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It is ridiculous to have a 21-piece entry into the Oscar sprint stage, but this is the reality of the current awards season. The ten best-film nomination seats have disrupted the pool of the entire awards season and continued the hustle and bustle of the awards season in the past four years. No wonder others say that as soon as Tom Shellack came on stage, he faced an extremely difficult challenge.

Of course, the twenty-one works also have strengths and weaknesses. They also have a sequence of fruits and fruits in a row. "Please search for Piaotianyi, the novel is better and faster! "Avatar", "in the clouds" and leading all competitors, "Inglorious bastard", "Flying House Travels", and "Cherishing" followed closely and walked towards the First Group steadily. Ruguo said that there are still five nomination seats for the best film. In addition to "Flying House Travels and Travels" and it is up to date because of its cartoon attributes, the other four teams are probably the final nomination lineup. As for the fifth seat, there will be some.

Among the second group, seven works including "serious men", "district 9", "Star Trek", "Successful things in people", "Goldfish on the cliff", "Growth Education", "White Ribbon" are not divided into Xuanlu; "Nine", "One", "Wrailful Heart", and "Five Hundred Days with Shamo" are the constitutors of the third group; "The Last Stop", "Single Man", "Ghost Mom" ​​and "Hangover" form the last upset legion.

Strictly speaking, since there are as many as ten seats nominated, any work has a reverse at the last moment. The gap between the third and fourth groups is very small. This is mainly seen from the results of the entire awards season.

As of the end of the Golden Globe Awards ceremony, the National Critics Association Award "in the Cloud" won the National Critics Association Award, the North American Radio and Film Critics Association Award and the six Film Critics Association Awards, undoubtedly the number one seed contestant of the awards season. This work was the favorite of the critics throughout 2009, and won unanimous recommendations. Its momentum was almost unrivaled. This is also a work that Evan Bell has truly led in the awards season since his debut.

"Avatar" was crushed by "in the cloud" throughout the awards season, and missed in two major centers one after another. If it weren't for its outstanding performance in box office, James Cameron could not have competed with Evan Bell at all. Fortunately, the strong box office that broke the historical record allowed him to win the Golden Globe Awards, and the support of five film critics associations made "Avatar" and "in the cloud" the final two top two awards season in the 2009 awards season.

Putting aside the competition on the nomination list, the competition between these two works has become the opponents throughout the awards season. The fight between the two strongmen is the biggest highlight of the 2009 awards season. From the current perspective, "in the cloud" has won overwhelming support from film critics. The National Association of Critics Award and the North American Radio and Film Critics Association Award have made it the well-deserved top seed of the awards season, and it also proves that Evan Bell won the Oscar for the best director for two consecutive years is not a false reputation. However, the "King of Shijiè" James Cameron has never been ignored. The méiyou people will underestimate the competitiveness of "Avatar", and the strong support of the Golden Globe Award is the most direct portrayal.

Regardless of whether there are ten or five nominated seats, "In the Cloud" and "Avatar" will be the ultimate showdown!

The "Inglorious Bastard" who won the British Film Academy Awards has become the best choice for the two leaders. In addition, the three-stop Film Critics Association Awards include Los Angeles, which has an overall strength that cannot be underestimated. This work has become the culmination of Quentin Tarantino and has received no less praise than Evan Bell.

Among the three major vanes of the awards season, the seventeen-stop Film Critics Association, "In the Cloud" and "Avatar", plus a "inglorious bastard", these three works swept over more than 85% of the trophys. The last three remaining films of the Film Critics Association Awards, two stations support "Cherishing", and one station supports "Flying House Travel". This also marks that the former, the former, the latter, the latter, the cartoon, became the second group seed contestant of this year's awards season.

"Cherishing" is the latest directorial work from Lee Daniels, producer of "Death Prisoner Dance". It stood out from the Sundance Film Festival in early 2009 and was produced by Oprah Winfrey. It tells the story of black women like Oprah Winfrey who were tortured in their growth but stubbornly maturing. Today, when Studio 11 is becoming increasingly strong, "Cherishing" has set off a craze in 2009 as an independent film produced and released by Studio 11, which set off a craze in 2009. It can be said that "Cherishing"'s outstanding performance in the awards season is also one of the symbols that independent films have become increasingly eye-catching in recent years.

As for "Flying House Travels", let alone the animation, it is very exciting to create the "Rat King" and "Robot Wali" in the past two years. This can also be regarded as the biggest beneficiary of the candidate expansion of the Best Picture this year.

It can be said that "Avatar", "in the cloud", "inglorious bastard", "cherishing", and "Flying House Travel" are currently nominated for the most solid first group. The final winners of all outpost battles throughout the award ceremony season are inseparable from these five works, which is the best proof.

In addition, the final award distribution of the five unions of producers, directors, actors, screenwriters and editors also continues this rule. In order, the final winners of the five unions are "Avatar", "Inglorious Bastard", "In the Cloud", "Cherish", and "In the Cloud", which is a coincidence with other outpost battle results.

In fact, strictly speaking, the dominance of these top five players is actually the strongest year. Compared with the years when there were at least six works earning five seats in previous years, it is relatively obvious that there are too many. Even if "Flying Houses and Travels" are put into the animation department and a seat is vacant for other works to compete, the overall situation this year is relatively clear. From this we can see that under the sorting of Sidganis's review, in fact, according to the development trajectory, the 2009 awards season should return to normal, but unfortunately, the expansion of nominee seats has pushed the original order into chaos again.

But it is also officially because the top five players are too strong, so this has also made the move to expand their seats useless, because other top five players who were shortlisted are obviously slightly inferior in overall strength. Of course, it is not ruled out that there are players who are upset at the award ceremony.

Although the awards for the outpost battle were won by the top five contestants, the reason why the situation is described as "chaotic" is because the nomination lists for each outpost battle are completely different. Except for "Avatar" and "In the Cloud" who first exert super dominance and almost every stop is nominated, all other works may not guarantee nominations. This is the yardstick that distinguishes the second, third and fourth groups.

Among the subsequent players of the group, "Ninth District", "Star Trek" and "Avatar" collided with the theme, and the prospects suddenly became slim; "Goldfish on the Cliff", "Ghost Mom" ​​and "Flying House Travel" collided with the type, and it is probably difficult to make a breakthrough; "Growth Education", "Last Stop", and "White Ribbon" are both European works, and in the end there is only one person standing out; "Serious Man", "Single Man" and "Wild Heart" are all representative works of independent themes, and they have to compete for seats with "Cherishing"; "Five Hundred Days with Shamo" and "Hangover" two comedy works collided with "In the Cloud", and it is estimated that it is difficult to stand out.

Finally, the music drama "Nine" triggered a tsunami of public opinion, but the golden lineup that is comparable to the Oscars is unpredictable; a love drama like "One" is very promising, and it also won many nominations during the awards season, but Evan Bell seemed to have a bad prospect when he was praised "in the clouds".

After such a calculation, on the contrary, the two sports-themed works directed by Clint Eastwood and the "Weakness" starring Sandra Bullock. Although the themes are the same, the opponent who is head-on among the top five players is slightly more likely to break through the siege.

Of course, when there are ten nomination seats, although there are many candidates, it is not an exaggeration to choose anyone. The main reason is that except for the First Group, other contestants have their own weaknesses. Some focus on actors, some focus on directors, and some screenwriters are pioneers. They have both advantages and disadvantages in comprehensive evaluation. Therefore, although the scene is chaotic, the final nomination list will be much simpler than in previous years. It is estimated that no matter who is shortlisted, it will be a normal result.

From this perspective, the expansion of nomination seats has actually weakened the stimulation of survival of the fittest. In the past, people would be furious and argue endlessly because of the competition for a good work, méiyounénggou, which was shortlisted for the best films of last year's "Robot Watts". After the nomination list came out, there were even more controversial remarks. But now, after the melee, ten candidates appear, which seems a bit dispensable.

However, these audience reactions are just predictions, and the result will be known only after the 82nd Oscar nomination list will be announced.

But it is certain that there is yidiǎn, that is, the expansion of the best film nomination seats, making the five seats of the best director more precious because the general concept believes that only works that won the best director nomination have the hope of reaching the last best film, so it is natural that this makes the competition for the best director a more exciting situation than in previous years, which can be regarded as an unexpected surprise.

The competition for the best director seats of Jiliè has entered an absolute heat this year!

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