In fact, as far as the two "New Ginsenger" movies are concerned, Koto Higashino prefers to watch "The Blade of Wandering".

This is not because I have not achieved the same level as I am inclined to be elegant and beautiful.

But Kotoshi Higashino was worried about something.

Well, because of this worry, Kokuro Higashino performed like that before. What he said was more related to Mami, that is, he brought some wind direction to Mami, which was to be inclined to "Blade of Wandering".

Masami and Yui seem to be understanding, so they watch this movie "The Blade of Wandering".

So, what exactly is Higashino Kok’s concern?

This worry is not particularly important.

When writing this "Blade of Wandering", Mr. Keigo must come to co-shes the Changfeng and Retree.

But in fact, there is another key point.

Koko Higashino is not particularly familiar with this work, but because this work has two movie versions, the Japanese and Korean versions, this movie makes Koko Higashino remember more.

For the two movies, the Korean version has more adaptations and a larger range.

Even Kotoshi Higashino doesn't remember it very clearly, but many comments in this version are very clear, almost the reappearance of Mr. Keigo's original work on the big screen.

This is actually a major problem in the adaptation of Japanese version of the movie, because it was probably 2009. Mr. Keigo was already a very well-known home at that time, and he almost won all the Japanese reasoning awards.

So, for such a family, the screenwriter of the movie is also the director of the movie, how could he dare to change anything?

The Korean version has also been affected by this.

So, the endings of the two movies are basically the same as the original one.

There are only slight differences.

Then, Mr. Keigo's original work... Well, Koko Higashino did not tell the truth to Mr. Keigo.

It should be said that Kotoshi Higashino did not think that the ending of this work he and Mr. Keigo was better than the original one.

Mr. Keigo's original work has more blank space.

The ending of the original work is actually even more ironic.

This ends like this.

Changfeng Chongshu is in front of the Nakano Railway Station, which is a place with a lot of people. He is pointing at his target of revenge with a hunting rifle, and he wants to complete his final revenge.

But, eventually, the gun fired.

Unfortunately, the one that fell down was the long peak and the tree.

The two movies, one, ending mostly like this.

That is, the police killed the victim's father and wanted to take revenge.

There is indeed a great irony here, and a strong criticism of the current laws have been made.

In the original work, the policeman who shot... Higashino didn't remember it very clearly, but it probably seemed to be the Okinawa police officer, who is the character of Kaga Kyichiro in his book.

Of course, Okinawa and Kaga are two completely different people now.

Mr. Keigo left a small button in the original work and did not untie it.

That is, who provided information for Changfeng Chongshu?

It wasn't Oobu himself, it could be him.

In fact, if you think about it simply, you will immediately find that Mr. Keigo's original work finally returned to the category of reasoning.

Who gave Changfeng Chongshu information?

Could it be the Oritobi?

But at least Oribe himself said it was not himself.

But the policeman was quite suspicious. He shot and killed Changfeng Chongshu, which seemed to be an act of silence.

But it also describes Oribuki's own inner activities, and he does not want to kill Changfeng Chongshu.

In fact, shooting is based on the duty of a policeman. In that case, the police fired a gun to maintain something.

Not the law.

But order.

Think about it, kill and take revenge in front of a train station with a lot of people.

The first thing that is shaken is order.

The irony at the end is extremely strong. The police did not kill the real criminal, but killed Changfeng Chongshu.

The policeman who fired the gun, no matter what the purpose was, or Oribe wanted to kill someone to silence him and cover up the truth about his intelligence.

The moment I pulled the trigger, there was no justice in my heart.

However, this is completely different from the current situation.

The reason why Kotoshi Higashino wrote this "Blade of Wandering" was because Miyazaki Kin was at that time, and Kaoru Kobayashi who happened to be caught at that time.

The focus is different.

Neither Higashino nor Mr. Keigo wanted to criticize the incompetence of the Japanese police, nor did they want to talk about the order of Japanese society and extend it to the law.

Teacher Guiwu is going to target the death penalty.

Let justice be heard.

So what Kokoshi Higashino was worried about is whether Director Morita, who likes to win unexpectedly, would he change the end of this movie?

It's very simple, that is, let the police fire.

You know, there are several opportunities to shoot in the current "Blade of Wandering".

With this worry, Higashino Koto was watching this movie without showing any silence.

To be honest, at the beginning, the image after the revenge of Changfeng Chongshu.

This shot and technique made Higashino Kok very satisfied.

However, Kotoshi Higashino's worries became even heavier.

Director Morita is really good at changing it.

What will happen next?

Kokushi Higashino actually felt a little funny because he himself was worried that his work would be out of control after it was adapted.

After the scary image of Changfeng Chongshu, almost instantly, the entire screen became peaceful.

This man suddenly became an ordinary father, living with his daughter.

Make breakfast for my daughter.

Listening to my daughter's complaints about not being delicious.

I couldn't help but think of my deceased wife.

Wait for trivial matters in life.

The image of a single father was established like this.

And while doing this ordinary daily life, several young men appeared.

Kuaier Sugano, accompanied by Atsuya and Makoto Nakai, all three of them appeared.

But these three people are obviously bad at first sight, and they also involve one thing.

"Dear viewers, Mizuno brings you a report. At present, new types of awakening agents appear in the city, and they are spreading to the younger generation..."

Mizuno???

When Kokoshi Higashino saw this, he couldn't help but look at Mami.

Yami couldn't help laughing at that time, well, even in this dark screening hall, her eyes were bright, and if she smiled, it would make the place less glory.

Of course Yui understood and said in a low voice: "Onissan, you won't be able to remember it."

How is that possible?

Mizuno Masami.

Kotoshi Higashino understood that director Morita did make a move, and no wonder Masami told him about this before.

It seems that Ma Jiang can't suppress her turbulent heart.

In this way, it seems that you can imagine such a small plot.

After being admitted to Tokyo University, Masami Mizuno studied with peace of mind and finally joined the TV station and became a reporter.

But there is also unreasonable point, that is, in "Dragon Sakura", Koto Higashino clearly wrote about the Department of Engineering that he was admitted to.

Science.

But it seems nothing. Nowadays, most people, both at home and abroad, are not engaged in majors they study in school.

Anyway, the changes here are interesting.
To be continued...