"What do you want me to do?" Xiang Yufeng relaxed, but it was Xin Shaonan's turn to sit upright. Xin Shaonan sat upright and looked at Xiang Yufeng solemnly and said, "What are you planning to ask Daquan to help you?"

"Well? I will tell you then. It's not time to say it now." Xiang Yufeng vomited a mouthful of smoke to Xin Shaonan. The smoke slowly drifted towards Xin Shaonan, gradually dissipating and getting bigger and bigger. Finally, he shouted a few times and covered Xin Shaonan's face. Through the scattered smoke, Xin Shaonan's serious faces fell into Xiang Yufeng's eyes. "Why are you so serious? I've said it all. Will you tell you when it's time to say it? Don't worry, since you don't want to be involved in this matter, I will naturally not ask you anything. You should also know that Xiang Yufeng is famous. You can just pull anyone out in China. As long as you mention me, Xiang Yufeng, no one will give you a thumbs up and say I'm righteous."

Xin Shaonan was a little disgusted by Xiang Yufeng's bragging words. He cleared his throat: "You should tell me now, what do you want us to do, otherwise I'm a little uneasy."

"Isn't it safe? Don't be funny? I'll be the one who is not at ease." Xiang Yufeng said, "I will tell you when it's time to tell you."

Xin Shaonan tilted his head and looked at Xiang Yufeng: "How come I feel like I'm being slaughtered by someone?"

"Haha, don't worry, even if I want to slaughter pigs, I will pick my head and be so fat. You are like this, hey, I really don't have any interest." Xiang Yufeng twisted the cigarette butt and said, "Okay, which hotel should I arrange for me to stay in?"

Hearing Xiang Yufeng's words, did Xin Shaonan smile on his face: "I will tell you when it's time to tell you."

"Uh, revenge?"

"I, Xin Shaonan, is also a person with a reputation. In New York, when I mention me, everyone is very proud of me. If you don't believe me, please ask?" Xin Shaonan leaned slowly and looked at Xiang Yufeng's face. Xin Shaonan felt so happy that he finally found some face.

"Okay, you're cruel."

“Each one another.”

The convoy of Rollslas and four Mercedes-Benz finally stopped after driving for more than an hour.

"Damn, I thought you were going to sell me, and you ran for more than two hours..." Xiang Yufeng, who had been driving for nearly three hours, just as soon as he pushed open the car door, his mouth, which was talking, seemed to be stuck in his neck, because what he saw in front of him was shocked for a moment and could not speak.

Xin Shaonan then got out of the car. Looking at Xiang Yufeng's appearance, Xin Shaonan couldn't help but feel a little proud. Xin Shaonan was happy to see Xiang Yufeng's expression. In fact, Xiang Yufeng was not the first person to show such a look.

In front of me, what Xiang Yufeng saw was not a peerless beauty or a rare beast, but a large group of buildings with a pure Chinese charm.

"It's not simple, it's really not simple." Xiang Yufeng kept admiring when he approached this Chinese building built with red bricks and green tiles. Although the houses in front of him were obviously designed and built in imitating the ancient Chinese architecture of the Ming and Song Dynasties were really large and exquisite, but Xiang Yufeng was not an ordinary person after all. There were no more than a thousand or a hundred gardens. Among them, it was better, more in-depth and more exquisite than the garden in front of him.

However, this is a foreign country of New York. However, next to the tall buildings around this garden, there is suddenly such an ancient Chinese garden. This strong sense of conflict will be more or less stronger.

"It seems that your big circle gang is very powerful." Xiang Yufeng said with a teasing meaning. Although the housing prices in the United States are much cheaper than those in China, this place is New York after all. Although it is not a golden area of ​​New York, every inch of land is still not an exaggeration. The most important thing is that it is not possible to create such a big garden in a metropolis surrounded by tall buildings.

"At the beginning, I was going to arrange you to the Empire State Building, but the old man said, you will definitely like this place, haha, it seems that the old man is right, please, Master, please."

Xiang Yufeng was not polite and walked straight into the garden. As soon as he entered the garden, the smell of trees, grass, ponds and fish and water came towards him. Looking at the garden from outside, he only felt the atmosphere of the eastern style. After entering inside, he realized that it was another taste.

Ancient Chinese architecture had a simple organizational rule in terms of plan layout. This is that every house, palace, official office, temple and other buildings are composed of several single buildings and some veranda, walls, etc., surrounded by courtyards. Generally speaking, most courtyards are connected in front and back, and reaching the backyard through the front yard. This is the product of the ideological consciousness of "the old and the young are orderly, and the inside and outside are different" in Chinese feudal society. The main characters in the family, or people who should be isolated from the outside, often live in courtyards far away from the outside, which forms a deep spatial organization of one courtyard after another. In the poem "Butterfly Love Flower" of Ouyang Xiu of the Song Dynasty, there are words "How deep is the courtyard?". The ancients once described the residence of major bureaucrats as "the marquis's door is as deep as the sea", which vividly illustrates the important characteristics of Chinese architecture in layout.

At the same time, this courtyard-style group and layout is generally designed along the longitudinal and horizontal axis. More important buildings are placed on the longitudinal axis, and secondary houses are placed on the horizontal axis on the left and right sides of the Forbidden City in Beijing and the courtyard house in the north are typical examples that best reflect this group layout principle. This layout is closely related to the patriarchal law and ethics system of Chinese feudal society. It is most convenient to make the housing between the superiors and inferiors, old people, young people, and masters and servants based on feudal patriarchal law and hierarchical concepts, so that there are obvious differences between the superiors and inferiors, old people, men and women, masters and servants.

The artistic effect of this courtyard-style group layout in China has its unique artistic charm compared to European architecture. Generally speaking, a European building is more obvious. However, an ancient Chinese building is like a long scroll of Chinese paintings. It must be gradually expanded and seen at the same time. When you walk into an ancient Chinese building, you can only walk from one courtyard to another courtyard, and you must walk all of it before you can see it. The Forbidden City in Beijing is the most outstanding example. People enter from Tiananmen Square, and each way through a door, enter another courtyard; from one end of the courtyard to another courtyard, the scenery changes step by step, giving people a deep feeling. The artistic image of the Forbidden City is deeply in people's minds.

Chinese classical gardens are particularly good at using various buildings with a strong national style, such as pavilions, platforms, towers, pavilions, pavilions, pavilions, pavilions, pavilions, bridges, etc., and combine natural water, stones, flowers, wood and other gardens to reflect various interesting landscapes. Taking common pavilions, corridors, and bridges as examples, the artistic images and artistic realms they constitute are unique. For example, the pavilions are not only very colorful in shape, but also play a role in "pointing the scenery" and "introducing the scenery" in the middle of the garden. For example, the lake in the West Garden of Suzhou

Pavilion, Humble Administrator's Garden has a cave-sky pavilion, and Wulong Pavilion in Beihai Park, Beijing. For example, the corridor is a route to guide tourists to visit, and it also plays the role of dividing space and combining scenery. For example, when people walk in the corridor of the Summer Palace in Beijing, they can enjoy the beautiful scenery of Kunming Lake; while the water corridor of Suzhou Humble Administrator's Garden is light and graceful, and people walk on it, like walking on it; the corridor of Suzhou Yiyuan is divided by flower walls, and the leaking windows on the walls make the garden have boundaries, not boundaries, and seems to be separated by non-dividing.

There are scenery in the scenery, big in the small, and endless changes. This kind of leaky window is widely used in classical gardens in Jiangnan. This is an outstanding creation of ancient architectural craftsmen. Because the originally monotonous and boring walls, the decoration of leaky windows not only adds rich changes, but the different leaky window patterns become exquisite decorative patterns on the walls. Moreover, by cleverly using the word "leak", the garden scenery is more vivid and agile, adding endless interest. The West of Suzhou

The garden and the leaking windows of the lion forest fully reflect this feature. As for the bridges in Chinese gardens, they shine in the world's architectural art in their rich and colorful forms. The most prominent examples are the Seventeen-hole Bridge and the Jade Belt Bridge in the Summer Palace in Beijing. They each decorate the scenery of the Summer Palace more charming with their vivid and unique shapes. In addition, the Wuting Bridge in the Slender West Lake in Yangzhou, Jiangsu and the covered bridge in the Humble Administrator's Garden in Suzhou are another style, becoming one of the most eye-catching garden scenery among these gardens.

"Is this garden built by Mr. Wang?" Xiang Yufeng did not realize the trick until this time. The people who built this garden took a lot of effort. Some things could not be bought in the United States, but they could not be able to be found in China. The most important thing is that the layout of the garden is a replica of Suzhou Garden. If you build such a garden in New York, not to mention anything else, you will be in a hurry to go.

Wan Shaonan nodded: "The old man often says that people miss home more and more, and the more people miss everything in their hometown. The Chinese people pay attention to returning to their roots. The old man is still tough now, but he has already started to consider his funeral. He said that if one day he dies, even if he can't go back, he will be buried here."

Xin Shaonan said this and glanced at Xiang Yufeng: "Don't you think living here is unlucky, do you?"

"Old Master Wang is not just about enjoying it." Xiang Yufeng did not answer Xin Shaonan's words and walked into the garden, "Why didn't you see anyone?"
Chapter completed!