Chapter 240 Composition

I think of the weight of the times and the dream-like Zen feeling of life.

Xie Yu couldn't help but think of "Fifty Years of Life", a Japanese song written by Oda Nobunaga, a man known as "Japan's Sixth Demon King", which he had learned when he was in Gunma Prefectural High School.

I often think about the drifting and impermanent nature of the world,

Like morning dew,

The moon reflects in the water,

The prosperity of a moment is fleeting;

romantic figure,

Things are different now,

Fifty years of life,

Could it be bustling,

floating dreams,

go down in history,

Failure and annihilation,

It’s just fate and cause and effect,

in a moment,

What's the pity?

I arrived in Kyoto in a hurry and was unbearably worried.

The prison gate is shown to the public,

The head of Dunsheng,

He stole it and returned home to pass it on to the monks to worship;

Sigh like smoke,

The world is impermanent,

Fifty years of life,

Could it be bustling,

floating dreams,

Fifty years of life,

Looking at the world,

The past is like a dream,

He who was once alive,

How can it be eternal?

This poem tells the story of Oda Nobunaga's "fifty years of life, like a dream in such a war-torn era."

Although life only lasts for fifty years, in fact, in that turbulent era, human life was very fragile.

Hey, Xie Yu suddenly had some inspiration, "Like a dream, like a dream, like a dream...".

In some ways, this "Miko" is also a microcosm of Japan's Warring States Period. It is not only a flower, but also a "hero" or "hero", all created by the times.

Soon Xie Yu took out a pen and paper, and while making corrections, he imitated Oda Nobunaga's "Fifty Years of Life" and Mikohana's life, and filled in a short poem.

The wind is venting the sorrow of the world

in the silent starlight

Open your chest, burning blood

gather into a huge torrent

People are fascinated by dreams

Also born from dreams

Ah, no one knows

Ah, will the flowers of tomorrow also scatter?

Promise under romantic flowers

Drinking at the banquet under the moon

If you don't come back, you'll leave me alone (waiting in vain)

The flowers on the day of vows flew and fell on my shoulders

People lose because of faith

Also born by faith

Ah, no one knows

Ah, will the flowers of tomorrow also scatter?

The country is ruined, the city is ruined

The grass has withered, and only the wind whistles sadly

Ah, no one knows

Ah, that gesture of the wind

Ah, the flowers are conveying

Ah, that gesture of the wind.

Finally, Xie Yu thought about it and thought of a Japanese Noh drama, so he gave this little poem a temporary name of "Flower Style".

Then, Xie Yu took his guitar and began to explore some melodies based on the lyrics and the plot discussed by the main creator and editors.

According to this little poem, Xie Yu thinks about the wind and the flowing air from time to time.

What kind of figure and appearance it has, we cannot see it.

Only when the flowers fade and dance in the wind can we see the posture of the wind. This is one of them;

Secondly, the wind has no fixed posture. Doesn’t seeing the scene of falling flowers flying symbolize the capriciousness of life?

Thirdly, the posture of the wind can only be revealed when the flowers wither and fall. In other words, you don’t know the outcome of anything until the end.

When composing the music, Xie Yu knew that this was a Dahe drama with a woman as the protagonist, so she chose the style of music as delicately as possible, added more changes to the minor key in the way of expression, and even made the arrangement less repetitive in order to fit the overall plot.

I just finished the demo, and after Xie Yu strummed the guitar for a couple of times, I found that the melody was okay, but I still felt like there was something missing.

Only then, Bai Niao, with wet hair, walked into the house carrying a washbasin and saw Xie Yu playing the guitar.

He suddenly showed a happy expression and said: "Xie Sang, this melody is interesting. Have you composed the music?"

Xie Yu came back to her senses and said: "No, I just made some demos. I still need a lot of practice and audition. It's not that fast, but I already have some basics."

Shiratori: "Congratulations, Xie Sanda. Director Sanada also mentioned the issue of dubbing two days ago. I believe that as long as Xie Sanda can make a suitable song, Director Sanada will definitely give you a chance."

Xie Yu: "Thank you Bainiao for your comfort, and I hope it will be as you said."

After breaking through, Xie Yu realized something and asked anxiously: "White Bird, how do you wash up?"

Shiratiao smiled proudly: "The scenery of this village is nice, but the water, electricity, transportation, shopping, and education here are not convenient. Maybe you can experience it here for a month or two and say it is good, but you have to live there for ten or eight years.

99% of people will run away."

Xie Yu said again: "White Bird, why don't you just sigh and tell me how to wash up?"

Shiratori said awkwardly: "It's the water heater that Megu and the others made privately..."

Before Bai Niao could finish speaking, Xie Yu picked up his washbasin and rushed out...

The second day.

Director Sanada: "These buildings will catch fire during the attack, and then one building will fall to the other. When the building collapses, a certain amount of wood fragments, dust and sparks will be ejected from the building that was hit.

, making the scene look more natural and spectacular..."

"Shiratiao, Xie Sang, you must be prepared. Because of the cost, we have no chance to do it again."

Xie Yu and Bai Niao said at the same time: "Hi! Got it."

"Also, the watchtower will also be pushed down by the attacker. When the tower tilts to a certain angle, the stuntmen on it will be pushed out by the compressed air, simulating the natural effect of being thrown away..."

"Bai Niao and Xie Sang must pay attention to safety, otherwise the Screen Actors Guild will not be able to spare me, and I will not spare you either."

Xie Yu and Bai Niao said at the same time, "Hey, I got it."

These days Xie Yu has basically completely integrated into Director Sanada's prop team.

The most important reason is Xie Yu's several "whimsical" decisions. For example, in the filming of this Dahe Drama war scene, war horses will definitely be used.
To be continued...