Music full of Chinese characteristics is fully interpreted in Western music.

The foreign guests who listened to it were full of spirits and praised the strong ancient charm of China.

As the opening performance ends, history seems to be slowly pushing from modern times to ancient times!!

"Ming Dynasty·Shao Music in the Palace"!

"Ritual and Music Memorial Confucians·Remembering the Song Dynasty"!

Time seems to be backwards.

But for some reason, the sense of culture seems to be getting heavier!!

After the performance of the novella, the historical retracement was only a thousand years.

During the break, the audience rested and even had a cigarette.

The foreign leader from Cuba held the boss's hand openly and couldn't help but start talking.

"This performance has allowed me to see the inheritance of China for thousands of years."

"It completely broke the Eastern culture I remember."

"I feel like I may have fallen in love with the mellow wine made from history."

The boss smiled slightly.

"Haha! Thank you for the praise, next, you will see more treasures belonging to Chinese culture."

The group chatted cordially.

The leaders of the Ministry of Culture were also chatting with a Russian foreign guest of the same level.

The foreigner asked with a smile.

"We also have an excellent young musician, a national treasure, but he can always hear a musician from your country!!"

When the leaders of the Ministry of Culture heard this, they instantly remembered a...

Something unreliable.

"Haha! He will have a performance later!!"

"I think it is necessary for us to cooperate more deeply in the cultural field."

The foreign guests of the Russians said.

"In the field of Western classical music, whether it is to our country or your country, completely different schools have been developed. Whether it is our Russian school or the emerging Oriental school in China, they all represent different ways of expression under the influence of their respective cultures."

"Haha, yes."

The leaders of the Ministry of Culture are somewhat a little bit unpleasant.

In the early years, China did not form a systematic school on the aspect of Western classical music.

Although I don't think I'm behind, I must always feel......I always feel that there is something a little worse...

After all, the old tradition of China is now. If you can't crush you in the field you are good at, you will not be able to make any move.

However, the emergence of Li Wenyin and the emergence of the Oriental School under the influence of Li Wenyin, directly made the option of "classical music" a topic that the leaders of the Ministry of Culture like to mention in every cultural exchange.

.........

Sometimes, in cultural exchanges, more exchanges are often conducted in terms of sculpture, painting, architecture, literature, etc., and in music, more ethnic classical music is used to communicate.

However, there is a biggest problem with national classical music.

In communication with Westerners, the threshold for folk music is obviously higher than that of Western music, and is completely different style trends. If you don’t understand Chinese culture, it is difficult to get some truly deep thoughts and expressions.

It would be really strange if you use ethnic music to play Western classical music.

What's more, the national classics of China are too profound, which also leads to the distinction between styles and genres... Too many and too mixed!!

There is no "representative"!

The Zhejiang School of National Music is full of charm and has a long history, but can it represent the entire China?

Have some effort!

Because it is unique.

The old Qin in the northwest is elegant and generous, but can it represent the entire China?

It's also a little hard work.

It's also because of its uniqueness.

A diversified culture may cause a headache here.

Therefore, when expressing the entire Chinese country, it is difficult to create an all-encompassing and unified impression with national joy!!

To make foreigners know China more, they must make a unified cultural symbol in publicity.

What a pity.

The "disadvantages" of too strong cultural heritage are also revealed.

......How to unify the horse......

European countries and provinces are as big as Europe...the style is natural and unified.

The land is large and the history is short, so naturally there is not so much time for a hundred flowers to bloom.

But we are too big, too many, and too long... What a solution...

Therefore, if you want foreigners to be interested in Chinese culture, study and study and discover these profound beauty.

We can only use the methods they are familiar with, used to, and understood to spread a specific impression.

That is, Western instruments play Chinese-style Western music!!

All Chinese composers have been trying in this field for decades.

There are also countless excellent works.

Under the overall trend of cultural innovation getting better and better, a young man has made a debut.

From the Chinese-style violin music "Golden Furniture" with the main theme to the folk legend "Liang Shanbo and Zhu Yingtai" performed in the form of Western classical music!!!

It seems that this is already amazing.

"Brother Zhu" has a crucial cultural status internationally!!

People seem to think that this is almost done.

But immediately afterwards.

This young man... broke the imagination of the older generation in the roughest way.

Show off skills!!

Use the most basic things in tm to fuck you directly, and then you can calm down and listen to me to recommend Chinese culture.

"I have no education, so I have to use more NB skills to get you all."

Yes, this is the prototype of the origin of the Oriental School.

After reaching the extreme, countless musicians began to burst out with inspiration under such inspiration!!

They gradually like to use the most outrageous techniques to start interpreting the most outrageous culture.

The founder of the Oriental School may be Li Wenyin, but Li Wenyin's more contributions have opened up a way of thinking, opened up a blank space, and opened up a new path.

What truly promotes and expands the Oriental School are countless Chinese musicians inspired by Li Wenyin!!

More techniques represent creating more tones and representing deeper levels!!

It can also accommodate a deeper culture!!

Violins and pianos are OK, but why can’t other instruments be used?

Western musical instruments are OK, and natural and ethnic musical instruments are OK.

As a result, the real music industry, which is free from traffic, has begun to rejuvenate new vitality.

Soon, the performance continued.

The Chinese Philharmonic Orchestra is finally here!!

"Liuli·Tang Song·Rich Shang Feather Clothes"!

The representative works of each dynasty have the same but different beauty.

The same is the root of the descendants of Yan and Huang.

What is different is the interpretation and interpretation of the cultures of different dynasties by top composers in different Chinese countries!!!

The performance continues.

"Yuefu: Han Envoy Travels to the West"!!

Since the Han Dynasty, Zhang Qian went on a mission to the Western Regions, which has allowed the Chinese music culture to absorb countless musical instruments from the Western Regions and to further develop diversity!!

The Han Dynasty was also the era when musical elements exploded.
Chapter completed!