It reaches the pinnacle and is perfect.

This is the only thought in Ethan Cohen's mind at this moment.

From Cannes to Venice to Oscars, everyone has said that in the past year, Renly has contributed a perfect performance in "gravity" and "Drunk Country Folk", truly presenting the highest level of acting today. It is not only the first young actor in the Y generation, but even in the whole of Hollywood, it is comparable to the peak strength of Meryl Streep and Daniel Day Lewis.

It is precisely because of this praise that for a 24-year-old actor, the hat is really too big. Coupled with the historical moment of egot, this has led to excessive or insufficient. During the awards season, everyone rejected Lan Li, and contempt and belittled Lan Li gradually became the mainstream of the industry. It seems that everyone is "kindly" cooling down Lan Li, looking forward to him having a longer career.

Ethan did not comment on this.

As a director, Ethan personally experienced every performance of every scene of "Drunk Country Folk". Although he is not a director who is good at tuning acting skills, he can still truly feel that the delicate texture and three-dimensional depth that Lanli gives to the characters in his performance is indeed far ahead of his peers. Even when Natalie Portman and Jennifer Lawrence, who are now successful, there is a clear gap between him and Lanli.

Ethan disdained those cool down remarks; Ethan fully agreed with those praise words.

To be honest, Lan Li is the only candidate in Ethan's mind for the Oscars competition this year. In terms of strength, talent and spirituality, it is difficult for other competitors to compete with Lan Li, but... the Oscar competition has never been a competition of strength. Even if Ethan hopes to witness Lan Li’s second winner of the actress, he is powerless.

In other words, Ethan also believes that "gravity" and "Drunk Country Folk Song" are indeed the peak state of Lanli. He does not think that someone can challenge Lanli's two performances in the short term.

Yes, even if you don’t have the qualifications to challenge, let alone break through or overtake, even Ren Li himself may not be able to replicate such a feat. After all, such a difficult and wonderful performance is incredible for the energy and physical energy consumption. The actors are also mortal/meat/body, and their performance state is like a competitive state, and they will inevitably have some ups and downs. If you want to replicate again in a short time, the difficulty will increase exponentially. Some actors even briefly release all their energy and then return to mediocrity and become obscene.

Jamie Fox is such a typical example. In 2004, the "King of Soul Songs" and "Killing with a Knife" instantly burst into light; but that year seemed to consume all the energy, and then there was no performance worth mentioning.

But today, Ethan had to overturn his thoughts

The "explosive drummer" is the real peak!

The premise is that the film itself explores the process of finding the peak state of art. The game between Fletcher and Andrew is pushed, from starting to uphill to setbacks, and then back to setbacks, but then back to the east but suffered a severe blow, falling to the bottom and destroying hope, finally breaking and then establishing, completing the baptism and sublimation of souls with the action of killing the father, achieving perfection.

The whole movie clearly presents the entire process of artistic transformation and sublimation, even more complete than the "Black Swan".

Although Damien Chazerre's technical control, including lens scheduling, picture editing and light use, is slightly inferior to Darren Aronovsky, and is even more immature compared to David Finch, the integrity of the performance supplements the director's work, allowing the film to be complete.

This also means that the "explosive drummer" is inherently different from the "Drunk Village Folk Song" and "gravity". The actors have a role platform that can openly explore the acting ceiling and artistic barriers. If they can show off, they will inevitably shine and cannot be stopped!

This was the case when Natalie Portman starred in the "Black Swan".

In the "Explosion Drummer", Lanli truly presents a psychological transformation on the road of artistic exploration, from physical torture to psychological collapse, and then to the double baptism of the psychological and physiological levels. He gradually finds his true and brilliant self in the ocean of art, and reaches the pinnacle in the last performance, presenting the soul of art to the audience without reservation, bringing a pure supreme enjoyment.

Wonderful! Extremely exciting! It makes people want to stand up and applaud!

Especially the contrast and reversal of Andrew and Fletcher's momentum vividly and truly interprets the "Killing/Father" plot on the road of artistic upgrading, and repels the superego with the "black swan" Rinina, who kills the superego, releases the self, and breaks through the transformation of the self, presents the spiritual fission and sublimation of the spiritual level in the process of artistic transformation.

If it were just that, the performance of "Explosion Drummer" and the performance of "Black Swan" can only be considered comparable. To some extent, Nina, played by Natalie Portman, is slightly better, mainly because the scenes of director Darren Aronovsky give the characters and the movie a thrilling temperament, which complements the entanglement and struggle of the superego, the id, and the self, and makes the performance blossom into an incredibly powerful charm.

But the reason why Lanli is Lanli is because he can always bring surprises continuously!

During the performance, while tension and courage were experiencing over, Lan Li cleverly restrained her emotions and pressed all the emotional changes that were released inward. She was more likely to use her eyes to understand the complex texture of psychological changes.

The so-called transformation of artistic inspiration is too awkward and too difficult to describe. Even if the drum beats are used to explain it, it seems pale and powerless, and it is far from showing the subtle changes in the artist's inspiration; while Lan Li tells all the rise, inheritance, turning and closing through his eyes, combined with the essential transformation of the drum performance, presenting this feeling of artistic upgrading, and ultimately leaving the space for thinking and recall to the audience.

The eyes, the simplest but most difficult part of the performance, Lanli gave infinite possibilities: the eyes of Andrew and Nicole talking on the second call, the eyes of Andrew talking with Fletcher bar, the eyes of Andrew embracing his father in the backstage, the eyes of Andrew's last playing moment...

In the close-up, the psychological changes at each key turning point are filled with the eyes. Compared with the ostentatious release of the drum performance, the performance of artistic understanding and ideological transformation is all introverted and low-key, and it is convergent and convergent, which also makes the performance of the entire work truly relaxed and relaxed and relaxed.

The most amazing thing is that the mixed emotional changes presented by the delicate performance can be reflected in the plot that follows. The two combine to help the audience complete understanding and substitution, and at the same time, they also complete sublimation step by step together, and the shock bursts out from the depths of their hearts.

This control, this interpretation, this expression, the most important thing is this spirituality. With every move and every frown and smile, Natalie easily shook off her performance in the "Black Swan". It was natural and the emotional interpretation of flowing water was really too exciting and too terrifying. It even made Natalie become clumsy and obviously exerted too much force, and lacked layers, and it was more like walking all the way to the end in a single line.

Of course, Natalie's performance in "Black Swan" is already top-notch. Now among the Y-generation actors in the entire industry, this can still be called top-notch, and her strength is unquestionable.

It's just that Lan Li is too outrageous.

Before today, Ethan never knew what "perfect performance" was. Even the old actors could not make him feel this clearly. It was not that they were not outstanding enough, but that Ethan lacked the sense of performance and understanding, just as some people would never be able to understand the advantages and disadvantages of spirits or food.

But starting today, Ethan truly felt the weight of the word "perfection". It was not just a blow to the blood, it was not just a breakthrough in mental torture, it was not just a personal hand/kill/father overthrowing, it was not just a coldness that cuts off the bond, but also a paranoia and madness emitted from the inside out. Even the eyes and soul have completely transformed.

When Andrew broke through Fletcher's suppression, he truly achieved the perfection of drum beats; at the same time, Renli also broke through the shackles of performance and truly achieved the perfection of acting skills. The double breakthroughs in and out of the play broke the barriers of the big screen, bringing a refreshing and shocking viewing experience.

It surpassed the "gravity", the "Drunk Village Folk Song", and most importantly, it surpassed Lan Li himself and touched the new world of performance.

Inexplicably, Ethan recalled a brief interview with Renley during the Venice Film Festival. He mentioned at the time, "I now hope to try more roles in different styles and types to explore more possibilities for performance."

The words themselves seem official and polite, and almost every actor answers this way during every movie promotion period, "I want to challenge some brand new characters and try something different." But everyone knows that this is just a promotional term. Most actors in Hollywood have been repeating themselves throughout their careers, and no one tries to new things because they know that even if they try it, there will be no change.

But now, Ethan understood that Lanli hoped to challenge different role types such as comedy, action, horror, and even commercial movie performances not only relax, but more importantly, because at the level of plot characters, he has already seen all the mountains, and even works like "Night Walker" that can't bring Lanli more challenging.

Although it is a bit incredible to say that, Renli is only twenty-four years old; but after watching the "Explosive Drummer", this is Ethan's real feeling!

Art is perfect!

Yes, Renli touched the perfection of art.

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1710 Art Perfect (Page 1/1)

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