Chapter 17 Bright Moon, White Dark Flower Shabi Jia

When the appointed time arrived the next day, Pu Xiuxiu and Shen Yue had just gotten out of the car when they saw Jiang Chunjuan coming towards them from a distance, their faces turning into flowers with smiles.

Shen Yue whispered: "Even if what you said is true, he must be interested in you, look at his worthless look!"

Jiang Chunjun came over from a distance, with the aura of "I am very rich" all over his body. Although the brand of his clothes was Puxiuxiu, which was hard to tell, it felt like they were not cheap when they were on him.

Shen Yue also sighed: "He is such a clothes hanger."

As soon as Jiang Chunjun came over, he magically took out two small bags, which contained still warm egg pancakes, and handed them to Pu Xiuxiu and Shen Yue each: "Eat something first, playing script killing consumes both physical and mental energy. It’s okay if you don’t eat enough.”

Because the time was set relatively early, he guessed that Pu Xiuxiu and the others would not have time to have breakfast, so he even took this into consideration.

"Mr. Jiang, you are such a good person!" Shen Yue didn't think about his motives at this time. She took it and ate it with big mouthfuls. She even went to say to Pu Xiuxiu, "Sister Xiuxiu, eat it quickly. This is good. It smells good!”

It's really fragrant.

The egg skin wrapped on the outside is soft, and there are shredded potatoes on the inside. If you chew it carefully, you can still eat the shredded chicken fillet and pork inside, which has a very rich taste.

It didn't take Pu Xiuxiu long to finish the egg and potato cake, and she asked him sincerely: "Does your family have a special chef? Why does the food you bring taste so good every time?"

When Jiang Chunjun heard what she said, his eyes narrowed with laughter: "Really? If you like to eat, I will bring you more in the future!"

People said it so politely, but Pu Xiuxiu was not shameless enough to take it seriously. After entering, he went to the bathroom and rinsed his mouth with mouthwash, and then asked: "What are we playing today?"

"It's an ancient book," Jiang Chunyuan said. "The reasoning story is similar to that of the young man Bao Qingtian."

He brought Pu Xiuxiu and Shen Yue in, and the staff came to greet them and said, "This is your script. I will take you in to change clothes."

Pu Xiuxiu looked around. The whole place was really antique. As soon as he entered, he felt as if he had entered the house of an ancient wealthy family. Even some of the objects on the table were very delicately made.

While waiting to change clothes, Pu Xiuxiu understood why Jiang Chunjun brought them here to play this script.

The clothes of the character Pu Xiuxiu are all made of heavy embroidery. Although it can be seen that it is all machine embroidery, the design is very beautiful and the color of the embroidery also complements each other. Not only her clothes, but also the clothes of all the characters, men and women, are all embroidered. element.

When they came out after changing their clothes, Jiang Chunyuan had already changed his clothes. The role he had won this time was that of a doctor, so he dressed very simply. Even such simple clothes could not hide his elegant temperament. As soon as he puts on his clothes, it really makes people think that he has the temperament of a doctor, but Pu Xiuxiu doesn't find any embroidery elements on him.

As if he guessed what she was thinking, Jiang Chunyuan quickly took out a folded handkerchief from his arms, with something like a ginseng wrapped inside. This handkerchief had a plum blossom embroidered on it.

"Didn't you embroider this?" Shen Yue looked at Pu Xiuxiu in surprise.

Pu Xiuxiu also recognized it. It was a small gift she had prepared for intangible cultural heritage activities before, and she didn't expect to see it here.

Jiang Chunyuan laughed: "Yes, this is a souvenir I bought at the intangible cultural heritage event."

As soon as he said this, Shen Yue understood without the need for Pu Xiuxiu to point it out: "This whole venue doesn't belong to you, right?"

Jiang Chunyuan looked a little embarrassed and blushed: "It's mine. The place is not big, so don't dislike it."

This place is usually more than ten times larger than the Xiang Embroidery Workshop of Pu Embroidery. This place was already very big in ancient times. Jiang Chunjun's words made Shen Yue choked up and she didn't know how to respond.

Pu Xiuxiu said calmly: "We don't mind it, but are we just the three of us playing this book?"

Be calm! Don’t act like you haven’t played before!

Jiang Chunjun continued to blush and said: "No, there are eight of us in total, and the others are changing clothes."

Then he suddenly remembered something and said, "There is another one you all know."

As soon as he finished speaking, Tao Qiqi changed her clothes and came out.

She wore a large-sleeved shirt on the upper body, a horse-faced skirt on the lower body, and a bijia on top of the large-sleeved shirt.

It is an imitation of the bright moon white and dark flower gauze Bijia collected by the Confucius Museum.

The entire Bijia is made from a one-to-one replica of a cultural relic. The length is 74 cm, the shoulder width is 27.5 cm, and the hem width is 79 cm. It has a round neck, double placket, narrow shoulders, and left and right trains. The moon-white solid yarn is woven with swastikas and four-in-one clouds. The fabric has a dark pattern and is trimmed with red gauze.

Shen Yue didn't recognize the shape and thought it was a vest. She thought the color looked pretty good.

Pu Xiuxiu went to greet her: "Qiqi, I didn't expect to see you here."

"I knew right away that Chun Juan would definitely invite you to try out the new book today," Tao Qiqi said. "This is a replica of the Ming Yue White Dark Flower Shabi Jia that I made together with my team."

After her popular science, Pu Xiuxiu and Shen Yue learned that Bijia is a sleeveless, collarless double-breasted waistcoat that reaches to the hips or knees. It first appeared in the Yuan Dynasty and was originally a regular uniform for the emperor. By the mid-Ming Dynasty, a trend was formed, which spread among the people and became a popular costume for young women.

Like what Tao Qiqi is wearing now, Bijia is usually worn in a long-sleeved shirt, outside a coat, and a skirt on the lower body. Starting from the Ming Dynasty, horse-faced skirts became popular, so Tao Qiqi wore a horse-faced skirt today.

"The word 'horse face' first appeared in "History of the Ming Dynasty", 'Yisa, the back piece is continuous, and there are swings on the sides, the front piece is in two sections, and there are horse face pleats on the bottom, rising to both sides.' "Tao Qiqi told them, "But the history of the horse-faced skirt can be traced back to the Song Dynasty, because the skirts in the Song Dynasty already had the shape of the horse-faced skirt."

In order to make it easier for women to ride donkeys, women in the Song Dynasty designed a more functional "skirt with crotch openings", which is the spiral skirt. Meng Hui said in "Slit Skirt" that this type of Song skirt is composed of two areas It is composed of equal and independent skirts. When making the skirt, the two skirt pieces are partially folded together and then sewn to the skirt waist.

"Some unearthed cultural relics also have clues of horse-faced skirts. For example, a statue of a Song Dynasty maid in the painted pottery of Jinci Temple in Shanxi has the shadow of horse-faced skirts," Tao Qiqi continued, "The whirling skirts from the Song Dynasty developed to the Ming Dynasty and gradually formed During the Chenghua period of the Ming Dynasty, horse-faced skirts officially became popular, but the texture, decoration and color of horse-faced skirts were strictly different among different classes."

Shen Yue didn't understand: "Why are you trying to kill someone with such a high standard of clothing?"

Jiang Chunjun blushed and said: "Because this is a script store I opened specifically for players to experience the new product 'Xiu Chunguang', and I also want to discuss cooperation with the tourism bureau in the future. We can do it in real-life attractions. Create a special script for tourists to immerse themselves in the real history."

Pu Xiuxiu's scalp felt numb. This Jiang Chunjun's ambition could not be accommodated in such a large script. His true ambition may have spanned China for five thousand years!

Note: This chapter is related to horse-faced skirts, refer to Qi Ziyu. Research on the shape of horse-faced skirts in the Qing Dynasty [D]. BJ Fashion Institute, 2012, Cao Xue, Wang Qunshan. From slit skirt to Luo Ruifang—— The development history of horse-faced skirt[J]. Art and Design (Theory), 2016(10):108-110.
Chapter completed!