Casey Affleck has been in the industry for 28 years and met "Manchester by the Sea". Just like his brother, Ben Affleck, who has been in the industry for 19 years, met "The Lost Lover".

Their own temperament plays a very important role.

Ben Affleck's face and stupidity on his body gave people a hint that he was the one who could do that kind of stupid thing.

For example, at a press conference, people asked him to stand in front of the missing wife's photo and "smile".

He just...really...smiled.

Almost squirted to death by the people of the whole country.

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Casey Affleck's tender face is a flaw in other movies, but it becomes an advantage in "Manchester by the Sea".

It's the kind of slut who doesn't feel responsible and takes self-confidence after getting married and having children.

Such people can do things like buying alcohol in the middle of the night, and the fire will cause the child to suffer.

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This is the problem Guo Caijie is facing now.

Zhou Weitong, Di Lina and Chen Linger have insufficient performance experience and are average in acting.

If there are modern people around you, at most people can complain about their poor acting skills, and they will not be like this now.

However, now they are surrounded by ancient people from the late Eastern Han Dynasty. Their temperament, acting skills, or even no need to act, and every move is perfectly in line with the script.

The modern temperament of Zhou Weitong, Dilina, and Chen Ling'er seem out of place.

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Now, since what Guo Caijie does cannot be "natural" like, it can only be compensated by "acting skills".

There are two genres that improve acting skills, one is the "expressionist school" and the other is the "experienceist school".

The "Expressionist School" emphasizes the character's personality through external expressions based on understanding the character's soul, including sound and body, props, specific expressions, label-like actions, etc.

The "experimental school" believes that actors should think about what the characters think, think about what the characters think on the stage, try to get into the characters, and then express the characters' emotions.

This immersive experience is very dangerous and makes the actor still immersed in the role after filming the filming and unable to get out.

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Experiential performances: Tony Leung in "Infernal Affairs", Heath Ledger in "Batman: The Dark Knight", and Kate Winslet in "The Reader".

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Among them, Heath Ledger was completely integrated into this villain "Joker". Heath Ledger's approach at that time was: lock himself in a room in a hotel in London for a whole month, and every day he used records to study the voice and habitual movements of the clown until he was satisfied.

In 2007, he played the role of the big villain "Joker" in "Batman: The Dark Knight".

On January 22, 2008, Heath Ledger was found dead in his New York apartment and committed suicide at the age of 29.

In February 2009, Heath Ledger won the 81st Academy Award for Best Supporting Actor.

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Examples of method-school performances: Tang Wei in the second half of "BJ Meet Seattle", Natalie Portman in "V-word Vendetto", and Jim Carrey in "The Disguised Strange".

On the road of method-based performances, Hong Kong actors have reached the extreme, and Hong Kong films are extremely fast. Ng Mengda once made three movies a week and had to return to TVB TV series to make guest appearances.

Under the polishing of this high-intensity work of hundreds of hours a week, an old TVB actor often reserves dozens of laughter, dozens of crying, and dozens of anger in his mind...

The actors will use the emotion the director needs immediately.

This requires the actor to have rich experience, social experience, strong emotional memory and control of muscle expressions.

Many people can only be "old actors" throughout their lives, and those who truly reach the peak through the method school require strong talents.

Among them, the representative figures are what they play, who won the Best Actor Award for Four times, "Thousands of People and Thousands of Faces" Tony Leung.

From the height of the temple when he first appeared on the screen to the far away world when he was happy with his grudges;

From the dusty city prodigal son to the graceful exotic state;

From a cowardly scholar who is stupid and silly to a brave and fierce gangster, the movie images created by Tony Leung are almost without any repetition, and they can accurately grasp the pulse of the characters and achieve harmonious unity of the characters' personalities and specific environments.

He is funny and humorous, with sharp skeletons but very character, very classical charm but also very heroic. You can't see which type of actor he is.

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The two major performance systems have produced many great actors, no distinction between high and low.

Guo Caijie himself prefers the experiential method. After all, acting in an ancient war movie is the most difficult for experiential actors.

And being able to transcend time and space to the late Eastern Han Dynasty, in the tents of tens of thousands of troops deep in the depths, this perfect immersive experience is the experience condition that any experiential actor dreams of.

Moreover, based on observations these days, Zhou Weitong and others are not talented actors like Tony Leung and Natalie Porter.

Their advantage is that they are beautiful enough. If they can compete for the position while they are young, they can still rest assured when they are old and lose their lust.

Otherwise, I will always be old in the future, but I may not be able to become an "old actor".

Either an old actor or an acting skill.

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"That's pretty good, just for them to hone their acting skills, right?" Goro poured another bowl of wine and said.

"The problem is that Beijing Film Academy and Central Opera all highly valued the experience school of the Soviet Union's КСС Stanislavsky. However, the Magic City Performance Academy focuses more on the method school. It is a bit difficult to make them turn around now," said Guo Caijie.

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After several months of life experience, Zhou Weitong, Di Lina and Chen Ling'er suffered a lot.

Dilina and Chen Ling'er began to slowly enter the role, putting their emotional thinking into the role, and truly adapting to the two roles of Ma Yunlu and Huang Yueying.

Zhou Weitong's role is the daughter of Lu Bu and Lu Lingqi's role is a little worse.

Some people are born not suitable for acting.

The actors still need a little inspiration and talent. Zhou Weitong is the hardest-working among the crowd, practicing equestrian day and night, and using Fang Tianji.

The palms were bleeding, and the skin turned wheat-colored due to exposure to the sun.

Zhou Weitong can already be a soldier in the Western Liang army.

However, as the strongest combat power of the Three Kingdoms, the daughter of Lu Bu, the god of war in the Kansai Army, this is obviously far from enough.

Zhou Weitong never mastered the charm of this character.

However, the shooting is still going on.

In the middle, Li Xin traveled back and forth in the 21st century and purchased a large amount of 3k film. The original budget cost of film shooting in the film was overdrawn by 350%.

Every link in film production has strict funding control, and the meticulous Newton and Wang Lang, the chief manager of the Golden Lion Fund, are responsible for the property.

Even director Guo Caijie cannot embezzle special effects funds or promotional funds to the shooting stage.

Guo Caijie and Li Xin have begun to use their own private funds to subsidize and purchase films.

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Chapter completed!