Chapter 45 Film and Television Environment
[Elementary Film and Television Opportunity Card: After using it, you have the opportunity to obtain a minor supporting role in a film and television work with a score of 6 or above, a main supporting role in a film and television work with a score of 6 or less, and a protagonist role in a film or television work with a score of 3 or less.]
In fact, since Xu Qing had the intention of letting Hu Xin develop into the film and television industry, during this period, in addition to giving Hu Xin acting lessons, he also paid special attention to the film and television environment of Blue Star.
Xu Qing was still unclear about the situation in foreign countries for a while, but the film and television environment in China was thoroughly analyzed by Xu Qing.
The biggest difference between the film and television environment in China and that on Earth is that the censorship environment is very loose. Xu Qing vaguely remembered that when he was on Earth, he heard people complain more than once that many types of film and television dramas could not be filmed at all.
The official review mechanism of Blue Star China has actually gone through two different stages.
The first stage was a long time ago. In order to regulate the market, the censorship was relatively strict. At this time, the situation was similar to what Xu Qing knew on earth.
In the early days of relaxation, China's entertainment industry produced many excellent works, and various themes were blossoming. Just when everyone thought that domestic entertainment was really going to take off completely.
Things did not develop in the direction everyone wanted.
Everyone underestimates the evil nature of capital.
Entertainment, which only flourished for a few years, was ruined by capital.
What exactly happened?
To put it simply, when someone on the market makes an excellent work with a theme, capital from all walks of life will rush in to shoot things with the same theme.
Some of the shots are okay, but most of them are shoddy. Many companies just want to make money by taking advantage of the popularity. Works that their peers took a year or two to make are produced in a month or two.
Everyone can imagine how it will turn out.
This kind of thing is like when gambling movies became popular, so everyone went to make gambling movies, and various gambling movies came out in an endless stream. The final result was that the life of the gambling movie genre was seriously overdrawn.
The audience was bombarded with films of the same genre of varying quality and completely lost interest in this genre.
So this subject was killed by capital.
It doesn’t matter if you commit suicide, there are other themes that can be popular anyway. When other themes become popular, the capital side will start to repeat the previous operation.
As a result, the entertainment market did not take off as expected, but instead ushered in an entertainment market with serious homogeneity and poorer quality works.
Innovative cultural and entertainment workers have no money, so even if they grit their teeth and do it, they often don’t get the rewards they deserve, because compared to big capital, most of these innovative cultural and entertainment workers can only recoup their capital and earn a profit.
The profit channels are very limited. When they barely find some ways to make profits, a large number of similar products appear in the market.
In the end, the bonus of the theme he created will be eaten up by big capital, and he will not even be able to drink the soup.
As a result, a large number of innovative entertainment workers decided to put it aside and innovate. If a work can only recover the cost, it will be a loss. How do you calculate the energy and time wasted? This part needs to be compensated by profits, and it is a loss.
Who will do it?
However, after the big capital companies with the ability and money to innovate have tasted the benefits of following the trend, they simply stop innovating, because innovation may lead to losses, and plagiarism of popular themes in the market can basically make money.
Since you can make money by plagiarizing, why bother to be original?
Therefore, in the entertainment market, regardless of whether they have money or not, and whether they have ability or not, they are all failing.
Therefore, when simply strengthening or relaxing censorship does not work, official agencies are gradually studying other methods, but it still takes time. Therefore, the current situation is that official censorship is still in the relaxation stage, and no further measures have been taken.
Secondary tightening, but new policies are introduced from time to time.
The market environment is like this. After a comprehensive understanding, Xu Qing couldn't help but sigh, Mr. Ma is honest with me, Das Kapital is really not written in vain.
However, Xingtang Culture is currently just a brokerage company and is not involved in film and television production. The market environment has not had a great impact on Xingtang Culture.
Back to the junior film and television opportunity card, this is the second opportunity prop card that Xu Qing received after the variety show opportunity card.
For this kind of card, Xu Qing still hasn't fully understood its operating logic. According to the system, opportunities will not arise out of thin air. There must be someone who becomes the link between them.
And this contact person will be enlarged by the system to have an impression of Xu Qing, thereby opening up corresponding job opportunities for Xu Qing.
When Xu Qing used this film and television card, he carefully thought about whether he had any classmates working on the crew. After all, the connection to joining the founding group was Lisa.
And Xu Qing thought about it but couldn't figure it out. There are people he knows well who are working in the film and television industry. Regardless of whether they studied media, what kind of job they ended up doing is really diverse.
Even Xu Qing himself studied art on Earth back then, but the job he took after graduation had nothing to do with art. If what he studies depends on what industry he works in, then Xu Qing should be a design director rather than a marketer.
Director.
However, since the system has this card, it can naturally find a link to get a film and television opportunity for itself.
Use the plug-in!
[The primary film and television card is in use...]
[Matching corresponding film and television projects...]
[Matching successful...]
[Project: TV series "The Secret History of the City of Gods"
Type: Costume Romance Idol Drama
Investment amount: 200 million
Predicted score: 3-4 points
Introduction: In the first year of Shenlong (705 AD), the empress was seriously ill. Prince Li Xian, prime ministers Zhang Jianzhi, Cui Xuanwei and other ministers launched a mutiny in Ziwei City, Luoyang, the capital, to force the empress to abdicate.
In fact, in the first year of Chang'an (AD 701), Prince Li Xian saw that the empress was getting older, so he secretly formed the assassin organization "Fu Tang" in order to cut off the empress's wings and restore the Tang Dynasty.
The male protagonist Mu Yan and the female protagonist Si Ji are the top killers of the Futang Dynasty. In order to overthrow the rule of the empress, they wrote a touching story]
[Host matching character: Killer Rong Qi]
[Role Positioning: Main Supporting Actress]
[Character introduction: Rong Qi is the sister of the Four Seasons and one of the top killers of the Futang Dynasty. He is ruthless and believes that feelings will affect the great cause, thus hindering the love between Mu Yan and the Four Seasons. In the end, he was moved by the feelings of the male and female protagonists and realized the value of love.
He sacrificed his life so that the hero and heroine could be together]
Chapter completed!