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The four hundred and seventieth nine chapters [sympathy with each other, experience of death]

After this chat, Christopher Nolan began to ask Liang Kun about his ideas during filming, as an important reference.

Nolan found that when a scene is not sure which scene to use to shoot, Liang Kun always makes reasonable suggestions, which is much better than the assistant director. It is not that the assistant director is incompetent, but that Liang Kun is outrageous.

If Liang Kun didn't say anything, they would have to discuss it for a long time and try shooting at multiple angles over and over again.

Nolan's reaction speed cannot be compared with Liang Kun's B-like situation. The two deputy directors have a deep understanding. The actors don't know because Liang Kun is whispering to Nolan and will not steal his limelight.

Liang Kun loves to show up, but he also has a limit and knows how to stop. He spends most of his time playing soy sauce, and he will only tell his own thoughts unless Nolan takes the initiative to ask him.

At Nolan's home court, even if he knows some of the scenes in full swing, he cannot speak them carelessly in front of everyone. Otherwise, he would not be here to learn, but he would be here to ruin the situation.

It’s not that Liang Kun’s current directing level is better than Nolan, but that the two have different perspectives in making movies.

Nolan only has scripts, and his mind does not have a complete film as a reference like Liang Kun, so he has to fumble and shoot. Liang Kun is different. If his suggestion is wrong, the system assistance will make him feel uncomfortable. When he feels comfortable, everyone on the set will feel comfortable.

The normal filming process is very complicated. There are not many good directors in the world because only a few people have extraordinary creativity. In China, even Zhang Yimou has obvious weaknesses in filming. He is a photographer and the pictures are very beautiful, but the story is not well told.

Lao Touzi has always had this problem. This was the case when filming "Red Sorghum", but the story was still not well told when filming "The Great Wall". From the perspective of storyline, he has not even made any progress.

The second half of the movie "Red Sorghum" changed from Qinchuan's style to the War of Resistance Against Japan. The story style changed so quickly that it caught people off guard. It made people wonder if the first and second half should be placed in the same movie? He was almost collapsed after half of the filming of "The Great Wall". I don't know what the plot will be.

The drama "Deadly Magic" is not easy to shoot. Nolan is a typical film control. He also has a special liking for IMAX cameras. He likes real scene construction in movie scenes, so he can use less special effects.

When choosing a scene, performing actors, making makeup and styling, you have to try every aspect over and over again to find the best results.

Only Scarlett Johnson has a relatively easy scene. She just needs to wear sexy clothes and be responsible for beauty. For Scarlett, this vase character is a bit insignificant, and it is too easy for her to complete the task.

She only has a few scenes to show her acting skills, such as Angel wants her to go to Boden to steal magic secrets and act as an undercover scene. Because Angel's magic was successful, she kissed him happily. After hearing Angel's words, her face changed. When the other party wanted to kiss her again, she turned her head and avoided it.

During the repeated discussions with Nolan, Liang Kun's "film and TV drama directing" skills were rapidly improved, and at the end of February it reached 67%.

He is really thinking about learning and preparing for the new films "Escape Room" and "The Disappearing Love".

He has filmed movies and communicated with his subconscious mind. There are some pictures in his mind, which is easy to shoot. But what if he has filmed movies that he has never seen in the future, what about a truly original movie?

Liang Kun knew that relying too much on system training assistance may not be a good thing for him.

In the future, when he has never seen a movie, he may lose his standard when there is no picture in his mind. At that time, he had to grop like Nolan and develop the habit of fearing trouble. When he is excited, he may become a tyrant like Michael Bay.

He has the skills of a B-level top student and a smart mind, and can improve his strength through learning. In the future, even if he does not have system assistance and does not have memories of his previous life, he will still be very powerful, and that is the right way.

Liang Kun can learn it well, all he needs to do is to spend some time.

The more you study it in depth, the more Liang Kun feels it is really difficult to make a good movie. It is not enough to shoot a script, and editing is also a science. No matter how well the director shoots, it is useless to not edit a good story.

For movies, screenwriters are the first wave of creation, shooting is the second wave of creation, editing is the third wave of creation, and then the final film presented to the audience. Editing is the last level of the movie, which has a crucial impact on previous screenwriters and shooting. If you don’t do it well, you will create an inexplicable castrated version of the movie.

Liang Kun discovered many of Nolan's advantages. First, he was careful in making movies and would constantly think. Second, he would find a unique topic for his movies. Third, he was conducting a layered narrative. Before shooting, he had spent a lot of time writing stories.

There is one thing that the two have a particularly consistent idea. The most useful way for a new director to enter the film industry is to find a script and stick to it. Find something that only you can shoot but others can’t shoot, even if it doesn’t meet the public’s expectations.

To put it bluntly, it is to "open your brain" in the movie, making you look very alternative. Nolan's editing method is unique, and Liang Kun's "Happy Death Day" filmed a unique story.

A mediocre director would choose to tell a story in a straightforward way, but Nolan used a diary to promote the plot. The film uses flashbacks and flashbacks, which makes the audience need to carefully consider and watch repeatedly to fully understand the development process of the entire story and all the details in the film.

If Liang Kun hadn't watched the filming of the filming on the crew, he would never have thought of how Nolan would edit it. Now, they have become friends who appreciate each other very much.

Nolan already has plans, and the next film says that Liang Kun will be invited to work together. With such a partner, he will get twice the result with half the effort.

Liang Kun can also play as an assistant director as an actor, but the other actors are just actors and may not be able to act well.

Nolan likes to use actors he has worked with. The cast of "Inception" and "Batman 3" are almost the same. Like Zeff, Tang Laoshi, Cotillard, the old housekeeper, and Watanabe Rim are often together. Anne Hathaway later also starred in "Interstellar", and Killian Murphy has participated in Nolan's films four times.

As long as Liang Kun acts well, he will definitely work with Nolan more than once.

How much does he like to use acquaintances?

In "Batman 3", he asked Tom Hardy, who was 175cm tall, to play the villain Bain, and he played it very unmotivated.

Bain wore a mask throughout the whole process, and his acting skills were not very high. He could find a strong man above 190cm to play, similar to the "Demon Mountain" in Game of Thrones. As a result, Teacher Tang got on wearing high-enhancing shoes, which was still shorter than the 183cm version of Batman. This fighting scene was seriously ruined...

Not only Nolan, but almost everyone on the crew believed that Liang Kun was a good actor, because Hugh Jackman and Bell like to ask him to discuss the details of the performance. When they didn't do well enough in some details, Liang Kun could make some good suggestions.

Scarlett occasionally joins the discussion, mainly listens, and takes advantage of this opportunity to learn.

The two male protagonists performed well in the film, both of which were outstanding. Bale played two people, while Hugh Jackman played many people.

Bell can clearly perform the subtle differences between twin brothers, and before the mystery is revealed, it feels like Boden schizophrenia is being revealed.

Hugh Jackman is even more awesome in this film, and he performs a huge difference. He plays Angel, an alcoholic actor and a replica. No matter which role, he doesn't look like "Wolverine" at all in this film.

If people like Bell can talk to Liang Kun in terms of performance, it proves that Liang Kun has two tricks.

It is actually normal for them to talk to, and they both tend to be "showing crazy people".

Liang Kun practiced the experiential school in China, and discussed with Lin Jiadong and Zhang Guorong how to get into the role better. In addition, he has the special ability to get into the role, so he gradually formed his own theory when acting. His path is relatively wild, and Hollywood actors will find it very novel after hearing it.

Bell is an iconic experiential actor. This guy is a pediatrician who gains weight and muscle. The weight loss method without a bottom line is even more terrifying. It’s not for acting, but for dying.

In addition to talking to Liang Kun about the performance in this drama, Bell also talks about how to make his figure look like a blow-blown, sometimes fatter and sometimes thinner.

Liang Kun said that he also wanted to try different body shapes in the future and asked Bell to share his "death experience". In fact, he wanted to find a reasonable excuse for a significant change in his body shape in the future.

He can use the red prop "body adjuster" to make him lose weight and lose weight, but if he can't tell the method, others will find it strange. If he plays a special role in gaining weight and losing weight in the future, it can be said that he learned from Bell to hide the fact that he cheated.

Hugh Jackman is not bad either. He has excellent acting skills in the stage drama. He can play the rough Wolverine, the demeanor of a warm man, and the homosexual. This time he acted great.

There are two types of actors, one is to act like whatever they play, and the other is to act like everything themselves. The first is undoubtedly the acting school, and the second is generally called the true actor.

The true actors are not without acting skills. The expressions and body movements of good true actors are also very natural, and their emotions are sincere, which makes the audience feel strongly immersed. If such actors encounter good roles that match their personality and temperament, they will shine and even create classic characters. "Brother Hammer" Chris Hemsworth is the true actor.

Liang Kun wants to be the first type of actor. He has a premonition that as long as he "practices" himself a few times in Bale's way, his acting skills will be widely praised in Hollywood, and his skills will break through the bottleneck, from B to A.

Liang Kun couldn't keep learning on the crew of "Deadly Magic". There are other things to do. Some things are his responsibility, such as accompanying his girlfriend.

Of course, the girlfriend is not referring to Teresa. Liang Kun just let her live in a villa and entertain herself, and she doesn’t have to bear any responsibility for her. But the three girlfriends in Asia who have already confirmed their relationship cannot.

As March begins, Son Ye-jin wants to come to the United States for vacation and can stay in Los Angeles for two weeks.

She had few chances to meet Liang Kun, and she was the least of the three girls. Liang Kun agreed without considering it...
Chapter completed!
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