From the time he wrote a song for the first time at the age of 12, to this year, Yan Ruozhi has written songs for eleven years.

More than a hundred works have been published.

Among them, there are 7 hot songs with the APM hot index (a comprehensive indicator of the number of fans downloads and singer covers) reaching C-level.

1 B-level hot song.

1 A-level hot song.

There are currently no super hot songs from S-level and S-level.

This transcript is already extremely powerful for a young creator who is only 23 years old.

Looking at the entire history of the development of the Chinese music scene, a creator who could produce such a beautiful transcript before the age of 23 can count it with one hand.

In terms of creative achievements alone, Yan Ruozhi is considered a rare genius woman in China.

Yan Ruozhi has always been very confident in writing songs.

But after listening to several new songs from Jiang Dongliu, Yan Ruzhi was a little "frustrated".

She felt that there were enough music styles she could control. It was not until she heard so many songs from Jiang Dongliu that she understood what a genius-level control power was.

Every piece of Jiang Dongliu's works can make people feel a different taste.

A professional musician can particularly intuitively feel the essence and inspiration of Jiang Dongliu's style in his works.

Some of his songs are sincere, some have strong muscles and bones, some have different swords, and some have returned to the essence, without any fixed pattern to find.

Usually, musicians have their own preferred mode combinations or preferred structures when writing songs. Even if they create works of different styles, they can find habitual clues from the same person's writing from these works.

This is like a person's writing. After writing, even if you want to change your writing style, the handwriting identification expert can find the rules from the strokes and determine whether these words are written by the same person.

Listening to Jiang Dongliu's songs, almost every song has different modes or structure combinations, and no one can find the same rules.

If there was no accurate insider report that these songs were made by Jiang Dongliu himself, Yan Ruozhi really didn't believe that these works with different styles were written by the same person.

Let’s not talk about how clever the creation skills of these songs are. Just these unrelated and imaginative musical ideas are enough to open your eyes.

The more you listen to Jiang Dongliu’s songs, the more Yan Ruozhi can feel the “terrible” of this guy’s talent potential.

In Yan Ruozhi's eyes, Jiang Dongliu is like a bottomless iceberg. The reason why he is bottomless is because his works that are exposed to the water are just the tip of the iceberg that highlights the sea level.

What a rich musical treasure is hidden under the sea? Yan Ruzhi can't imagine it anyway.

Among her own creations, 9 songs have reached the popularity standards of C or C or above, which can be said to be very outstanding works.

But listening to these songs by Jiang Dongliu, it seems that no one of them is worse than her own C-level work.

Perhaps the magic of Jiangdongliu music has become biased in taste.

In short, the more Yan Ruozhi listens to Jiang Dongliu’s songs, the better she feels.

She released hundreds of songs to only 9 of them barely met the popularity standard.

This quality rate is considered an extremely high level among Chinese creators.

However, every time Jiang Dongliu posted a song, he had the potential to reach C level, which was so strong that he was perverted!

Although the current downloads and covers of these songs have not yet met the rating criteria.

But Yan Ruozhi had a foreseeable feeling that as long as Jiangdong became popular in the future, these songs would break out of the rating criteria for becoming popular. The second is also a C-level work, and none of them is a plain "water work".

There are works that are flooded in the novel world.

There are also works in the music industry that are flooded.

In order to complete the new song creation work within the club contract, many musicians are numb to write songs and are less attentive. Instead, they use the most familiar combinations of modes to fill in the melody frame, and then fill in a random lyric to form a new song.

Because they are very skilled in their skills, they know what routines they like to listen to. The songs they spelled like this have catchy melody, and most people will still think they are quite nice after listening to them. But professional musicians can tell at a glance which works are heart-set works created by musicians and which works are spelled together by musicians.

This has long been the norm in the music industry, and it is not even a secret.

At least one-third of Yan Ruzhi's 100 original works are such "water-filled works".

There is no way, the singers under Nanshan Dongli go out to play competitions, and the club needs a large amount of new song support.

The creative team has to work overtime every day to create, and they don’t have that much energy to meticulously craft every song.

After getting familiar with the routine, almost every musician will be lazy to create some water-filled works for singers to deal with competitions.

Only those particularly important events will musicians work hard, portray in detail, show their unique skills, and produce excellent products to fight.

Jiang Dongliu is unique. At least from the many works he has participated in the competition, none of them is a work of water.

Each of his original works is unique and worthy of appreciation.

Including the song "Roman Table" that shattered Yan Ruozhi's chest like a big stone, it all hides the creative wisdom of taking a different approach.

That night, I listened to four new songs released by Jiang Dongliu’s new color, and they were all remarkable and excellent works.

Yan Ruozhi was really impressed by Jiang Dongliu's unfathomable musical talent like an iceberg.

Although I was a little worried that Jiang Dongliu would cause trouble in the challenge.

In his uncolored songs, there may be bombs like "Roman Table".

But no matter what, Yan Ruozhi is looking forward to this "head-on-head confrontation" with Jiang Dongliu.

Yan Ruozhi temporarily decided to appear in the Fafa Festival Challenge in the form of cloud competition.

Tang Zhi really guessed that she was really trying to get rid of Jiang Dongliu’s popularity.

If Jiang Dongliu did not suddenly appear and became popular quickly, Yan Ruzhi would not waste her energy participating in this APM10 lowest level challenge, even if it was a challenge she held by her own.

Since there are no points recorded in the past half month, some of them have been deducted after a one-year period.

Yan Ruozhi's current APM points are 246 points, and she has withdrawn from the top 200 in the country and has dropped to the 257th place in China.

Of these 246 points, only 6 points are the Tour scores, all the points obtained when they were eliminated in the Tour qualifying stage, and no 1 point is the Tour main score.

The other 240 points are the sum of the top 10 Challenge points.

Among these 10 challenges, the lowest score was 15 points, which was won by participating in an APM25 level challenge.

The others are the champion scores of the APM20 or 25 level challenge.
Chapter completed!