Chapter 353: Double Evil

Liu Yufan stared at the white figure on the stage intently.

Kissin, a pianist with equal talent, is also the object that Liu Yufan has always wanted to catch up with. He thought that his first meeting with him should be on the stage of an international competition. But now Liu Yufan found that the arrangement of fate cannot be guessed by common sense. Just when he accidentally, he and Kissin had met in this way.

Kissin climbed the keys with his hands freely. Under a free movement, Beethoven's "Turkish March" sounded.

His hands seemed to be a whole with the keys, either lifting his fingers or lifting his arms, just like playing the most natural game with the keys, or the keys had become an extension of his hands and a part of his body.

This is a very wonderful feeling. Only those who also learn piano and have reached a certain level will have this feeling, just like Liu Yufan at this moment.

Liu Yufan has also played this song, and has played it a long time ago.

When it comes to "Turkish March", many people will think of Mozart's "Turkish March" in A major. This song is just a level 8 in the amateur piano rating, but has become a work that many piano enthusiasts can't put down and is widely circulated. In contrast, Beethoven's "Turkish March" has not been heard or played, and those who come into contact with it are generally professional piano players.

But Liu Yufan knew that although this "Turkish March" is not as big as Mozart's, the difficulty of playing is several levels higher, especially the vivid and "elastic" feeling, which is even more difficult for the former to achieve.

Liu Yufan's eyes stared firmly at Kissin's hands, admiring and thinking, and gradually, he was fascinated.

Yes, he was fascinated. Kissing's hands were like magic, deeply attracted Liu Yufan. He found that Kissing's playing philosophy had many similarities with him, which advocated nature, cleanliness, and rhythm. In these things, Kissing is undoubtedly doing better now. Looking at the touching keys that have no flaws in his eyes, Liu Yufan kept asking himself in his heart, "If I had changed myself, would it be so good?"

The answer made him a little frustrated. Although he is now in the level of skill level and full of efforts to improve his musical performance, he still lacks something compared to Kissing's performance. Liu Yufan can't say what he lacks, but he just knows it. Because he can feel that Kissing's song has some things and some flavors that he can't play!

Kissin's hands flexibly and freely rise and fall on the keys like raindrops. Occasionally there are strong chords, and no major movements are seen on both arms. Just "bouncing" very comfortably, there will be extremely elastic, simply and decisive accent chords, with strong force and rich sound, but there is no harshness. In the eyes of an expert, this is the precise grasp of the strength.

But in Liu Yufan's eyes, another layer of things could be seen. It was the wonderful application of "weight". Liu Yufan watched his wrist throw off the keys and then fall down. He could empathize with the feeling of being comfortable to the bone. It was a wonderful application of the rebound power of the keys.

The rebound power of the piano keys. Few piano teachers have talked about this power. Even those professional piano teachers have told students about this thing, but in the end, students who can really use this power well will not have one. For nothing else, it is because this power is too difficult to "feel". Piano is a very exquisite machine. Just a small piano key, more than a hundred parts are combined to form its transmission system. The keys fall and play, and it takes a series of complex mechanical transmissions. The power transmitted by the tiny springs to the fingertips through these machines can be said to be very small. It is definitely not an easy thing to use this power well.

Mo Yan once talked about this issue with Liu Yufan and also made a demonstration, but Liu Yufan still has no idea. Sometimes, he can feel that power, but more often, this "rebound force" is like Duan Yu's six-mere magic sword, which is sometimes effective and sometimes not effective.

But looking at Kissing's performance, Liu Yufan could feel that he had fully mastered this profound skill, otherwise his performance would not look so relaxed and "elastic".

An excellent pianist will reasonably distribute every power, or "weight". He will not waste any waste, and he will fully utilize the power he can borrow, and even use the negligible small help of "rebound force". Undoubtedly, Kissin is one of them.

After playing the song, the audience applauded thunderously.

Kissin looked as usual, standing in front of the piano, holding the edge of the piano in his hand, and bowing gracefully to the audience.

After the applause calmed down, he sat back in front of the piano again. After a pause, he continued to say to the audience: "The next song, Liszt, Paganini's Great Etude, "Clock""

The calm tone was like saying the most ordinary thing. However, this sentence was like a stone thrown into the lake, causing an uproar.

The warm applause lasted for more than a minute before it gradually calmed down.

This song ranks one of the top ten most difficult piano music in the world, and is also Kissing's best song. To date, no one dares to say that when playing this song, it can reach the level of Kissing.

Kissing plays this song, it can be said that there are two "exceptions": one is fast, and when he is the fastest, he can complete the performance within four minutes, which is a record that no one can break; the other is rhythm. The most prominent feature of any piano piece played by Kissing is the strong sense of rhythm, and this song is no exception. For such a super difficult piano piece, every bar may be stuffed into nearly 300 notes at most, and in many notations, there are three or even more parts. I want to find the theme of the music in such a complex melody.

, and accurately express it is not easy. Many pianists will more or less experience some blurred rhythms when playing this piece, or some free parts are handled too much "freely" and lose their unique rhythmic beauty. However, such problems have never occurred in Kissing's performance. His understanding and performance of this piece has reached a very high level, so that when others appreciate this piece, they often fall into the melody full of rhythmic pleasure, and deliberately ignore the difficulty of the piece itself.

Kissin on the stage began his performance.

The arms were bouncing lightly on the keys, bringing up a series of clean and transparent piano sounds like crystals. The sound was clearly extremely weak, making people feel like the ticking of water drops. No, it should be the ticking of clocks, but the piano sound was extremely real, without a trace of virtual sound, so grainy. Not to mention anything else, just this control of strength is amazing.

"Awesome, Teacher Ling Yuan once said that the more powerful a pianist is, the richer the tone under his hands. Although the known strength marks are only f(strong), p(weak), and there are more than a dozen ff, pp, mf  , mp, etc., but with the expression terms, there are more. A good pianist can even play nearly a hundred rich tone changes on one key, which is really unimaginable. And a pianist, he has under his hands.

The richer the sound level, the more fuller and more perfect the musical image he can express. Just like Kissing, when playing this song "Clock", he imitated the sound of the clock very vividly with this extremely weak but extremely solid and grainy tone. To put it bluntly, playing any instrument requires considering a musical expression issue, and relying on abstract music to express a concrete image is very difficult. Without rich tones, there is no expression at all.

Kissing's performance was consistent, neither slow nor fast, but the compact rhythm was like a big hand, firmly grasping the hearts of everyone and making them intoxicated with the rhythm of the music!

The polyphonic part was added, like small white water droplets, or like beads jumping around on the ground. The fine notes were intertwined into a melody that was fascinating. It was so complicated that no language could describe the beauty of the floral. And Kissin's ten fingers had already danced into a piece on the keys, and there was no trace of the fingers. Only those magic-like hands were seen flying and jumping on the keys...

More than 6,000 audiences were silent, listening to the sound of the piano that was so natural and admiring the magical finger magic, and everyone's face showed an obsessive look. This was really a wonderful performance!

When the last melody with dance style sounded, Kissin's entire energy seemed to burst out all of a sudden. His arms were waving vigorously, and heaving and undulating. Large sounds flowed out with the powerful waves of his arms, as if it was a total explosion, instantly pushing the atmosphere of the music to a **!

The whole song ended abruptly as Kissin's arm threw up high, and at the moment when the music stopped, thunderous applause swept across the entire concert hall like a craze!

Kissin stood up gracefully, bowed to the audience below, and thanked him. The indulgence that had just been played at the top of the game was gone, and he returned to his kind and kind look again.

"Thank you, thank you for your enthusiasm. Next, I will invite a live audience to play with me. Is anyone willing to come on stage?" Kissin said with a smile.

The invitation came so suddenly that the audience was not prepared.

However, just when others were still stunned, someone stood up and strode towards the stage.
Chapter completed!