"You are looking at it from the perspective of Lao Hu, and you are looking at it from the perspective of the heroine."

Liu Shishi thought, what a beautiful story.

If there is a male hero who saves me, even if I can't beat him, he will run with me and share the difficulties together. How romantic.

Then when I was bullied in the sect, it was the male protagonist who came to my aid. Moreover, who said that the male protagonist was not worth relying on? He could help me and protect me.

Besides, people really think that the second male lead is her brother. It has always been like this. In ancient times, women couldn’t go out or step in, and they didn’t understand these things.

Isn’t this true love?

Then, break through feudal ethics and adhere to true love.

"But you have to know that a movie must have a complete story, and it must make sense no matter where it is."

Crazy racing is just that.

In order to make everything clear and make sense, Ning Hao adopted a four-line narrative.

Geng Hao's burial master is the main plot, the plot of the protagonist Huang Bo. Then, Li Farah kills his wife, which is closely connected with the main plot and forms a cause and effect. Then there is Zhou Shichen's transnational drug trade plot. Full marks for drama. It connects the beginning of the movie and

The ending forms a perfect closed loop.

Everyone understands the last line where the police are behind.

In fact, Ning Hao originally wanted to use a six-line narrative.

That is to split the Li Farah murderer's wife line into the Li Farah profiteer line, and the postgraduate entrance duo line, and divide the transnational drug trading line into drug dealers and gangster lines.

What Ning Hao means is that although they are all small characters, every character has their story and they are all living people. Every action they make has a reason behind it.

Originally, regarding the character of Donghai, Ning Hao wanted to portray a stupid gangster who was "unaccustomed to the local environment" and was killed.

Just like Mike in Crazy Stone, but the actor's departure and Zhou Shichen's arrival made him think of a better way.

From the original leader of the Oolong Gang, he became a "young gang leader", the silly son of a gang boss, to "experience" himself.

You are a slut, you have never seen the world, you are ignorant, and you are constantly in various situations.

This also highlights why this gangster is so "simple and ignorant" and cannot stay in a hotel without a Taiwan Compatriot Certificate.

Ning Hao even wanted to add more roles for Zhou Shichen, so 300,000 yuan could not be wasted.

But there is too much content, like six lines, there is really too much content, and Huang Bo’s protagonist status is blurred.

Of course, the main reason is that because there is so much content, the movie will become too long.

The multi-line narrative is very strenuous. The screenwriter Xing Nana wants to kill her husband to prove the truth. Changing these is already very exhausting.

So, I gave up.

Otherwise, the movie may be better, but the box office is not guaranteed.

Movies are long, and theaters are more willing to show them with shorter durations. They can squeeze in several more shows in a day.

"So is this movie a two-line narrative?"

"Why do you say that?"

"Look, when the second male lead went to help the heroine, didn't he go out alone?"

"Shi Shi is not a separate scene, but a one-line one. To have a complete story for this character, Ma Chengen framed others for the sake of the heroine. Therefore, this movie only has one line, which is for the heroine."

A very common single-line narrative revolves around one person and tells the story of the person's encounter. If it is a two-line or three-line narrative, Zhou Shichen will only praise the director's skills.

Just like he has always wanted to have a good relationship with Ning Hao, multi-line narrative is very difficult, and the audience has to understand the connections in between, which is too complicated.

But this, I can only say that it is a single line, and it has the "reference" of those two famous works. It can be changed like this, I am impressed!

Since your narrative is all about a single line, then don’t worry about so many characters struggling in their hearts. What you want is an absolute love between the male and female protagonists that breaks through feudal ethics.

Look at Liang Shanbo and Zhu Yingtai, and then look at Romeo and Juliet, but they are just changed into martial arts versions, and I can’t understand them even if I copy them.

Everyone has given you a template. If you want to be a villain, just be a villain, and you still have to struggle.

In the end, it was changed to something nondescript.

It also made Zhou Shichen determined that if he became popular, he must choose scripts and not accept all films.

"It's really full of flaws."

Liu Shishi couldn't help complaining. Originally, he thought this was a tragic love story, like the story of Liang Shanbo and Zhu Yingtai.

As a result, what Zhou Shichen said was full of loopholes. The plot was all copied, and even if I didn’t understand it when I copied it, it was completely messed up!

Lin Yichen looked at the two people strangely. There was a tacit understanding. They were both standing at the door, arms folded, looking towards the studio.

They look like a couple.

Yuan Hong was heartbroken, why didn't you listen so quietly when I was telling you about the scene in the Condor Shooting crew?

Lin Yichen glanced at Yuan Hong with disdain. Liu Shishi never went to a junior college, but that doesn't mean she is stupid.

To bring in emotions and experience a character, you have to start from outside the play.
Chapter completed!