Monroe's character has always been in a prosperous, independent, strong and unrestrained manner.

This has something to do with her childhood environment.

The days she lived in the orphanage became a shadow in her heart. Since she entered the Legend Film Company, everyone loved and even spoiled this lovely girl, especially Victor. For Monroe, the lack of feelings before, suddenly received such care, which made her become sunny again, and also cherished this kind of spoiling, especially Victor.

"What are you doing this woman?" Monroe stared at Bergman in a very bad tone.

"Mary, you're so rude. Ingma is here to talk about things." Victor said coldly.

"What did you call her? Ingma!?" Monroe's voice trembled: "I don't allow you to call her that!"

"Just! It's my business to call her. You can take care of you, go out." Victor said loudly.

"I hate her! I hate you!" Monroe burst out of the door crying.

"It's inexplicable!" Victor sat down, feeling so angry.

Bergman smiled and looked at Monroe's back: "Go, coax her."

"I've spoiled anything to coax," Victor shook his head and smiled.

A very playful smile appeared on the corner of Bergman's mouth. He looked at Victor meaningfully and shook his head, "I don't think it's the reason for spoiling. Don't you feel it?"

"What did you feel?" Victor said.

Bergman smiled: "You are so careless. Don't spend time on your movies all day. This little girl seems to like you."

"It's normal to like it, I like her too. Haha." Victor said.

Bergman shook his head: "I mean, she is most likely in love with you."

"What?" Victor's eyes fell all over the floor: "How is it possible? How old is she?!"

Bergman smiled and said, "Women never make mistakes in their feelings about women. This girl is not a child. Although she is only in her teenage years old, her mind is more mature than that of ordinary girls. I think she must be like this."

"Stop pulling it." Victor waved his hand.

"I think Monroe is pretty good. She played in the last movie, she is a good girl, you can consider it." Bergman said, blinking at Victor mischievously.

"Take it down. I have always treated her as my own sister." Victor had a headache.

"You think so, but she is not." Bergman said seriously: "Victor, I heard that Monroe had a difficult life before. Such girls generally don't love them. If they love them, they will be determined to the end, and they will go all the way to the dark..."

"Impossible. This matter cannot be. She is too young." Victor smiled bitterly.

"Anyway, you have to deal with this." Bergman stood up and said, "Okay, I should leave too. If I don't leave, I guess Monroe will hate you."

"When will the movie start shooting? I'll call you." Victor stood up and sent Bergman out.

When he arrived at the gate, Bergman turned around and looked at Victor and smiled.

"Good night, Ingma."

"Good night, Victor."

Victor reached out to say goodbye, but Bergman leaned over and left a kiss on Victor's plug, and the tributary crawled into the car with a sound.

"Madam, let's go back?" the driver said to Bergman.

"Yeah. Go back." The car started, and Bergman looked at Victor who was standing behind and covered his face as if he was stunned. His voice trembled and his face turned red.

"Madam, what's wrong with you? I feel uncomfortable?" The driver turned his head.

"No...no. It seems..." Bergman held his face with both hands: "It seems like he has a fever."

Victor was empty at this time, covering his face and staring blankly as Bergman's car went away.

The kiss just now was still warm and tender.

"Are you intoxicated?" A voice came from behind.

Victor turned his face and saw Monroe standing behind him, her face covered with tears.

Victor turned around and Monroe stopped him: "Do you like her?"

These words are very domineering.

"Do I like her not to care about your business..." Victor said.

"No! I don't allow you to like her! I don't allow you to like anyone!" Monroe rushed over and hugged Victor.

"Then I will never be alone in my life, Mary." Victor smiled.

"Who said you are lonely? I'm there!" Monroe raised her head and raised her small breasts.

Seeing Monroe like this, Victor felt funny: "You have to get married."

"I won't get married! I will be by your side for the rest of my life!" Monroe said solemnly.

Victor's head was as big as a bucket: "Mary, do you think it's time to go to bed..."

"I'm sleepy long ago, you can carry me back to the room!" Monroe said in a sneer.

Victor had no choice but to shake his head and pick up Monroe.

Monroe buried her head in Victor's arms and pinched Victor's arm with one hand.

"Be gentle!" Victor sucked in pain.

"Who lets you live in the same room with other women!" Monroe said.

Victor rolled his eyes.

After reporting Monroe to the room and putting it on the bed, Victor turned around and wanted to leave. Monroe grabbed her and said, "You sit here, I can't sleep if you leave."

"How old are you..."

"I don't! I just can't sleep!"

"Okay, okay." Victor sat at the head of Monroe's bed.

Monroe grabbed Victor's hand, placed it on his chest, hugged her hands, and closed her eyes.

The softness in his hand was passed over. Victor wanted to pull his hand back, but Monroe was not willing to let it go, so he could only let it go.

Monroe quickly closed her eyes and heard a uniform breathing sound.

"I don't allow you to like anyone!" The little girl muttered in her sleep.

Looking at this little man, Victor didn't know what to say.

...

For the next period of time, Victor and Zinerman were confused.

The problems faced by "The Old Man Without a Place" are full of confusion.

First of all, the question of the selection of the scene. Where to shoot it determines the style of a film to the extent. Victor has high requirements. Leo and Nicholas ran for two weeks and found a lot of places. Finally, they finally found a wasteland in eastern California. Victor likes this place very much, which is original, desolate, and lonely, which is very suitable for this movie.

Next is the most important issue of choosing actors. Although the three starring actors in "The Old Nothing" have been confirmed, many other supporting roles still need to be carefully selected. In this regard, Victor cannot find some big names, so he might as well go out with Zenerman. Fortunately, there are people in Hollywood, and it is difficult to find stars, and it is still easy to find ordinary actors.

The supporting roles in "The Old Nowhere to Belong" are very complicated, the police and the clerk... are all fragmented, and these are also very troublesome.

In the end, Victor was too lazy to run away, so he simply asked Leo to post a revelation of recruiting actors, allowing those unknown actors to come and audition themselves.

On this day, Victor was having a headache about the character of a clerk in the movie. He heard a big fuss outside and hurried out and saw Leo fighting with a guy in his thirties.

"What's going on?" Victor said.

Leo cursed: "What kind of thing does this bitch have? He actually came to our legend to play a big name..."

"I'm not a big shot. I'm different from ordinary actors. I've already acted in many movies. I have experience. I have to meet your boss Victor Ferro!" This man has a big temper.

Victor didn't care what they both said, his eyes were fixed on the man's face.

Does this face look like a celebrity?

###

Next chapter, a great man appears.

This guy is not very famous as a movie star in history, but he is quite awesome in politics.
Chapter completed!