that for acting!"

Zhang Ran also felt it was a pity, but this was fate!

The musical rhythm is gradually slowing down, and Zhao Ke is still not her lover's return, and her many expectations are gone. Her originally charming and lively eyes are now overshadowed, with empty eyes and lonely figure, just like a delicate flower turned into a tear, making people feel infinite pity.

At the end of the dance, the person she missed still did not return. Zhao Ke was already desperate and hope was lost. She could only return to her original appearance and continue to wait in a long time. She staggeredly picked up the discarded mirror, sat on the chair to admire her appearance, lost in her heart, as if she was crazy...

When the music stopped, everyone still couldn't wake up from the music.

The whole flag was silent, and even the sound of breathing seemed to disappear.

"Dian Jiang Lip" is an emotional dance, without too many plots, and most of the movements are the psychological state of the protagonist. The whole dance is carried out in a rhythm of silence, movement and static, clearly expressing the changes in the psychological activities of the three stages of waiting, expectation and loss, showing the waiting and helplessness of the women in the deep courtyard.

Zhao Ke danced the whole dance like flowing water, expressing the girl's psychological changes in waiting for her lover very clearly. She has few fancy moves, but the characters' emotions and small movements are rich in language and psychological rhythm. The display of the small body rhyme is exactly in line with the character's image, full of ancient rhyme, giving people a strong sense of beauty.

Zhao Ke is not as good as Cao Bingkun, but she is just her normal level. However, she used to be a professional dancer, and her normal level is also perfect to the eyes of ordinary audiences.

The next moment, the entire flag burst into thunderous applause, but there was no applause, because at this time, the audience really didn't know what language to describe it except for the desperate applause.

In fact, even the seven judges on the judges' seat stood up excitedly and applauded Zhao Ke.

Miki Nakagawa was also applauding desperately, but her face collapsed very tightly. After Cao Bingkun and Kenichi Yoshida competed, she realized that her opponent must be very strong, but she never expected that she would be so strong. It was like a trainer who was preparing to fight Donnie Yen alone, but after she came on the court, she found that her opponent was Tyson, and she was really scared!

Kenhei Numada stared at Zhao Ke on the stage in a daze, trembling all over. Although Miki Nakagawa's dance was good, he could only be defeated in front of professional players like Zhao Ke.

He suddenly remembered that Zhang Ran said that they were professional in lines, shapes, and performances. At that time, he thought Zhang Ran was showing off his words, but now it seemed that it was just a truth. I am afraid that the competition with Beijing Film Academy would lose!

Tadashi Suzuki said that the most important talent for an actor is his fighting spirit. How can a person from the Suzuki School easily admit defeat! Kenhei Numada patted Miho Nakagawa on the shoulder and said in a deep voice: "Miho, please come on!"

Miki Nakagawa bit his lip and said, "Teacher, I can do it." (To be continued.)8
Chapter completed!