The handwriting above proves that this email address is not a attraction that is used to attract tourists.

He looked up at the post office opposite, Takiichi hesitated for a long time, raised his feet and walked over.

After completing the mailing procedures, it has become a part of Takiichi's daily life, and everything is so familiar.

I paid the money and posted the stamps, and when I came out.

On both sides of the street near the park, thriving cherry blossom trees.

Standing vibrantly in the circled area, passers-by seem to have become accustomed to the scene where cherry blossoms can be seen everywhere.

Although the Kyoto people are elegant in their hearts, everyone's walking pace is still so fast in such a city.

Takiichi instinctively held the SLR, like a free artist, photographing around the cherry blossom trees on the side of the street.

If you change to a specific cherry blossom viewing point or in the countryside, the scene in front of you will definitely become a striking landscape.

The thick cherry blossom branches are winding and confronting the direction where the sky is located.

The roots are firmly fixed on the ground. The roots inside and the petals on the branches seem to be closely related to the world.

Just at this moment, a little girl in a princess dress appeared in Takiichi's vision. She naively picked up the cherry blossom petals that fell on the ground little by little.

Looking around, only a young couple stopped in the distance, looking at the scene with a smile.

"Click~"

The pictures that touch the soul are often always inadvertently.

At the moment when he looked at the little girl, Taki raised his camera and recorded this heart-wrenching scene.

It took two hours and eleven minutes to ride the "Hope" Shinkansen, and it cost 12,710 yen.

After leaving Ikkiji Temple, Takiichi transferred from Kyoto and finally arrived at his second stop, Tokyo.

As the city where the university is located, this land in Tokyo is not the first time Takiichi has set foot on it.

Suka Shrine is located in Suka-cho, Shinjuku, Tokyo.

Take the JR tram Sunwu Line and get off at Shigu Station.

According to the navigation on the mobile phone map, after walking for more than ten minutes, I finally saw the picture that only exists in my memory.

These days, the work that lingers on Taki Yixin's head like a dream.

"Your Name", one of the realistic filming locations is here.

In today's world, Makoto Shinkai's name does not appear in the animation world of Sakura Country.

People have never watched "The Courtyard of Yes" or "The Voice of the Stars"...

If you want to enter the Suka Shrine, you must first step on the ten steps in front of you.

At the end of the movie, when Miyamizu Miyaha and Taki Taki met again after a long separation here, they almost passed by on the steps separated by the red pole in the middle, successfully challenging the little hearts of many viewers.

Standing under the steps, Taki held up the SLR and took a photo of the cement stone tablet erected on the wall on the right side of his body.

To be precise, the filming location of the movie is on the top of these ten steps.

Before "Your Name" was released, it was just a street view of many old-style buildings located in Shinjuku District.

From left, middle, and right, three long red support poles draw two lines one by one.

It’s like people passing by here, one is moving upwards and the other is moving downwards, all kinds of people, two different lives.

A few photos were taken below, and as references to future drawings, Takiichi hung the camera back on his neck.

Stepping up and down on the stone steps leading to the shrine, this shrine, located in a turbulent but a pure corner, rarely welcomed a guest at this moment.

The Suka Shrine is a legendary master of Suka and Inari, which have been in existence since the Edo period and have been supplying the legendary master of Suka and Inari for three hundred years.

The precious "Thirty-Six Songs of the Shrine" is preserved inside the shrine, which is a well-known tangible cultural property in Shinjuku.

Here in the sunny world, it is really like being in the 2D landscape.

In the red Torii, the daimyo of the shrine is written in Chinese characters between the plaques above the main entrance.

Due to the erosion of time, the stone bricks on the ground carved with gravures have not brought much freshness to Takiichi, except that they look much larger than Miyamizu Shrine.

Perhaps, whether it is the Suga Shrine in Tokyo or the Kitarakumiya Shrine in Hishi, Kyoto Prefecture, the external style is shaped by a template.

Every year, the Suga Shrine holds traditional activities to exorcise ghosts and evil spirits on the day before the festival, namely the beginning of spring, summer, autumn and winter.

At that time, I would see staff in the shrine wearing black hats and water dry clothes selling amulets filled with lovesickness.

This is an item used to pray that he can meet a good marriage in the future. Takiichi spent money to buy a lot of small gifts because of his curiosity.

There are guards (talismans), and...painted horses...

In Takiichi's perception, painting horses is a form of wishing for Chinese people in cherry blossoms.

It was roughly born in the Nara era of Sakura Country, and there were two types of painted horses: large painted horses and small painted horses.

Large-painted horses are similar to plaques and are relatively rare. They are generally referred to as small-painted horses commonly used in the folk.

Write your wish on a wooden sign about 15 cm long and about 10 cm high, and put it in front of God, and pray for God's protection.

Painting horses, painting horses, as the name suggests, the horses are drawn on them.

However, this is the original form of painting horses. Later, the pattern of painting horses became more and more abundant, and the content related to one's own wishes was drawn.

There are very few tourists during this period, which greatly facilitates Takiichi's photo shoot.

It took half an hour to walk around the entire shrine. Before leaving, Takiichi bought a horse-painted card from the staff of the shrine.

Use a thick black line pen to draw a horizontal line in the middle of the horse-drawn card.

In the upper right and lower left corner, two lifelike cartoon men and women slowly appear on the surface of the horse painted.

On the upper right is a cartoon portrait of Sakura, which is depicted according to Takichi's impression.

In the lower left corner is myself, both of whom only reveal a small head.

Facing the remaining space, Taki lowered his eyes and slowly wrote two passages with an extremely pious heart.

"Who is there for him? I have no questions. It will open in early March, and wait for you before you."

"Dunday is the moment of demonic encounter, it is you and I who meet each other, but I can't see each other clearly. I asked your name over and over again, only remembering that I once liked you."

The previous paragraph comes from the earliest collection of poems in the country of Sakura, "The Collection of Wanyes".

Its status in the country is equivalent to the Book of Songs from neighboring countries.

The "September Dew Wet" in the original text was changed to "Early March" by sakura, and was later written at the end of a letter and sent to Takiichi at home.

The latter paragraph is Takiichi's favorite explanation of the previous paragraph.

After writing, I looked at the painted horses hanging on them with white ropes in front of me.

Takiichi smiled, lowered his head and took out the thing he used to make a wish from his pocket.

"Dang~~"

With a sound, among the many painted horses hanging with white silk ropes, only their own silk rope is red.

Takiichi's original intention was not to attract guests who came here to visit in the future, but to think that only in this way can he be more spiritual.

He took a few steps back slightly, and after taking the photos as a memorial, Taki left here without looking back.
Chapter completed!