Without politeness and greetings, Lan Li sat on the red sofa, and the opening ceremony was easy to complete the effect of throwing bricks and attracting jade. The symposium immediately got to the point.

"When I was in Venice, I once said, the success of the work 'gravity' comes from Alfonso Caron. Personally, this is a very special performance experience, and it is also a performance experience that I will never want to experience again. You can imagine the pain of being placed under a microscope."

The relaxed and humorous words made a low laugh sound in the scene again.

"But more importantly, Alfonso presents a unique viewing experience through the camera. His camera itself tells the story and connotation, which is an interpretation that is separated from the category of actor performance, just like Michelangelo is painting, the compositions and colors themselves have meaning, while the specific characters and scenes are a further supplement to the thought."

“In this case, the performance is different.”

Before Lan Li could further elaborate on his point of view, someone raised his hand again at the scene. He didn't mind and nodded directly to express his agreement, waiting for the staff to hand over the microphone and listen to the other party's question, "You just said that Alfonso is different from the directors you just mentioned, so what's the difference?"

"It's an interesting question. David Loway, Kelly Rechard, Alex Ross Perry, put aside their own directorial style, just talking about their relationship with the actors, I think it's somewhat similar to Tony Kayer."

"What they capture is the emotions of the actors. Although their works are also the directors who take the absolute initiative, their ideas and concepts still need to be expressed by the actors. This also makes the actors deeply trapped in that emotion during the performance and present every detail of the emotional transformation. This is different from Alfonso."

"In my personal understanding, Tony Kaye and others need the actors to stand up and highlight the weight and temperature of the lens language according to their ideas; while Alfonso Caron needs the actors to take a step back and become part of the lens image, and then he will complete the creation of the entire lens language."

"This also means that the actors' understanding and presentation of performances must be changed."

Renley likes such conversations, and the conversations with Rooney Mara, Jack Gyllenhaal, and Jessica Chastain are all like this. Through the collision and running-in, we can dig out more ideas, and then confirm each other's progress in our performance. Each work is an opportunity for growth, which also makes the self in each period inevitably different.

Nowadays, before "gravity" and before "Drunk Village Folk Song", the content and angle of the conversation will inevitably be different, and even before "Interstellar Crossing".

All the participants at today's symposium were professionals. Even if they were not direct related persons in the film industry such as directors, screenwriters, actors or producers, they were at least senior film enthusiasts, and they had their own understanding and reading of the movies. This also caused ripples in the content of Lanli's conversation, and they could clearly detect the high enthusiasm of the audience.

A huge area of ​​arms raised inside the venue, like a vast forest.

Lan Li made a sweat-washing action and joked with herself, "Why do I feel bad?" But the movement in her hand did not stop and named a questioner among the crowd.

"Lanli, what I want to say is that you can see from your works that you are still deeply impressed by the 'deliver' performance when you understand and present the performance in different ways."

"I always think that 'detachment' is your best performance, and it is different from the impact of 'Love Madness', but it can leave more aftertaste and reflection. Just like you said, Tony Kayer is a director who pays more attention to emotional capture, and the space for the audience is more response, but 'gravity'. I personally think that the space for subsequent reflection is limited."

"So, how do you feel?"

"I mean, which work is your favorite performance? Also, which work you personally regret the most? If you can start over, how will you interpret it? Also, what are the reasons for your love and regret?"

Without self-introduction or social politeness, the other party went straight to the topic as soon as he came up, once again demonstrating the professional attitude of today's symposium.

"Wow, this is a very specific and huge question." Lan Li adjusted her sitting posture a little and spoke in a relaxed tone. "When you read those interviews, the actors always say that we love every role we play, and the best performance is always the next time. Although this is a kind of polite rhetoric, it is also a fact. Because performance is never easy, actors are more inferior and uneasy than they seem. We need more confidence and expect more of the future."

"However, even the ten fingers have their lengths, so we naturally have preferences. Those words that all characters like are all self-deception lies." Lan Li's frankness made the audience laugh together, and a positive response came from the Internet:

"Young Master is a good person!"

"Young Master is a good person!"

"Young Master is a good person!"

There was a collective flood of the screen in the YouTube live broadcast channel, and there were even more cheers on Twitter.

Lan Li didn't notice the uproar he caused at all, and then said, "For me personally, the most regrettable work is 'I, who is fighting cancer'."

"This is a light comedy work. In the story, it does present the pain and torture of cancer, and even terrible, but the script ends with the ups and downs of mentality and changes in life. The whole work is relatively relaxed and humorous. I hope it can present Adam's positive and optimistic attitude after his struggle and show a life attitude."

"Sese Logan is an excellent comedian who did his job well; but unfortunately, my performance was too serious and devoted, so that the whole tone was too deep. Many of the presentations of the scenes destroyed the overall lightness of the work, and the final effect was disappointing."

"Of course, if you look at it separately, there is no problem with my performance and the style of my work, but if combined together, it seems contradictory and conflicting, and it is a bit out of place. Either look at the accident of cancer in a relaxed manner; or face the impact of life in a serious and solemn manner. Obviously, my own actions destroy the integrity of the work."

“I always emphasize that I hope to try comedy works. In a sense, the 'cancer-fighting me' was not able to relax and immerse myself in it, which is one of the reasons.”

When he played "I Against Cancer", Lan Li was still too immature and too young, and could not completely get rid of Chu Jiashu's past. The sense of substitution of method-based acting skills made him fall into the mud. Looking back now, his performance is not a problem, but it is not suitable for this work. Instead, it is not as good as the original version of Joseph Gordon Levitt in the previous life.

As he just said, the cooperation between actors and directors is also an important factor in the success of the work.

Ethan and Robert, who were sitting in the audience, exchanged glances with surprise and surprise in their eyes.

Although Lan Li has always emphasized that he was not prepared for anything - the actual situation seems to be the same; Lan Li is always filled with a calm and leisurely attitude, and can easily take care of all problems and situations, on the one hand, because of his thoughts and calmness, his demeanor and grace show in every move indeed reveal a great demeanor.

This is really too rare!

Before this, Robert was more or less worried. It was not that he didn't believe in Lanli. Lanli's acting talent and talent were absolutely unquestionable, but Lanli was still too young after all. He knew how to perform, but he might not know how to teach and discuss it. This was a fatal shortcoming for the symposium.

But now it seems that they are worrying too much.

However, Joel, who was sitting in the middle, noticed the sights on both sides, and said in a low voice, "I said it." He had said a long time ago that there was no need to worry about Lanli. Lanli's pride and confidence were not castles in the air. His background, his strength, and his understanding were all able to withstand the test.

The curve of the corners of Robert and Ethan's mouth rose up, retracted their gaze, and looked at the stage again.

"So far, my personal favorite performance is undoubtedly the 'Drunk Village folk song'." As soon as Lan Li finished speaking, there was a burst of cheers on the scene, and Lan Li chuckled himself, "Okay, I must admit that it was because the director was there that I chose this work."

The sound of cheering immediately turned into a hilarious laughter, and Joel clapped his hands and laughed, while Ethan shook his head in a burst of laughter.

"'Drunk Country Folk Song' is a special work. It presents a life state of Levien Davis, and it is also the life state of countless dream chasers. Not only in the 1960s, but even now, there are still countless Levien Davis living by our side, and even here in front of us."

“When I played Levien Davis, that kind of resonance and empathy was irreplaceable. I must admit that during the performance, I would think that was myself, and that frustrated album was ‘Don Quixote’. Joel and Ethan captured the real details of my life, blurring the boundaries between reality and illusion, which also filled the performance with more personal things.”

"Until now, I can still recall the light and noise of the kerosene lamp bar, which are there and never and will not disappear. My love for this work is private. The whole performance is unforgettable. I think I must be amazed at the breath that Joel and Ethan captured, which is still left in Greenwich Village."
Chapter completed!