I Am Like a God is my most ambitious volume so far.

It is also the volume that I worked hardest to write and put the most effort into.

At the same time, it is also the most controversial volume and seems to be the least liked by readers.

Now that I have finished writing, its structure is very clear.

This volume has two main lines running in parallel

One main line is the talented people who are "like gods coming to me".

One main line is Jiang Wang’s path to becoming a god.

The two lines intertwined and collided to form the story of this volume.

When I wrote about the Yellow River Meeting, I said that this was a real gathering of geniuses from all over the world. The geniuses who appear at this event will determine the next ten, decades, or even hundreds of years in this world.

Destiny of the year.

How could they not be important?

It can even be said that the volume "I am coming like a god" is a more complex, more three-dimensional and grander meeting of the Yellow River.

Because at that time, only a glimpse of the history and responsibilities shouldered by those geniuses could be seen on the river viewing platform, while those heavy years could only be seen in real life under the sword discussion platform.

Now that history is reflected on the present, we know what kind of war the Qi-Xia struggle for hegemony was. Only then do we know why Taiyin and Chumin fought on the river viewing platform... Only then do we know what Ge Fei and Xiao Shu were.

, what kind of life they shoulder...

The gravity of the present world is too heavy. Looking back at history will bring either glory or blood and tears.

It starts with Jiang Wuqi becoming Qiu Shuang and ends with Jiang Wang's sword hitting the bronze cauldron.

During this time, Jiang Wuhua said, "I am like a god, and I am here," and he crossed the barrier between heaven and man.

Xiao Shu did not redeem the city and stayed there for forty days, but his success failed.

Dou Zhao, Zhong Liyan, Wang Changji, Yue Tiannu, Zhu Weiwo, Zhong Xuanzun, Tai Yin, Yi Shengfeng...

These people implement their own way, and one by one they move towards the path of "divine enlightenment", which is the theme of this volume.

How can a practitioner transcend the mortal body and break the barrier between heaven and man?

How to take that step to achieve "I am here like a god"?

In this process, Jiang Wang was a witness, an experiencer, a traveler, and someone who passed by them.

Jiang Wang has his own way.

This is the second main line of this volume.

The chapter begins with Jiang Wuqi's knot as autumn frost, which sets the tone of this volume.

And it was precisely from the beginning of Jiang Wuqi's arrival that this volume ushered in quite intense controversies, but compared to the subsequent ones, they were not worth mentioning. Thinking about it now, it seems that that controversy also set the tone for this volume's constant controversies.

.

Inside and outside the book, there is always such a wonderful combination.

In this grand and complex world, Jiang Wuqi's story already has too much foreshadowing.

All scattered in other storylines.

I caught the real fire with my bare hands, turned my hand to suppress the thunder seal, and was eager to try it after the outer building of Zhongxuan Zuntian Mansion. After winning the first prize in Jiangwang Huanghe, I was itching to try my hand...

At those times, what was written was Zhang Yong, what was written was Lei Zhanqian, what was written was Chong Xuanzun...

Jiang Wuqi was wrapped in fox fur, looming.

Finally, a string of jade beads formed autumn frost.

Jiang Wuqi's death naturally led to the case of Concubine Lei from many years ago.

This line is intertwined with the Daqi Qingpai line that has been laid out for a long time.

Why did the four major Qingpai families decline? Why was Lin Youxie like this? Why did Lin Kuang die? Why did Uriel quit Qingpai, and what was he pursuing? What... happened back then?

This is destined to be a case with no outcome.

Because for an emperor like Jiang Shu, his attitude towards this case has long been reflected in history.

Who in Qi State can truly disobey Jiang Shu's attitude?

Therefore, there is no ironclad evidence in this case, and all evidence that appears will be ruthlessly erased.

Therefore, the truth of this case can only remain in the hearts of a few people and remain silent in the mouths of more people.

So when Jiang Wang got involved in this case and felt the overwhelming terrifying pressure, he was destined to be unable to break through the haze that had shrouded the sky for decades as many readers expected, and to be the one who could break through the sky.

Heroes of Earth.

He can only do what he can after everyone who has struggled for this has died in vain.

Such as protecting Lin Youxie, such as giving Yang Jing an explanation.

Then he gave up being the captain of Beiya, like a loser, and left Qi to "take shelter from the limelight."

And this is the epitome of Jiang Wang in this volume.

The Star Tower is the foundation for describing the Tao, so the Shenlin Scroll must be an unavoidable scroll for describing the Tao.

From the outer building to the arrival of God, he must clearly understand what kind of path he wants to take.

He struggles and is often contradictory.

The foreshadowing of the mountain and sea realm, Huang Weizhen’s foreshadowing, has already been laid.

Xiang Bei on the river viewing platform said that he wished he had been born nine hundred years earlier and not been able to see Huang Weizhen in person.

He has died long ago, but his legend still exists.

Jiang Wang left Qi State and went to the mountain and sea border as a matter of course.

First of all, I want to write about the romance in Chu, so I have what Jiang Wang saw and heard in Chu.

In order to write about the mountains and seas, I read the Classic of Mountains and Seas over and over again, doing a lot of editing, revision and adaptation, trying to construct a world between reality and fantasy.

The legends you see are all specious, just like the legends heard by the Chu people, most of them are Huang Wei's fiction.

The talented people of the Chu Kingdom each have different personalities, and the helpers they invited each have their own burdens in life. Together with Wang Changji, Fang Heling, Zhu Weiwo, and Kuishan, they have become the experiencers of this world.

Each of these characters is different, and compared to The Meeting of the Yellow River, they have more space to express themselves.

But at the same time, they are not the masters of this world.

They have their own loves and hates, and their own struggles and desires. In a sense, they are the "protagonists" of the game of Mountain and Sea Realm.

But those strange beasts in the mountains and seas are not background. They do not recognize the so-called protagonists. In this world, human geniuses are just outsiders, just a group of weak onlookers.

The struggle for freedom between Zhu Jiuyin and Chaos is the main thread that runs through the realm of mountains and seas.

But behind them are Jiaxuan and Kongyuan. Above them is Huang Weizhen's will, which runs through reality and illusion, breaking history and the present.

I am truly painting the scenery from the top, using the entire world as my brush.

This is also the first time in this book that the power levels are spread out here.

After more than four million words, everyone can feel firsthand how the world unfolds step by step.

The dialogue between Jiang Wang and Fang Heling in Mountain and Sea Realm reflects his conflict and struggle. On the one hand, he and the human demon have fundamentally different stances. No matter how deep the brotherly love between Zheng Fei and Li Shou is, they still have childlike curiosity towards him.

, likes to play with him, and it does not affect his sword. But on the other hand, he has to face many things, and many times, he is powerless. From Zheng Shangming to Fang Heling, everyone is telling him that he must also realize

, the powerlessness of others.

[He can only make the best choice within his capabilities as much as possible.]

This is Jiang Wang’s behavioral logic in many life stages.

And his character determines that many times the "best" is not the best for himself. It is the best for Jiang Anan, Chong Xuansheng, the people he cherishes, and some people he respects.

The best for those people.

So many times you will see him working hard for a long time, but in the end he gets nothing. He was not going to gain anything.

Jiang Wang can sympathize with Fang Heling's pain, but will never agree with Fang Heling's choice.

In this communication scene between the three people, Wang Changji's scene is the most charming, Fang Heling's scene is the most intense, and Jiang Wang's scene is the least flattering and the most annoying, but it is really what a protagonist should have, a ballast stone.

Ordinary scenes.

Besides him, who can hold this field down and make Wang Changji so charming and Fang Heling so three-dimensional?

It's very unflattering to write like this. I can make Jiang Wang more charming by erasing the complexity of Fang Heling.

But that's my choice.

Zhu Weiwo's appearance in the Mountain and Sea Realm connects the plot of the Unredeemed City later, and even Xiao Shu's story line is also intertwined here.

Huang Jinmo has been linked for a long time, and many readers have already speculated that with such a rare surname, does she have any connection with Huang Weizhen?

Ge Fei was replaced, Douzhao became a god, Yue Tiannu gave up the fight, Chu Yuzhi cut off the throne, Xiao Shu stole the pill, Zhang Xun endured the pain...

These plots received rave reviews, until after Xiao Shushenlin failed, Jiang Wang left alone and was ambushed.
To be continued...