Chapter 133 The girl’s thoughts

Whether Tan Weixin is preparing to launch her anti-pirated career vigorously, or uses her far-reaching influence and power to torture the other party with many small actions, or even launches actions to promote intellectual property legislation in this era of underdeveloped communication, she will definitely enjoy the process with a cat-catching mouse mentality.

Tan Weixin also told Ye Tao about several heavyweight works that are being typed in Baowentang Bookstore recently: "Mathematics", "Economics", "Group Learning", "Design and Crafts", "Architectural and Structure". These books are textbooks that are circulated in a relatively small range. The first two books were adapted by Tan Weixin to adapt his knowledge according to the characteristics of this era, and some of the contents have been disseminated in a small range. "Group Learning" was a series of contents such as "Group Psychology" and "Management Psychology" that Ye Tao once said in the commentary hall of Yi Zhan Building, and later added several lectures to several lectures, and compiled with part of case analysis. "Design and Crafts" and "Architectural and Structure" are two textbooks that people cannot understand, such as design content, and the brothers of Ye's workshop

The old technicians who have served in Ye’s family for many years have already developed a rough concept and have been taught by Ye Tao in combination with practice. However, for others, the "design" of many abstract content is really difficult to describe what it is. The last book "Architecture and Structure" is a collection of cases based on architectural design drawings and written annotations to clarify a series of relationships between architecture and structure. The main cases included in this book are the buildings that Ye Tao participated in the construction of the past few years: Zhanyuan, Xunfeng Pavilion, Qingquan Village, Danyang New City Renovation Project and Qihai Tower. In terms of the content and organizational form of this book, even if it is placed in the era where Ye Tao and Tan Weixin came from, it is also a very high-quality work. For this era, it seems more profound and classic.

These large-scale works are not only the crystallization of Ye Tao and Tan Weixin's hard work over the years, but also have become the art and printing workshops in Ye's workshop, pigment and dyeing workshops, fine woodblock printing workshops and other institutions. The thickened white and delicate paper feels great, and this is the first batch of papers with watermarks in this era.

Paper with watermarks also needs to be printed with a shading process before it can become a material on the floor of several improved printing machines. The fine-grained printing workshop has prepared five patterns: cloud and water patterns, thunder patterns, auspicious beast patterns, flower and plant patterns, and bird patterns. All the technicians of the carving have followed Ye Tao’s old craftsmen who served in the workshop since Yicheng. They all inherited Ye Tao’s bad habits - leaving signatures in their works in an unobtrusive way.

After the shading printing, the main text is printed with metal movable type and specially made ink. The charts, drawings, pictures and other contents used in the book are all in metal etching prints. In the era when Ye Tao and Tan Weixin came from, this form of metal etching prints was still being used repeatedly until the 21st century, even if the production and layout were only made through computers. In this era, presenting this technical means and craftsmanship was an innovation in itself.

Even the binding of books is not the popular floor wire binding in this era, but the hot glue binding. Each book is covered with hard cardboard and sheepskin protection on the outside, and a thicker cloud-patterned paper cover is added to the outside. The cover of the sheepskin and cloud-patterned paper cover are printed with the title of the book in gold, the author and publisher... except that there is no copyright page. It is not until the mid-1990s that the reprint numbers of Chinese books began to appear generally. These books have a completely modern atmosphere... Except, these things are all "Traditional Chinese version".

The cost of printing books with such a stroke is extremely scary. According to Ye Tao, the book is basically printed on money. In terms of the technical difficulty of paper, printing and ink, this statement is factual, not exaggerated. In the five sets of books, each set of ground prints is only 300 sets. These 300 sets. Except for the sample books that the author, the editors and publishers want to leave, the royal palace, the Imperial College, the Imperial College, etc., the maximum number of archived books is left. In addition to the twenty sets left,

The set of books is used as the best reward for students from the Imperial College and Imperial College in the next four years, and the rest are given to the ministers of the current dynasty, retired old ministers, and noble families who have great influence on national economy and people's livelihood. On the one hand, it is to solicit opinions from everyone. On the other hand, it is also recognized that these five sets of books have the role of assisting decision-making in national policies. When this set of books is officially issued, a very deterrent decree will be issued: Those who circulate these five sets of books or the contents of them to other countries will be punished for treason.

These five sets of books also allowed Tan Xiaopei and others to see the importance of theory by many ministers in Dongping. These things are not so-called "Pingliamentary Strategy", "Revised Sea Tax Commercial Law", and "Twenty Years of Pingxiling Consultation", but works that extract abstract concepts from concrete events and data from countless history and reality and organize them. They are not to analyze specific events and target specific enemies, but to a general summary. For a country like Dongping with a strong understanding, the value of these things is at least not lower than those specific methods.

Advanced economic ideas, ideas about state regulation, economic entity development, etc., and discussions on the monetary and economic system that are circulated in "Economics" can allow people who are extremely sensitive to economic affairs to see a new development picture. However, no matter how upset everyone is, everyone understands one thing. When they tried to prevent Tan Weixin from passing the long-term plan for monetary reform, they had closed the door to let Tan Weixin preside over Dongping's economic development.

Whether it is Tan Weixin's intelligence, talent, rebelliousness and stubbornness, it definitely proves Tan Xiaopei's original evaluation of her: If she was a man and if she had a good body, he would be a hero who could make the world tremble.

Tan Weixin, who was not interested in becoming the hero, seemed very satisfied with her life in Ninghe Town. Since she had just started taking Shengji San, Fenghenian asked Tan Weixin to stay in Ninghe Town for a month and leave when she took the second Shengji San. He will also stay with Tan Weixin and research a series of drugs to assist Shengji San for Tan Weixin's physical condition to speed up Tan Weixin's physical recovery process, and even put forward some other health advice.

In this way, Ye Tao and Tan Weixin were both stranded in Ninghe Town, a small place. Although Han Dong was happy that he had the opportunity to show his face in front of the Governor and the Princess' Hall, the total number of 2,000 officers and soldiers stationed in Ninghe Town and nearby also indirectly promoted the economic development of Ninghe Town.

Tan Weishi was a little frustrated. She couldn't keep wandering in front of Ye Tao. After all, she was a princess and was here to accompany her sister in name. So she had to pull Dai Qiuyan around Ninghe Town. Although Dai Qiuyan was attached to Ye Tao, she also cherished friends like Tan Weishi, so she brought her painting tools and played with Tan Weishi, and saved the beautiful scenery one by one on the scroll.

There are no other adjectives to Dai Qiuyan's painting tools except luxury. Various brushes, pigments and auxiliary products are loaded with a carriage. The mainstream paintings in Dongping and even the entire mainland are still ink and wash. One of the reasons may be that pigments are difficult to find and cannot form production scale at all. Dai Qiuyan has several sets of things such as gouache, watercolor, oil painting, water-based Chinese painting pigments, lacquer decorative pigments, etc. Most of these pigments are about as expensive as gold of the same weight.

Drawing is definitely a physical job, very patient, and Dai Qiuyan, who loves painting more and more deeply, still has the opportunity to learn. Although Cassandra, a girl from the Aegean region, did not receive systematic painting training when she was a child, her hometown's art style still left a deep impression on her mind. The group of Persian craftsmen who came recently who studied construction technology under the Yeshi Workshop and the Daishi Construction Bank brought another completely different art style. As the only daughter of the owner of the Daishi Construction Bank, as the young lady of the Yeshi Workshop, as the young lady of the art field, as the art of the Yeshi Workshop, but

Ye Tao's fiancée, who has mastered different art styles, dare not and will not offend her. She has helped her curiosity and studious with all her strength. Dai Qiuyan, who is young, has already integrated different art styles into one and used her flexibly. Even Ye Tao, whenever he sees the portraits of the characters drawn by Dai Qiuyan on rice paper, the scenery and the market have a feeling of confusing time and space. Such paintings. Ye Tao has seen them in auctions of works by some Chinese painters before...the style that combines Western perspective and skills and is proficient in using traditional Chinese painting mediums.

In Danyang, many noble and famous socialites are proud to let Dai Qiuyan agree to draw a portrait for herself. But in Dai Qiuyan's heart, who only focuses on "Ye Tao, painting, arrangement, and arrangement", those are all troublesome things. Only this enthusiastic good friend Tan Weishi always takes her to draw again and again. And those who have been seen by the kings Tan Xiaopei, queen Zhuo Xiu, general Zhuomang, and the two princes and two princesses are almost in the royal family. However, Dai Qiuyan's reputation has become more and more famous.

Dai Qiuyan's idea is simply naive. But she often makes a judgment on a person inadvertently and sometimes when she chooses the form of portraits. The portrait of Tan Xiaopei drawn in thick ink fully demonstrates the extremely unified temperament of the kings of Dongping throughout the dynasties: she looks like a general and looks like a king. The portrait of Queen Zhuo Xiu is presented on the canvas with oil paintings and extremely delicate brushstrokes, fully demonstrating Zhuo Xiu's graceful, elegant, meticulous and rich characteristics.

However, only a few people including Tan Weishi knew that Dai Qiuyan's favorite and best-for-nothing painting form was sketching. Just like she was sitting leisurely under the shade of a tree on the hill, overlooking the canal channel at the foot of the mountain, trying to use her own pen to accommodate the work site into paper.

What Tan Weishi admired the most was Dai Qiuyan's method of organizing and enriching the lines that looked messy. Ye Tao had not yet made the thing called pencil, so Dai Qiuyan's sketching tools were still fragile graphite strips. Dai Qiuyan's right thumb and index finger gently held the "simple pencil" that wrapped the paper roll that made the graphite strips less likely to break, so the tip of the pen was then trampled across the rough paper surface. After the simple lines were arranged, the winding river channel appeared, hills and huge rocks appeared.

Then, the shed appeared on the edge of the river. With Dai Qiuyan's pen, the simple figures appeared on the paper, but they all had distinct characteristics. Some were civilians carrying soil and rocks, some were strong men stretching their muscles and bones to continue digging the earth, some were foremans who shouted and asked everyone to add some strength, some were officials standing a little higher and looking at the progress of the project drawings, some were women and elderly people cooking at the edge of the river construction site, and even children watching the lively scene with curiosity.

In the vast scene, there were only a few hundred characters appearing vividly in the scroll. What was even more amazing was that Dai Qiuyan seemed to randomly painted a few strokes in the open space of the picture, and then used her finger to wipe the traces left by the graphite rod. Suddenly, it seemed that the dust flying everywhere in the air could be seen in the picture with labor. It was simply amazing.

"Qiuqiu, why don't you use sketches to help me draw portraits? You're so well." Tan Weishi sighed. Sometimes she also wants to draw such paintings herself, but she once saw Dai Qiuyan's practices accumulated over the years since she started studying and has accumulated over the years. The weight of the drawing paper alone can wipe out all her courage to learn to draw.

Dai Qiuyan scratched her face and unconsciously got a little trace of graphite on her face. "I am the same as you, my face is a bit flat, and it may not look good when I draw it. Besides, I have drawn many pictures for you. This one is not bad. It is difficult to preserve the sketch portrait."

Tan Weishi said helplessly: "Yes. But Sophie's sketch portrait is really beautiful."

Dai Qiuyan actually said proudly: "Of course, Sophie is so beautiful, that Brother Ye likes her so much."

Tan Weishi snorted and said, "You girl is not jealous."

Dai Qiuyan blushed and said, "Everyone likes Brother Ye, why care so much? But when will your sister marry?"

Tan Weishi was stunned for a moment and said, "Bao, what does it mean to marry? You must be more than my sister's back... I'll have to wait this autumn, after Brother Weiming gets married. There are a lot of things to be arranged in the inner palace, and the ceremonial guards are not short, and it must be next year. In fact, our Tan family is already very unruly. Especially in these generations. If boys were in the past, the sooner they got married, the better. If they were born, they should have children and leave offspring. Girls, they should marry those who are higher than their military vocational vocationals. Therefore, the women in our Tan family marry many older men who are much older than themselves. However, my sister is as old as my brother-in-law. If my sister was not dying at the beginning, she should have the same birthday on the same day."

Dai Qiuyan tilted her head, and the pen in her hand did not stop, but asked a very lethal question: "What about you? Have you ever taken a fancy to whose young man you have?"
Chapter completed!