~.-~     1069 Shocking scene

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The role of Jean Baptiste Grennoyer was a challenge for Evan Ball, but he completed the task very well. Evan Ball's understanding of the character's inner heart, his grasp of expressions, movements, and mentality were fully demonstrated. The character's melancholy, ignorance, concentration, and timidity were handled very clearly and vividly by Evan Ball. All the performances were smooth, and the "Jean Baptiste Grennoyer" written by Patrick Juskind completely came to Evan Ball.

The character Jean Baptiste Grenouye made Evan Baptiste excited, mainly because of his paranoid taste, which is ignored because of his own lack of taste. In the absence of taste, it is difficult for people to discover the existence of Jean Baptiste Grenouye. The character's stumbling exploration of the world is all completed in the heart. Unlike the subject of "fatal identity" split personality, Jean Baptiste Grenouye has more and more detailed psychology. Studying the psychology of a serial killer is a huge topic for any psychologist, especially a criminal psychologist. You must know that criminal psychology is a discipline. Evan Baptiste Grenouye took two semesters of courses at the university, but when writing his graduation thesis, he still needs to read a lot of information. Therefore, Jean Baptiste Grenouye is an opportunity for Evan Baptiste to fully display his interests in the field of psychology.

Evan Bell is very keen to figure out the role, the influence of his life, his environment, and his state on his mentality, actions, and consciousness. It is like the feeling of writing a paper. Evan Bell is happy.

So, on the set, Dustin Hoffman, Allen Kreman, Bernard Esinger and others often saw that after Evan Bell's performance, he sat in front of the monitor to observe his performance, then criticized himself and analyzed himself, and found a more suitable way to present it again. If Teddy Bell hadn't repeatedly guaranteed that Evan Bell would not be schizophrenic, Bernard Esinger would have to consider whether he should invite a psychiatrist to come.

But it has to be admitted that the performance presented by Evan Bell made veteran actors like Dustin Hoffman and Allen Kreman sigh that it cannot even be considered a performance, because there is no trace of performance or any sign of crafting, as if the person in front of him is Jean Baptiste Grenóyer, and his every move should be like this.

After finishing the filming of "Brokeback Mountain", Evan Bale has not felt the challenge of acting for nearly ten months. Captain Jack Sparrow is already familiar with it and can no longer inspire Evan Bale's adrenaline. Fortunately, the role of Jean Baptiste Grenóye has once again made Evan Ball fall in love with performance.

The smooth performance also allows Evan Bell to have more time to think in the director's position. The director's position is completely different from that of the actor. Although Evan Bell knew this before, this time it was different. At the last moment, Evan Bell was still an actor performing in front of the camera, and the next moment he had to sit in front of the monitor to look at his performance from an objective perspective, and also observe the entire scene, picture, angle, light coordination, the camera's movement trajectory, the connection between the previous and the next scene. These are two very different fields, Evan Bell must complete the conversion in different roles.

In the first week of filming, Evan Bell was really a little fussy. Fortunately, with the help of Bernard Esinger, Dustin Hoffman and Allen Kreiman also helped a lot, allowing Evan Bell to gradually adapt to the new position. However, it is still a difficult task to find a balance between the two different positions of director and actor. Evan Bell is working hard to adapt to his new role.

The shooting of "perfume" almost exhausted all Evan Bell's energy, and he didn't even have the energy to observe what he had for dinner. Fortunately, Teddy Bell finally got out of his busy work, otherwise it would be unknown whether Evan Bell could persevere.

The first time he was a producer, director and actor, he met such a huge crew, such a difficult script, and works that were collaborated in Europe and the United States. Evan Bell didn't know whether it was lucky or unlucky.

Stumbling from the end of July to August, the summer tail was already shaking and getting farther and farther in front of you, and the shooting of "perfume" also entered the rhythm of Evan Bell.

Evan Bell was standing in the center of a small square, a city square that could accommodate one thousand people, surrounded by residential houses, the structure of earthy houses and classical architectural style revealed the flavor of the eighteenth century. In the middle of the square is a one-person-high hexagonal platform, and there is a built stage to the north.

Evan Bell wore a Baroque style aristocratic dress in lake blue. The clothes were composed of three-piece Abby, Best and Kuyurot. The so-called Abby was a jacket, with a waist closure and a hem was wavy. In order to spread the hips outward, a ponytail lining and burlap were added to the hem. The front placket was a row of buttons arranged in gold wire, with rich patterns embedded in the buttons. The lake blue fabric was soft and comfortable, and was particularly conspicuous in the gloomy tones such as white, beige, lotus root, gray, and blue-black.

Best refers to the shirt inside. The woolen fabric is made of embroidered with gold whip embroidery. The cufflinks are decorated with non-woven pleats made of muslin, exposed from Abi's cufflinks. The lower body is made of trousers or leggings. The slanted silk cut is carefully lace-up, which clearly outlines the muscles of the legs without tying a trouser or suspending a trouser. The same lake blue satin shows low-key gorgeousness.

Although this outfit is gorgeous, Evan Bell is so hot when wearing it. It is still midsummer August. Although it is cloudy today, it is still very stuffy. He is holding a small fan in his left hand and blowing the air in front of his face, and holding a walkie-talkie in his right hand, and is still busy with work. "How about the light and angle of the No. 18 camera position?"

"No problem, but I can see the No. 26 camera position here, and the position needs to be adjusted." A sound came out of the intercom.

"No. 26?" Evan Bell looked back and soon found the camera in the crowd. He stood in the middle with a wide view. Evan Bell continued to say to the intercom, "Walking No. 26, move two steps to your right, how about the light? Will it reflect?"

"A little bit exposed." The answer from the walkie-talkie was very fast.

Evan Bell pondered for a moment, looked up at the sparse sunlight above his head today, and said to the intercom, "Click the position and see where is the right place." After that, he stared at the No. 26 camera, and saw that he adjusted slightly from left to right, and finally leaned two steps to the right, which was settled. After the sound of No. 26 camera "completed" from the intercom, Evan Bell said to the intercom, "Do you have any problems now?" After confirming, Evan Bell ran off the small platform and directly confirmed the light and angle issues at the position of the monitor.

Today, this scene is a great scene. After Jean Baptiste Grenouye murdered a girl to make perfume, he was arrested. He confessed to his crimes. The Holy See ruled that he would be executed. The residents of the entire town of Glass flocked to the square to watch the murderer's doomsday. Jean Baptiste Grenouye's peerless perfume has been made. He chose to verify the role of the perfume at this moment. In order to prove his presence, and to test whether the perfume's top notes, middle notes, and back notes can achieve control over people. As a result, a surprising collective, sexual intercourse scene broke out in the square. Everyone, including the Pope, was under the control of perfume. Not only did they think that Jean Baptiste Grenouye was not the murderer, but they were also addicted to the ocean of perfume's back notes to love and honor, and completely indulged themselves.

This scene is not only grand, but also shocking, and it is the most amazing thing in the movie. At the same time, Jean Baptiste Grenóyer, who witnessed all this, finally realized his fantasy, and he successfully used perfume to control everyone. But at this moment, he felt that this victory was terrible. Because he hated the stench on people, he not only did not feel joy, but also could not sense satisfaction. In addition, he also realized that he was always a person without smell, and he could not be controlled by perfume like those who were addicted to the suicidal people in front of him. He was always a mask and did not exist in this world at all.

This psychological change of Jean-Baptiste Grenóyer reached its peak at this moment. Finally, he realized that proving his existence was an impossible task. Without smell, it means that he could never be like others. He could only use perfume as his mask, and he could always be the person represented by the perfume, not him, not him, Jean-Baptiste Grenóyer. So he chose to self-destruct.

Therefore, this scene is a spectacular scene in which the masses are controlled by perfume, and it is also the moment when Jean-Baptiste Grenóye completes his final transformation in his heart. It is no exaggeration to say that this is a scene in which the "perfume" movie is sublimated, both externally and internally.

In order to shoot this scene well, Evan Bale mobilized 30 cameras to shoot at the same time. There were 600 extras, 150 Barcelona dancers, and 80 crew members assisting in the shooting. This was the grandest scene since the "perfume" started shooting, and it was also the biggest scene since Evan Bale became a director. It is not easy to shoot a scene that was collectively, sexually, and in a confusing scene. It has been rehearsed for two consecutive days before, and it is still a difficult task to start the official shooting today.

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Chapter completed!