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The movie ended, and on the big screen, small snowflakes floated in the gloomy sky of Los Angeles. The city lights in the distance remained, and a car with sinful sins burned like a falling comet. The children around them excitedly threw things on the fire, and the fire continued to the distant sky.

Although the screening of the movie has ended, the storm that the movie has stirred up in the hearts of the audience has just begun.

Compared with other news media in various places, local media in Los Angeles focused their attention at the first time, because this is a story that took place in Los Angeles. This multi-ethnic and multi-cultural city has a unique style different from any other city, attracting all kinds of people to come here to seek dreams. The movie "Crash" describes the thirty-six hours of the city in Los Angeles, telling the big and small issues in the city, which made Los Angeles people empathize and the discussion became more and more lively.

As the newspaper in the Greater Los Angeles region that has always ranked first in sales, the comments on its entertainment page have also been recognized by many people. For the reviews of the movie "Crash", the Los Angeles Times expressed its attention as quickly as possible and also sent their comments to readers as soon as possible.

"crash" is the word "in this movie, which can be understood as a crash, because the beginning and end of the movie have a rear-end accident; it can also be understood as a collision, because the movie runs through the entire movie, collisions between people, collisions between whites, collisions between blacks and whites, collisions with Asians and Arabs, collisions with high-class and low-profits, collisions with high-class people, collisions with low-profits, and the simplest, collisions with one person and another.

Among these countless collisions, Paul Haggis used the events happening around us to tell us a story about good and evil. The collision between justice and evil is not as clear and clear as black and white, and is much more complicated than we imagined.

John Ryan, a middle-aged patrolman, covered and moaned late at night because his father's illness was not properly treated, which made him tense up. So he vented his anger on the innocent director couple, and he used his authority to force the lady to search. When his hands were swimming back and forth on the lady, when the lady and her cowardly husband had tears in their eyes, all the audience's mood had already left the track of shock and became angry.

But when we all think that Ryan is a hateful bad guy, his face of his father's helpless expression has a touch of warmth. When he faces a precarious car accident, he climbed into the car bravely and fearlessly to save his life. But then he realized that the owner was the director's wife who was forcibly searched by him last night. She shouted in horror, "Why is it you? I don't want you!" At this time, Ryan made an unexpected move to everyone. This policeman, who has been subjectively defined as a bad person, rescued the director's wife desperately. Amid the roar of the explosion, he held her in her arms in a daze. The director's wife, who was supported by someone, turned her head and looked at Ryan, with complex feelings in her eyes: gratitude, or confusion.

In fact, at this moment, all the audience's mood is also very complicated. The contrast between Ryan before and after makes us feel at a loss, as if the fact that I just recognized was overturned by a very philosophical argument. Ryan, is he considered a bad person? Is he considered a good person?

The same story also happened to Tom Hansen, who was a partner with Ryan. When Ryan forced his body to search the director's wife, Hansen's puzzled and shocked eyes flashed in the dim light. Then Hansen took the initiative to ask for transfer because of this incident, which also confirmed the audience's perception of him: this is the image of a just policeman in everyone's mind, and his awe-inspiring spirit instantly won everyone's favor.

However, Hansen did not expose Ryan's actions righteously, but chose to "accept himself as a stupid arrogant maniac" to successfully bid farewell to Ryan's partner, which made people wonder again? Why is this happening! Shouldn't Hansen expose Ryan's bad behavior in front of everyone, and shouldn't he tell the world the behavior of Ryan using his position to insult ordinary citizens? There are too many helplessness in reality, but the reality in the movie is even more heartbreaking.

Facing Ryan's "gift" when he was leaving, "Wait for you to work for a few more years! Do you think you know who you are? You don't know at all." Hansen disagreed. But we were confused. Is this really the case?

The next day, Hansen once again met the black TV director he just met last night. The director who suffered a huge blow seemed to be venting his anger wildly. He hoped to break through the shackles in his heart and completely burst out all cowardice and shame, which made the police present feel threatened. Hansen calmly convinced the black director and successfully resolved an accident, which was equivalent to saving a life. Looking at the black director's tears-filled fragility, "What do you want me to do!" The audience was puzzled. Is Hansen's right to do this?

Morally speaking, Hansen is right because he knows what happened to the black director. He hopes to "save" the mistakes made by Ryan yesterday and hopes to atone for his sins; however, legally speaking, Hansen is a dereliction of duty because he lets his subjective judgment affect the execution of official duties. You must know that the black director who was emotionally out of control at that time had a gun behind him.

The incarnation of justice that the audience thinks is not so reliable at this moment.

Sure enough, Hansen rode a black gangster on the side of the road, but because of a little linguistic conflict, Hansen had a misunderstanding of the black gangster: dirty sneakers, worn clothes, sneaky behavior, and teasing language. Hansen did have a "reason" to misunderstand the black gangster. However, when he saw the black gangster put his hand into his pocket, he thought the other party was going to take out his pistol, so he took the initiative. With a dull "bang", the fact that everyone was most reluctant to see happened.

The black gangster was just a small statue of the saint Christopher in his hands - this image was very meaningful. He was a saint carrying Christ and the patron saint of travelers, but in 1969 his name was removed from the Roman Catholic calendar, and only a few people believed in him were left.

Hansen, in a panic, threw the body outside the car and burned the car. However, all the audience's hearts were also churning violently, which was completely subversion. Is this still the righteous Hansen? Is it the Hansen who asked for dismissal in the face of Ryan's ugly behavior? Is it the Hansen who was calm and calm in the face of danger? Will the weaknesses of human nature be infinitely magnified in the face of extreme fear and difficulties without exception and appear so unbearable?

If Ryan's contrast makes people at a loss, then Hansen's behavior is completely lost. What is right, what is good, what is evil, is there any boundary between justice and evil? Also, what is human nature!

In fact, it is not just the two officers, Ryan and Hansen. Everyone in the whole story is changing the role of good and evil, but it only happens to these two police officers with sharp contrast, which is particularly strong.

The honest detective decided to conceal the key evidence for his younger brother and his career, and ended a case against his conscience, but when he finally found his younger brother, he was just a corpse on the side of the road.

The kind but conflicting shop owner robbed his only shop because of his negligence. In despair, he picked up his pistol and went to find it completely irrelevant to the matter. It was just because Daniel, the locksmith who had an argument with him, had a revenge.

The wife of a prominent district attorney has always hated black people. She even made racially discriminatory remarks in front of her husband's black aide. However, after she accidentally fell off the stairs, she found that her friends of twenty years were just having fun. The only one who stayed by her side to take good care of her was the black nanny she had always ignored.

Black gangsters are idle all day long, irritating, complaining about the world and the society. They rob with guns, they thieves, but find a seamless explanation for their behavior. At the end of the story, the black gangsters released the poor people who imprisoned the smuggler in the back carriage for free.

The characters are constantly changing, the heart is swaying, and questions are infinitely spreading. The bad guy in the previous second did good deeds the next moment; the good guy in the previous moment fell into darkness the next second. In this mixed society, are there nothing that will not change? Of course, everyone knows that no one in the world can do the best or the evil, but in between, will there be no beliefs that make us feel balanced?

At the end of the story, Paul Haggis did not give us an answer, but he used one shot to find the answer. The black policeman picked up the statue of Christopher, the saint of his brother from the dust and rubbed it on his face; the prosecutor's wife held his nanny and left tears; the black director called himself and said with tears in his tears, "I love you"; the store owner said to his daughter, "I saw the angel; after the black gangster let the smuggler go, he left his only forty dollars and asked them to buy a bowl of hot soup...

Perhaps, there are countless collisions in our lives, collisions of culture, collisions of thoughts, collisions of morality, collisions of law, collisions of reason, and of course, collisions of body. Each collision will produce different results. For us, we can learn different things from each collision.

The "Seven Deadly Sins" tells us that the world is beautiful and worth our struggle for. The "Shawshank Redemption" tells us that hope is a beautiful thing, and nothing beautiful thing will not die. The "old boy" tells us that sin goes a little bit, and accumulates a little bit of peace.

Now, "Crash" tells us that the trigger of human nature is always in our own hands, and the boundaries between good and evil and black and white may not be clear, but the decision has never left our palms. This movie has left reflections that cannot be dissipated for a long time in the hearts of all of us, and no one can be exceptional.

The above is a comment from the Los Angeles Times. This article is more analyzed from the perspective of the character's good and evil. Obviously, it is very praised for the movie "Crash". The Los Angeles Times even believes that this movie is the most outstanding movie released this year. Such high praise is really beyond people's expectations.

However, judging from the comments of other media, the Los Angeles Times' view is not without supporters.

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