No hurries?

He took the lead and walked to the first row.

Calm and calm, the military spirit is still there.

But to be honest, judging from the fact that Wang Sicong, Di Wei, Tang Yan, and even Wen Zhang, this group of people look back at the number of people in attendance from time to time...

Everyone's heart was obviously a little ups and downs.

Although they still respond to the greetings of fans who come after me.

But judging from the number of people, "33 Days" seems to have been unable to beat "Martial Arts".

Before "Martial Arts" was released, the number of people who reserved tickets had exceeded 1,000.

After the score of 6.8 came out, although the average score of media publications was only 1.9, the number of people increased by 200.

Came to 1200.

But the number of reservations for "33 Days" is only a little over 500.

However, because Cannes has a tradition of queuing offline, the number of people who have reserved tickets cannot be used as a reference value.

But now it seems...

…

finally.

In the cinema, which was almost half full, the lights dimmed.

The dragon mark appears.

The movie starts.

This time, Jiang Kui did not sit next to Xu Xin.

Instead, he stayed with Chen Kexin and the others.

After the movie started, he concentrated.

Then I heard a burst of... very bright piano melody...

Immediately afterwards, a bustling city from a high-altitude perspective came into view.

The first perspective is of a bustling city.

But the next second, the screen quickly switched and zoomed in.

In the picture, you can already see a man in a suit and a woman in a black and red dress among the bustling pedestrians at the intersection.

For some reason, the black and red dress on her body is quite eye-catching and makes people unable to take their eyes away.

And then……

The screen instantly zoomed in again.

Lang Lang and Liu Zhishi appeared in the camera.

Because of the focus, the crowds passing around the two people were completely blurred.

And here, Xu Xin used a frame extraction technique.

Around the two people who were standing still, the hurried pedestrians were moving like a slide.

From the three consecutive camera cuts in the opening scene to the current frame-snatching editing technique.

The silky smoothness was shown to the audience in Hall 15.

Amazing?

actually not.

But surprisingly, it feels very natural and smooth.

At this time, the silky piano in the background music quietly changed to the keynote of "Wedding March".

But just like there are many versions of "Canon".

Here, Lang Lang followed Xu Xin's request and played the piano in a symphonic way to create a grand feeling.

And just when this magnificent melody is about to reach its climax.

"let's break up."

Lang Lang suddenly spoke.

The music is over.

The picture shows Liu Zhishi’s full face.

The blind sister was calm.

"Okay, let's break up."

Her tone was light and devoid of any emotion.

It's all peaceful.

But it is this sentence, combined with the disappearing piano, that reveals the psychology of the couple.

These two people have long been out of love.

Then……

The audience, who was clearly in a blur, suddenly blocked the camera lens.

But this process is very short.

Almost instantly.

And when the audience member disappeared from the camera, Lang Lang and Liu Zhishi were like ninjas... and their figures also disappeared from the camera.

And when the only bright color in Liu Zhishi's shot disappeared.

Without the embellishment of color, the whole picture suddenly became pale.

It's a filter.

He added filters.

Only then did Chen Kexin notice...it turned out that the color tone of the entire shot was actually shot with a gray-white filter.

What Liu Zhishi is wearing is not necessarily red, but under the gray and white filter, it looks bright red.

Bright red blooming in black.

After her figure disappeared, the paleness of the picture came over.

"..."

He frowned.

But next to him, whether it was Jiang Kui, Tang Wei, or Jin Chengwu, there was a hint of surprise in their eyes.

To say surprised is not accurate.

It should be said that at this moment, they were similar to these viewers, and they felt an amazing feeling in their hearts.

Obviously, it only took a total of 30 seconds from the distant view to the two people disappearing.

But in these 30 seconds, Director Xu passed the transition between "stillness" and "motion" and played a fancy game.

Quite an impressive flower arrangement.

Two people who are clearly out of tune with the crowds around them, standing still... They are supposed to represent stillness, but they are "alive".

But after they disappeared, the "living people" who were still moving and shuttled around them were "dead".

This quiet transition between movement and stillness, in less than 30 seconds, gave everyone a sense of... nervous anticipation.

Pictures and lenses are the common language of movies all over the world.

No lines or acting required.

It is the most intuitive thing to express.

Very obvious.

But it's also very profound.

For domestic audiences, these 30 seconds are enough of a surprise, but they are also accustomed to it.

Director Xu is very good at expressing something through the use of images.

This is a basic skill for people.

Can the disciples taught by Lao Mouzi be sent away?

But for these foreigners... "The Secret" has passed a long, long time.

They may not have seen "The Hawthorn Tree".

But the short 30 seconds in front of them left a very deep impression on them.
To be continued...