Fist and kick kung fu, as the name suggests, includes both fist and palm grabbing techniques, as well as the use of leg and footwork. Any master of boxing must be a warrior with extremely high coordination of hand, eye, body, and footwork. He can move his body and hands at will.

Eye movements, advancement and retreat are determined by the heart, spirit, internal strength, and external strength. Only in this way can we break through the obstacles and kill the enemy, and survive the baptism of wind and rain without falling.

When fighting with bare hands, experience, mentality, fighting spirit, moves, inner strength, speed, etc. will all affect the success or failure of life and death.

If both parties are determined and have equal experience, then strength and speed will play a decisive role.

This is a fist-to-flesh competition, with no weapons to buffer or defend. Being hit by the opponent's fists and feet will hurt, hurt, and vomit blood. If you accidentally break a limb, you will be disabled for the rest of your life.

Hu Zhijun relied on his advanced cultivation and ability to defend himself, so he confidently and boldly bullied himself and kicked him with flying legs.

There is a proverb in the world that "hands are two doors, and you rely on your feet to hit people." This does not mean that you have to rely on legwork to defeat your opponent during a fight, but that you must be good at using footwork to adjust distance, angle, and direction, and in the movement.

In the process, we find opportunities to defeat the enemy. Although the attack power of the kick method is greater, it depends on the timing and the situation, and cannot be abused.

For example, when attacking the key points of the opponent's upper plate, experienced people rarely use high kicks or high whip kicks. Why? Once the high kick is used, the center of gravity will inevitably be raised, which will make the lower plate float and unstable. Moreover, the high leg moves

The distance is long, the movements are not flexible, and it is easy for the opponent to dodge and then counterattack. Therefore, the attack range of the kick method is usually below the opponent's waist, emphasizing concealment, suddenness, rapidity, and quick release and quick recovery.

Hu Zhijun insisted on using high-leg attacks, which was showing contempt for Su Jing.

Su Jing gritted his steel teeth secretly, waved his arms rapidly, and a series of palm shadows blocked him in front of him.

Bang bang bang!

Su Jing's palms and arms felt as if they had been hit by a steel whip, and his muscles trembled, forcing him to step back. The strength on Hu Zhijun's legs was so strong. If he hadn't re-exercised his martial arts skills a few days ago, his body and footwork would have improved a lot.

After cleverly removing some of the strength, I'm afraid I won't even be able to stand.

As soon as Su Jing retreated, Hu Zhijun naturally stepped forward to catch up, always maintaining an oppressive force, and the situation on the court became one-sided.

At first, everyone thought that Su Jing was going to be defeated immediately, but gradually they realized something was strange. Although he retreated in consecutive battles, each step he took was right on the edge of his opponent's attack range. The closer he retreated, the greater the intensity of the blows he would bear.

; If you retreat too far, your opponent will change his attack method.

Such precise judgment and control over the overall situation are terrifying to think about!

In addition, he must retreat under strong pressure without losing control, and his attainments in body and footwork are extraordinary.

Looking carefully, Su Jing's movements and footwork are slightly different from those taught by his master. They are similar but not the same, and they combine the characteristics of many techniques. Even a master who is proficient in Xuanyuan martial arts has difficulty in guessing what he is doing.

One step change.

Different from Yang Yufei's misty immortal steps, the body techniques and footwork used by Su Jing were all taught by Xuanyuan Sect, and everyone present knew them. But Su Jing skillfully combined these techniques and transformed them freely, giving off a new look.

power.

Especially when competing with fellow students, it is easy to induce the other party to make misjudgments.

Everyone, including all the teachers, were shocked by Su Jing's whimsical idea. You must know that no matter how simple Xuanyuan martial arts are, they are masterpieces that have been refined by predecessors and have been verified by actual combat. Who would bother to use them again?

Dismantle, temper, fuse? This is a hard and tiring job that consumes a lot of energy and requires extraordinary wisdom to deduce.

For the vast majority of disciples, you can let them practice martial arts, but if you let them use their brains to figure out the secrets of the moves, it will be even more uncomfortable than beheading.

A warrior is easy to find, but a wise man is hard to find.

Searching Ling Yunfeng, including the seven major families, how many people can there be who have the ability and perseverance to study basic martial arts and introduce new ones?

The extraordinary wisdom shown by Su Jing even moved the representatives of the aristocratic families, wondering if they should select young girls of the right age from the family and win over them in marriage?

Hu Zhijun's kicking techniques failed to work. He was in an impetuous mood and punched his head and face with his fists.

One of the traditional boxing techniques, extremely powerful.

The through-arm boxing method is different from the ordinary boxing method. When punching, the arm is released from the shoulder, and the elbow is wrapped to form a through-arm posture. There is a saying in the boxing method: "The hand does not leave the face, and the lower hand splits three mountains." It also says, "Put it long and strike far away.

Go straight in and out; the body changes with the step, and the step contains the legs; the hand is used as a palm, and the point is used as a fist." Emphasis on practicality, accuracy, and speed, focusing on "whip strength" swinging the arms and wrists, chopping the palm like a knife, and punching like a spear.

.

But I saw his pair of long arms taking turns to strike, like a whip, like a stick, like a spear, and the attack became even more fierce!

As soon as the through-arm fist came out, Fu Jingtao felt as if he had been struck by thunder. He straightened his waist and widened his eyes to the limit. He felt like he had broken through iron shoes and found nothing, and was surprised that he had achieved it without any effort.

In terms of power, Tongjiquan is not as good as Liuding Liujia Kaishan Quan, but it is of great significance to Fu Jingtao. The predecessors who created this boxing style intercepted some of the advantages of spears, sticks, knives, and whips and blended them into one.

Although it is named after "boxing", in fact, every move and every style has the characteristics of weaponry and technique hidden in it. When executed, it is like swords and guns coming out at the same time, and sticks and whips roaring.

Fu Jingtao is now taking the path of transforming fists into all kinds of martial arts, trying to integrate the essence of various weapons and techniques into his fists, so as to achieve the state of unifying all kinds of techniques and reach the pinnacle of martial arts.

Tall buildings rise from the ground.

In everything, the first step is always the most important.

There are already enough various martial arts engraved in Fu Jingtao's mind, but how to refine the true meaning of martial arts contained in them and how to melt them into boxing skills is a big problem.

He once copied the sword intention and spear intention with bare hands. It was just a moment of inspiration. He was not systematic, conscious, and active in clarifying the context of the technique. It seemed that there was always a layer of gauze between them, and he could not see clearly.

The truth behind the scenes.

At this moment, the through-arm fist was like a bolt of lightning, splitting the fog in front of his eyes.

When Hu Zhijun swings his arms, he transforms into a whip shape, concealing the power of a whipping; when he chops his hands, he is as sharp as a knife, which is in line with the essence of swordsmanship; when he punches, he is as fast as lightning, which is in line with the essence of the "stab" formula of spear art.

Fu Jingtao suddenly realized that boxing can still be used in this way!

The door opens, light pours out, and countless magical and magnificent scenery are revealed.

He slowly closed his eyes, seemingly falling into a deep sleep, and the aura around him was fluctuating.

On the wasteland, the rock eagle's magic spear is swaying, and the sharp spear intent is about to poke a hole in the sky; under the sunlight, Yelu Dilie's iron rod is like a swimming dragon, yin and yang merge into each other; while the horses are galloping, Zhou Huan is angry with his sword

Slashing, the terrifying sword energy filled the world... Scenes engraved deep in the memory emerged one after another, and those illusory figures quickly merged, all turning into bare hands.

Iwataka swung his spear, and the magic spear disappeared.

Yelu's enemies are dancing fiercely with sticks, but the iron sticks are invisible.

Zhou Huan took out the sword and held the air in his hand.

…

Although the weapons are not in their hands, each illusory person still displays a unique martial arts charm, letting you clearly know what they are doing.

A person is a gun, a knife, a stick, a sword, or any kind of weapon. It has thousands of changes and exists in one mind.
Chapter completed!