Even the four-eyed boy who only appeared in one or two scenes on the bus was so alive!

"What a strong character creation ability, this Han Sen... is so awesome!"

Xiang Yihua looked a little excited. After taking a deep breath, he closed his notebook and quickly walked out of the cafe. As night fell, he placed the phone call to the other end of the world, China.

Tan Gaohan was in a meeting when he received the call, but when he saw Xiang Yihua's name, he immediately suspended the meeting and got up to answer Xiang Yihua's call.

"Director Xiang, how do you read the script?"

"Finished reading."

"What do you think?"

"I can't tell you, this "Kung Fu" is a type of comedy that I have never tried before, but no matter what type of comedy it is, as long as it can make people laugh, it is definitely a wonderful comedy!"

Xiang Yihua said seriously: "Mr. Tan, I want to meet Han Sen."

Tan Gaohan smiled and said: "No problem, but it will take a while. Han Sen is currently rehearsing for a concert, and his schedule is also very full. You know, he is very popular."

Xiang Yihua's excitement slowly declined, but his tone remained firm: "Time is like water in a sponge, if you squeeze it, there will always be -"

After a pause, he continued: "I want to talk to Han Sen. Just talk on the phone. I have finished reading the script of "Kung Fu". I have a few questions in my heart and I want to ask Han Sen in person."

Han Sen is the creator of the script. If the director has any doubts, he will naturally communicate with the screenwriter as soon as possible. This is normal. What is even more normal is that the director directly skips the stage of communicating with the screenwriter and directly creates a second creation.

The finished film may therefore deviate from the original work.

In view of this, Tan Gaohan still gave Han Sen's contact information to Xiang Yihua, and asked Xiang Yihua to call back later, because it was morning in China, and artists' schedules have always been somewhat reversed. Han Sen might be sleeping at the moment.

.

But Xiang Yihua didn't have any worries. After hanging up the phone, he impatiently called Han Sen.

In fact, Han Sen had already gotten up and started morning exercises. After the Donghai concert, he returned to Beijing and started physical training. Only good physical fitness can support the singer's lung capacity.

After receiving the call from Xiang Yihua, Han Sen was not too surprised, because Tan Gaohan had already told him the names of some director candidates for the "Kung Fu" drama.

And Xiang Yihua's name is clearly on the list, and ranks first.

"Han Sen, I would like to ask, do the characters in the script "Kung Fu" have real prototypes? Does Zhulong Village really exist? And the moves described in the script, are they original to you? Or..."

Xiang Yihua asked many questions, sounding excited and excited,

And Han Sen's thoughts gradually drifted away along with these questions.

After all, he is not the real original author of the script, but his understanding of the script is not shallow at all.

In 1962, comedy master Mr. Stephen Chow was born in Kowloon Walled City, Hong Kong.

The place where Stephen Chow spent his childhood was also the prototype of Piggyong Village in "Kung Fu".

When she was 7 years old, her parents divorced, and Zhou's mother raised three children by herself.

Zhou's mother worked very hard to create a beautiful childhood for him, but Zhou Xingchi was still deeply affected. Deep down, he had low self-esteem, was introverted, and had no sense of security.

But besides his parents, there was another person who also influenced Stephen Chow. He was Bruce Lee, the creator of some martial arts moves in the movie "Kung Fu".
Chapter completed!