New century 532, January 1. The new year, the first day.

Silver Wings Headquarters Building, within fifty floors.

Pang Pusong was a little nervous. He actually didn't know how he was singing, because when recording the third movement, Fang Zhao's requirements were stricter than the previous one. In the past month, he has been practicing every day. Sometimes he may have to spend one or two weeks singing a sentence. He has never heard of the final recorded product, so he can only wait for the MV to be officially released.

Not only Pang Pusong, but the entire virtual project department is very nervous.

After the second movement in November was released, the holidays I received were off and worked overtime for more than a month. The second movement determines whether they can succeed, while the third movement determines how far they can go.

After tasting the sweetness, they would put pressure on themselves without Fang Zhaoduo. When they were tired, they would go to the game room to relax, then take a short sleep, and then rush to work when they woke up.

Yinyi specially formed a backup technical team to help when they can't do it. Therefore, they are not worried about the funds, the manpower, or the treatment. They just need to complete the tasks assigned by Fang Zhao. And they don't know what the final product will be. The only thing they can do is to believe in the leader of Fang Zhao's project.

"Where is the Dazhao?" Zeng Huang woke up by the alarm clock and came out and didn't see Fang Zhao's people, so he asked Zu Wen.

"In the office." Zu Wendao.

"Everyone didn't go back yesterday?" Zeng Huang looked at the studio and asked when he saw everyone was there.

"No, how can I sleep?" Zuwen yawned, went to wash his face, then returned to the studio to sit down, and waited for the arrival of eight o'clock with the rest of the studio.

They did not disturb Fang Zhao, and they could clearly feel that Fang Zhao was not in good mood in the production of the third movement. Just like an actor immersed in the play, it required a process of separation. A creator whose emotions were immersed in the music probably also needed time to withdraw the emotions deeply involved in it.

Therefore, what Zeng Huang and Zu Wen can do is do what they have at hand well and don’t bother Fang Zhao any longer.

In the Newcomer Department, Chu Guang was quite calm about Aurora's first ranking when he saw this month's publicity schedule.

In the last quarter of last year, he was already squeezed to the fifth place in the new striker list. Fortunately, the third movement was not released in December, otherwise he would not be able to maintain his fifth place.

Now, after "The Punishment of Heaven" and "Breaking the Cocoon", the third movement "Mission" will be released on the public platform soon, and I believe the quality will not be bad. However, what puzzles Chu Guang is that Niguang Culture and Shihua seem to have no intention of continuing to compete with Aurora, but they are just pushing their company's two star virtual idols, Mi Yu and Andy Leo.

Is this a fight for the newcomer side?

No matter what, for Chu Guang, it is a good thing to lose two virtual idol competitors.

On the top of the Silver Wing, Duan Qianji and several other Silver Wing executives used the video and audio equipment in the conference room to watch the officially uploaded third movement MV. Among these people, only Duan Qianji has heard the music of the third movement and watched the completed MV. This is the first time he has seen the others.

The entire Blade Wing’s people, whether they are singers or actors, or people from other technical departments or logistics departments, who have arrived at the company or are still on the bus, are paying attention to the news at 8 o’clock in the morning.

Fang Zhao was alone in the office, pulling up curtains to block the sunlight outside, turning on the video and audio equipment, and playing the MV of the third movement when the platform was updated at 8 o'clock.

The third movement is different from the music style that suppresses first and then rises in the first two movements. From the beginning, it uses expanded orchestral combinations to release a magnificent momentum with a distinct epic style.

In the MV, this is a real period of conflict. The picture inherits the dimness of the second movement period. The beginning is a blue with a sense of desolation. The sky is covered with haze, and lightning flashes through the thick clouds.

There were many figures running on the ground, and the rapid drum beats perfectly reflected the tense rhythm at this time. Among the rapid drum beats, the familiar male voice chorus combines symphony and opera techniques, and combines some more easily accepted styles in the new century, showing a primitive wildness and aggressiveness. As the picture progresses, the momentum of the battle between the two sides unfolds from a broader perspective.

Under the terrifying crisis everywhere, a rising momentum rushed straight towards him.

A figure jumped high, like an eagle passing through the clouds, branches twisted into clear-lined muscle shapes, and you can feel the terrible explosive power contained in it just one glance.

The falling body kicked the side waist of the crazy beast in front of him, and his fist was as if a polished rock was pressed down, hitting fiercely at the throat of the crazy beast.

Under the explosive drum beats and strange electronic sound, the human ear seemed to hear the crisp sound of bone fractures.

It is not the sound made by the musical instrument, but the sound heard in the heart under the "suggestion" of images and rhythm.

In the image, the splashing mud stars shot around with blood and water, some splashed on the face of the tree and splashed around his eyes, which made the person who was watching the image notice his eyes.

It was a pair of murderous eyes, like a furious ferocious beast awakened from its sleep.

The people who saw this scene seemed to have their hands twitched the nerves in their brains, and their bones trembled. They would even suspect that the mad beasts were the cruel beasts, or the tree people who were once peaceful to the world were not hurt?

Such changes not only happened to the figure in front of him, but also many figures with murderous aura beside him and behind him.

The variations of the expanded brass tube make the melody drawn by the strings more majestic and powerful. The violent and intense timpani drum represents unyielding resistance.

By comparing the appearance of these tree people in the first movement, you can find the difference between them. From appearance to momentum, there have been tremendous changes.

This is the real state of adapting to the battlefield and adapting to this period.

They chose to become the one they once were least willing to be to resist this cruel and absurd fate.

Just as people who are paying attention to the "A Hundred Years of Destruction" series expected, the third movement is a theme of struggle.

With the marching nature of the copper tube, the variations of the wooden tube, the violent rhythms alternate, such as the confrontation and fighting between the two sides, tense and fierce, not weaker than the momentum of the first two movements. The huge visual shock brought by the magnificent images are perfectly combined with the music, which is a direct impact to the soul.

In this blue and dull background color, there is a fierce collision between the tree groups and the brutal beasts after transformation.

Even if it is just a virtual image, it makes people feel a real and three-dimensional feeling and feel a sense of vicissitudes of time.

The people of the tree after transformation had already been worn out in the battles of life and death. In order to find a peaceful place, they were willing to give it a try!

From mountains to grasslands, to basins, to hills, however, no place is a paradise, and there are crises everywhere.

However, in the third movement, there was no compromise in the second movement and the depression like accepting one's fate.

From cowardice, to struggle, to habits and numbness towards war and death. On the way, someone left and new partners joined. Until, they finally found a relatively peaceful place - the polar land.

The polar cold is covered with snow, and many viruses and lesion organisms cannot adapt to the climatic conditions here, so, relatively speaking, this is the last pure land in this sick world.

Here, there is no thick reddish-brown smoke in the sky. Here, you can see the sunshine during the day, the stars that have not been seen for a long time at night, and the colorful aurora that is as dreamy as a dream.

For example, the temporary calmness obtained after the noise and bustle, the music becomes calmer, and the slightly gentle interweaving of the tree flute and the piano sound makes the listeners' tense spirit relax. This is a description of a peaceful life.

In this polar area, the tree people have a chance to rest. Don’t worry about the crazy beasts with fangs that pop up at any time. Some small tree people also smiled relaxedly. Although it is cold here, it is safer, isn’t it?

The running little tree man was laughing stiffly on the snowy ground. When he was about to slip, he was picked up by a strong arm with a braided branch and placed on his tall and wide shoulders.

The pictures and rhythm are warm and intoxicating.

Under such a background, it seems that a stable and peaceful scene is about to be unfolded.

However, those who look at the image understand that the polar land should correspond to a period of the destruction period described in real history.

In the middle and late stages of the destruction of the world, there was a polar summit. At that time, it was not divided into twelve continents, only various war zones, and nearly 100 leaders and important leaders from various war zones gathered in the polar zone to discuss a total war.

This temporary peace is not the end, but the sign of the final outbreak!

The violin's music changes, like the meditations of survivors after a storm.

Although this place is not absolutely safe, it is indeed peaceful compared to the areas where they pass by. However, this place is also not suitable for their growth.

Most importantly, they are no longer satisfied with living alone!

In the new century, many books on the history of the era of the worldly destruction record a few words from the polar summit. No one knows who said it, but it was passed down.

"Why leave the things that our generation can end with, for the next generation? Since we have already come here, why bother to fight again?"

"Our generation has become participants in struggle and martyrs, but at least, we have experienced a brief period of peace, and those born in the last days have never seen a peaceful world. They were born in blood and fire, but they should not belong to war alone!"

Things recorded in historical books from the era of the world will be polished, but they are not random. Fang Zhao remembers that some people have indeed said similar things, and he himself may have said them too.

Why can’t you live in the hometown you once missed?

Why should we give up the world?

We are already strong, aren't we?

In the image, a group of tree people stood on the ground full of ice and snow, looking up at the sky. The polar light transformed under the stars was dotted with, like a group of burning and flowing fire.

The increasing intensity of percussion produced seems to emphasize a certain firm belief.

The figure standing in front of the tree group, there was no hostility or madness in his eyes when fighting with the mad beasts. There was a little nostalgia and nostalgia in his calmness, as if he was saying goodbye to an old photo.

The aurora in the sky gradually disappeared and the sky began to brighten.

The figure in front of him no longer nostalgic and turned away. There were already many traces of tortoise on the spine behind him that supported the entire body. He might fall down due to his serious injury in the next moment. Perhaps no one except himself knew the load he was under.

Many people in the team have the same situation, but as long as they are not seriously injured and cannot walk and run, they all join the team that leaves.

Among the trees, some figures who were playing with the little tree people. When they saw the leaving team, they lifted the little tree people off their body, carefully placed them on the ground, and then turned around and left.

A tree man gently pressed his finger against the little tree man's forehead to stop the other party from continuing to keep up, then stood up and left, and punched the other tree man who was also walking out with force and smiled silently. He stopped looking back, because he might not have the courage to leave if he turned back.

The little tree man who stayed in place looked at the figures leaving in confusion, as if he didn't understand. They were not safe anymore? As long as they were here, they would be fine. It was so dangerous outside, why did everyone still have to go out?

More and more figures walked out, joining the team that left, leaving only the old and weak tree people who could not fight in the cold polar regions. Although the polar regions were cold, they were the safest place at this time.

The orchestral combination with combat predicates, combined with specific electroacoustic instruments, once again creates a tense atmosphere to fit the chaotic rather than rational fate. In that era when no one wants to experience, cruel choices must be made.

Looking down from the sky, dense figures formed an endless stream of wriggling brown gray, advancing in the opposite direction from the polar region against the white snow background.

The horn sounded, and with the strong addition of the timpan drum, the sound intensity of the music also increased rapidly. Under the low and powerful push of the bass and wind instruments, the chorus was promoted layer by layer with the sound of the music, like a team walking outside the polar regions in the image. The large number of expanded copper tube groups showed the restrained madness and determination of the team!

This team contains infinite power and hope, as if it is about to carve out a higher and farther track.

The chorus gradually intensifies, and the picture quickly crosses the polar regions and the mountains and hills.

There seemed to be a sound of whistling like the cold wind in winter in my ears. In the image, a brown-gray figure stepped on the ground, rushed and rushed toward a mad beast like lightning. The strong arms with twisted branches seemed to be sharp-sharpened axe, with unscrupulous and violent aura, hitting the mad beast's sternum and throat.

The tendency triple sound in the ear, as violent as this extremely explosive blow, hit the eardrum one after another.

After no longer worrying, the brown-gray figures became more and more unscrupulous and crazy when they started to move. The broken branches and scattered wood chips mixed with the blood of the mad beasts.

Fierce winds blew through the brown gray and reddish-brown figures fighting together, bringing up countless broken mud mixed with wood chips and blood on the ground, making people seem to smell the fresh and rich smell of blood and wood chips in the air through the image.

The continuous roar of the timpani drum, the violent dissonance sound, the use of irregular accents, and the complex music orchestration, combines various styles such as classical symphony, new century music, sacred music sings, elegies, military marches, electronic music, etc. The momentum is like a sudden eruption of a volcano that has been sleeping for billions of years. The sound waves seem to be about to set off a wave that can flood the world!

The theme color of the picture in the image has gradually changed from depressing blue to bright yellow, like the color of the sun penetrating the clouds, and more like the color of burning flames. The brightness of the overall picture is twice as strong as before the movement begins! And the brightness is still increasing!

When can trees emit bright light?

When burning.
To be continued...