"It's very simple, Mr. Zhang. Since I play the role of Xiao Qi, I want to incorporate some of my ideas into this role. Of course, the general direction must still follow your main line arrangement, but I also hope that I can be more

There is a sense of participation. That’s what it means.”

Lao Zhang is really boring. Wu Di has already made his intentions very clear. He just wants to increase the sense of participation. The general direction will not change.

Moreover, the scope of participation is limited to the role of Xiao Qi.

What else is wrong with this?

You made a handsome guy look like this. The most important thing is that he is the precious son of a movie financier.

Do you think it fits?

Shouldn't you take the initiative to give him some preferential treatment?

Oh, right!

Lao Zhang has indeed thought about giving Wu Di preferential treatment. Didn't he already promise to give him another role?

This is such a great blessing. Who doesn’t know how to take advantage of it?

The fact that Lao Zhang can say this shows that such a solution is acceptable to him and is also reasonable.

However, did Lao Zhang ask Wu Di for his opinion?

If he continues to be at the mercy of him, then will Wu Di be considered a fool?

In that case, he would rather lose money than he would drag Ranmasanti and run away quickly. Anyway, it is just a bad movie that is rare in the world. There is nothing shameful about leaving the film in advance.

Maybe it’s a blessing in disguise!

No!

Never agree!

You will definitely not agree!

Say it quickly. If you say it, everyone will be happy and I can stop the loss in time.

What is the so-called sunk cost? It is nothing more than an upfront investment. For Sanyanerpai, the current losses are within an acceptable range and are controllable.

If you really wait until after filming starts, or even during filming, you will really have boarded a pirate ship, and it will be even more difficult to escape.

And, most importantly, the losses will be even greater.

But now, without subsequent investment, there will be no further losses. For Ranmasanti, the current situation is still acceptable.

At best, it’s nothing more than no loss or profit.

However, if more investment is made in the later period, the losses will definitely be greater. What will be done at that time?

There is absolutely no chance of recovery!

Therefore, Director Zhang, for the sake of everyone, please let us untie them as soon as possible!

Have fun!

"But, my crew has never had such a precedent." After a long time, Lao Zhang finally spoke.

Then, Wu Di, who was full of expectations, got such a speech in exchange?

Such?

Huh?

Does Lao Zhang mean to compromise?

How can it be?

is this real?

"Mr. Zhang, precedents are meant to be created? Otherwise, how can they be called precedents?"

Although he was surprised, Wu Di still knew what was going on. At this time, Lao Zhang finally showed signs of loosening his opinion, so he had to strike while the iron was hot and hold on tightly.

How can we continue to confront Lao Zhang? How can we pour cold water on him?

Of course you need a lot of encouragement.

"That's true."

"However, you have neither experience nor relevant theoretical knowledge, how can you change this character well?"

"Only based on your personal likes and dislikes?"

"This is not appropriate!"

Lao Zhang is indeed prepared to compromise, but it is not easy to achieve this goal. Lao Zhang has set up multiple obstacles for Wu Di.

Look, do you have the theoretical knowledge of screenwriting?

Do you have practical experience as a screenwriter?

You don’t have any, so why are you messing around?

When Lao Zhang said this, he also used his brain, because he still knew Wu Di's priorities very well, and these obstacles were set up by his personal ability.

Although Wu Di's acting skills are not bad, he has never studied in a relevant film and television school in the past.

In other words, even his acting skills are self-taught and he has some talent. However, screenwriters and actors are different.

Acting is sometimes an industry that requires more talent, but the screenwriting industry is different. It is an industry that requires work.

If you want to write a wonderful script, you must at least have basic theoretical knowledge of screenwriting, understand the structure of a script, and know how to write a plot that is ups and downs, suspenseful, logical, and has certain rules for its ups and downs, but

I don’t just write how I want to write.

This is the reason why many well-known writers with beautiful writing skills, when they work as screenwriters and adapt their own works, cannot design the plots interestingly and become good screenwriters.

Every other line is like a mountain!

Because screenwriters also have their own routines, and writers, their works are often more emotional and focus on the expression of personal will.

Their works often don't have so many routines. What they pursue is originality and originality.

Moreover, even the novels that are most easily adapted into screenplays contain many prose expressions.

Readers of books and articles may like this kind of expression very much and applaud the author for his profound knowledge or the expression of his blessed soul.

However, if these things are copied into movies and TV series, the effect may not be very satisfactory, and may even be very disappointing.
Chapter completed!