Oedipus, a typical tragic figure of fate in the history of ancient Greek literature, was the son of Laius, king of Thebes and queen Jocsta in Greek mythology, but without knowing it, he killed his father and married his mother. Homer of theatre art, Sophocles, the master of tragedy of fate, enriched his tragedy of fate in the ancient Greek drama "King of Oedipus".

The entire Western culture can deeply feel the influence of ancient Greek culture, and the deep-rooted plot of killing the father can be seen everywhere. Oedipus can be regarded as a culmination of tragedy, and similar cultural heritage can be found in the entire mythological structure.

The first generation of god Uranus was castrated by his son Cronos, while the second generation of god Cronos was overthrown by his youngest son. From then on, Zeus was established as the only supreme god of the Lord. The two generations of gods established their own status through killing/father/.

Uranos means "root" in Greek, while Cronos means "time". As a root, once it enters the process of development, it enters the process of time; in the process of time, everything will enter a process of successive succession, new replacement of old, which is a myth and philosophy.

This is the spirit of murdering/fatherhood/inspiration originating from ancient Greek mythology, and its influence on the entire Western culture later was immeasurable.

Aristotle's clear statement, "I love my teacher, and I love the truth even more." This can be understood as a challenge to the teacher Plato, reflecting a spiritual "father-killer". Later, the American philosopher Duran called him the great spiritual "father-killer". So much so that the entire history of Western philosophy basically showed a development process of spiritual murder.

Of course, they also have something that cannot be killed, that is, the absolute concept, the absolute spirit, that is, the supreme God in religious culture. Therefore, when Nietzsche declared that "God is dead", it also marked that the spirit of killing/father/killing has been brought to its fullest. This is a personal tragedy for Nietzsche, but it seems to be a sniper for God.

The so-called father-killing can be understood as overthrowing power, overthrowing rule, overthrowing spiritual pillars, completing the process of growth and inheritance, and finally completing incredible transcendence. It is not only a manifestation of killing, but also a manifestation of inheritance and transformation. Especially in the patriarchal society, the image of a father often symbolizes unattainable goals. Only by surpassing the father’s generation can we promote the progress of the times and society.

Until today, the spirit of killing/father can still find traces in countless Western cultures. On the one hand, they have established a spiritual symbol that cannot be surpassed or overturned; on the other hand, they are ready to try to overthrow this symbol and create a new era of their own.

It is precisely this dialectical contradiction that has led to countless tragic arts and philosophical thinking.

In Lanli's view, the "explosive drummer" has such a tragic color.

It is true that the "Explosion Drummer" in the previous life was a wonderful work, but what if you want to be better and more outstanding? Then how should you explore the ideological theme? Perhaps, the murder/father/complex is a breakthrough.

"The relationship between Andrew and Fletcher can be seen as an evolution of inheritance and transcendence. In the relationship between suppression and being suppressed, teaching and looking up, Andrew was an apprentice at the beginning. He just followed Fletcher's footsteps and grew rapidly under Fletcher's guidance.

But as time progressed, the ambition of surpassing authority and overthrowing strength began to awaken in Andrew's body. On the one hand, it was because he longed to achieve the highest level of art, and he always hoped that he could create an era and genre, which was a kind of ambition; on the other hand, it was because he longed to overthrow Fletcher's brutal suppression, not only transcendence, but also crushing and crushing the other party.

In essence, Andrew and Fletcher are the same type of people. They refuse to compromise in order to achieve their goals without making any means and establishing power. All the halos are always around them. When they complete their transformation, all the stepping stones along the way can be pushed away and abandoned. If necessary, they can sacrifice everything, such as dates, family ties, and friends.

Of course, it also includes his master and father.

Or in other words, this is a mountain that must be overturned so that they can complete their essential transformation.

So, Andrew began to resist, and at the end of the outbreak and transcendence, he completed the breakthrough of counter-control, reversing the situation of controlling and being controlled, suppressing and being suppressed between the two people. At the same time, the development curve of the two people also changed."

Incessantly, Lan Li's inspiration has completely exploded. After stepping into Andrew's world step by step, it is like a treasure, constantly digging out more and more stories and connotations, and the content and details of the performance gradually become fuller. This is a very interesting process, which makes people obsessed with it and cannot extricate themselves.

Damien could also deeply feel Renli's enthusiasm, his eyes lit up little by little. He further added, "What's even more amazing is that Fletcher and Andrew both had the same idea. Not only did Fletcher not resist, but he was also welcoming. He consciously guided Andrew to grow stronger step by step and stimulated Andrew to start resisting. When Andrew completed the moment of transcending and killing the father, Fletcher also achieved his perfection and passed on his spirit and will."

"It's like..." Damien tried to find an image metaphor, but was unable to find it.

Lan Li completed the supplement, "it was like sacrificing oneself to achieve success."

"Yes, yes, that's what it means! Sacrifice yourself to achieve inheritance." Damien nodded repeatedly, and his whole body was excited, and all the sparks in his mind began to crackle.

Incredible!

Absolutely incredible!

If Renli’s idea is based on the existing story, the existing story will go a step further and bring out unprecedented vitality.

According to the original script, this is a story between a teacher and a student. The whole focus is on the students' breakthroughs and transformations, and truly pursuing the highest level of art; but after interpretation and interpretation, it has given the color of ancient Greek tragedy a murder/father/, from a simple teaching process to an artistic inheritance and innovation process.

In order to pursue the perfect state of art, Fletcher sacrificed himself to become Andrew's sacrifice, slowly guiding Andrew to complete his transformation; in order to pursue the highest state of art, Andrew's hands were covered with blood and killed Fletcher's power with his own hands. After killing/father/, he was truly reborn and achieved the perfection of art.

In the "Black Swan", the blurring of illusion and reality is discussed. Only when the actor truly blurs the nodes and completely integrates with the characters, like a white swan and a black swan, without distinguishing each other, can he truly feel the absolute perfection.

In the "Explosive Drummer", the discussion is about the inheritance under the plot of killing the father/father. Only when the children personally overturn the authority of the father, inherit the mantle and carry forward it, can they complete the transformation and create a new era.

After the character setting and the core of the story deepened and thickened, the entire story of "Explosive Drummer" suddenly showed a completely different vitality, and Damien could even conceive some changes in the shots.

In the most basic change of counterpoint, in the first half, Andrew always looks up at Fletcher, while Fletcher always looks down at Andrew; in the middle, the lens can present a relatively parallel perspective; in the later part, Andrew begins to look down, while Fletcher gradually becomes weak. This is the simplest change, but it can truly present the angle changes of suppression and counter-suppression.

Going further, the switching between light and perspective can also interpret more metaphors.

Everyone says that an excellent actor can make a movie, even though the movie is the art of director. Now, Damien finally understands the meaning of this sentence, not only performance, but also through performance, giving the characters and story vitality, and thus promoting the director's imagination and creativity.

Of course, the premise is that the director has enough space and room to allow such vitality.

Damien suddenly had an idea: Is this the reason why Lanli was so cautious and picky when choosing works?

But Damien didn't ask any questions after all. Sitting opposite Renly, he was still a little nervous. Everything was like a dream. Even if the camera was ready to be turned on now, it was still the case. "Do we need to chat with JK? He is also an important part of the entire confrontation and resistance."

"It's up to you." Lanli threw the problem back.

Damien was stunned and waved his hands repeatedly, "Are you hinting that I am Andrew? I didn't say that. Although this is a script adapted from my high school experience, I am not as crazy and paranoid as Andrew."

"Crazy and paranoid are bad things for ordinary people, but good things for artists." Lan Li said meaningfully. In fact, most artists and philosophers are crazy in the eyes of the world, because their way of thinking is unique, which makes their way of artistic creation.

Then, Lanley continued, "No, I didn't hint at anything. I just said that if Fletcher clearly realized his role and identity in your definition, then his role setting needs to be changed, and you also need to tell jk in advance."

"But?" Damien knew there was something else.

"But if Fletcher didn't realize this, he just suppressed completely with his strength, but suddenly realized in the last performance, but instead of continuing to suppress, he let go of his mind and prepared for sacrifice, becoming the last force to push Andrew across the finish line, then you'll wait for the last scene to tell jk."

Renley then expressed his views.

Melissa and Black standing next to them were completely stunned and at a loss.

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1382 Tragic Complex (Page 1/1)
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