"I can't do it. I really can't do it."

Rachel seemed to be on the verge of collapse.

This is always the case for actors. The east wind may overwhelm the west wind, or the west wind may overwhelm the east wind, or they may destroy each other's rhythms and lead to overall chaos. It may also cause chemical reactions between the two sides to improve the quality of the performance, thereby creating more sparks and bringing unexpected surprises.

Everything is possible!

Because everyone is different! The performance rhythm, state, style, etc. between people are also different. Relying on different roles, different scenes, and different directors, more differences will evolve, and naturally there will be countless chemical reactions to develop possibilities.

According to conventional reasons, Rachel and Renly are both actors with extremely rich performance experience, and are also actors with very rich stage performance experience. The rhythms of each other are completely destroyed, resulting in one party losing balance. This situation is very, very rare and unlikely to happen.

After all, Rachel is not a nameless vase, and her strength and level are beyond doubt.

So, what happened just now?

Simply put, Lanli is fully fire-powered. From posture, eyes to lines, Lanli gives many details to the performance of the whole scene, that is, doing addition. If placed in the mid-scene lens, these additions are too subtle to be fully captured, and can only experience the changes in the overall aura, which is also the reason why the staff can feel the emotional surge; but if placed in the close-up lens, these emotions appear too heavy and too powerful, and instantly release the instant heavy blow, which also creates the effect of a magnifying glass, which hits the face regardless of the situation.

What Ouges and others saw was the medium shot, while what Rachel saw was the close-up.

As an actor in the rival drama, Rachel was directly subject to Lanli's performance emotions. She could clearly feel that Lanli's performance was increasing in all aspects. Those emotions were vented like surging rivers, and there was no room or time to breathe.

Then, the performance was out of balance.

Rachel is no longer a rookie actor. She has a rich acting experience, which is enough to allow her to deal with various scenes. In many cases, she is the one who is on the scene. Young actors may experience rhythm imbalance if they are not careful. This mature and steady performance temperament allows her to successfully stick to the bottom line and persist in the scene to the end, but lose the rhythm halfway through the shooting, resulting in interruption.

Despite this, Rachel was still very, very dissatisfied with her performance.

In fact, Rachel could sense that in recent times, Renly's performance has always maintained a state of cold outside and hot inside, with a glacier on the surface and volcano on the inside. This contradiction is just right with David's role, and instead gives Ouges's work more possibilities, which is a good thing.

But the difference is that in the previous scenes, the emotions were strong but relatively stable; in today's scenes, the emotions were surging and burst out instantly. Then, Lan Li's performance exerted a little too much force, and the entire details were too depressed. The emotions were like layers of huge waves, one after another, and then the balance was easily broken.

Rachel didn't know what happened to Renly, and she didn't want to find out about Renly's privacy.

Rachel wasn't sure if Renly's performance was too strong, so she was still focusing more on herself.

But Rachel was sure that she was not satisfied with her performance. The feeling of being suppressed was too bad, which made her performance have no soul at all. What's worse is that she directly broke away from the performance of a woman with myopia and developed empathy for David. This was a very fatal performance flaw and could be said to be completely unattractive - it was not that Lanley's performance was not outstanding enough, but that her concentration was broken.

Rachel was very, very dissatisfied with her performance.

"I can't do it! I need five minutes!"

Rachel realized that her mood swings were too strong now and was obviously not suitable to continue to engage in the performance. She took the initiative to ask for a five-minute break.

Represented by Rachel, the entire crew can feel Lan Li's powerful aura, just like a martial arts master finally showed his full strength with all his strength. That sense of oppression erupted in a mighty way, easily forming aura suppression, and no one can be exceptional.

Rachel did not sit next to him and stared blankly, but got up and came to the rear of the monitor and asked to watch the playback.

It can be clearly seen from the performance replay that the entire rhythm and aura are completely concentrated on Renli. Rachel's existence cannot even be felt in the camera. She is like a wisp of air, and she is directly ignored. The serious imbalance also destroys the coordination of the entire scene, which is not a normal phenomenon.

Rachel's body language is very stiff and she cannot show the calm and generous attitude of a woman with myopia at all. At this time, she should be the one who has the initiative to control it. Even in the face of David's temptation, there is no problem, and she calmly deals with all potential possibilities; but the actual situation is:

"God, this is a disaster." Rachel could not believe that the person in the camera was himself.

Among them, David focuses on the scene of a woman with myopia. Rachel's back muscles become obviously stiff, and his aura becomes unsteady. This also reveals the panic and hesitation of a woman with myopia.

But at this time, the accurate mood of a myopic woman should be calm, slightly nervous but still calm, pretending not to notice David's look, and even doubts can be revealed due to the silence of the atmosphere, lifting her jaw or tilting her head slightly, and asking David with such actions, "What's wrong?" This kind of general's style that controls the overall situation is the correct way of performing.

But what about her?

"Oggs, please hide all of these contents and never let me see them, okay?" Rachel blamed himself. "I can't believe it was me, so clumsy that it was like an open book. If myopic women were really like this, they would have been eaten alive in the forest."

"Rachel, it's not that bad," Ougus tried to comfort his beloved player.

Rachel turned her head and looked at Ouges extremely seriously, "Are you serious?"

Ouges was stuck directly - remember? According to Ouges' original setting, Rachel was the eye of the entire work, but now it has been completely overturned. David's every move and every word and action have given the whole story a deeper and more complex possibility. It is hard to imagine that the actor's performance can have such power; on the contrary, Rachel's interpretation of the role was unable to open up the situation, so she was at a disadvantage.

Rachel pursed her lips and gently slighted her head, as if she was comforting herself, "I can accept. I can accept the piece of garbage I just performed. Just start over, we just need to start over. Right? You can have new possibilities when you start over. How about it, Renly, are you willing to do it over again?"

Rachel seemed to have suffered a considerable blow, and her emotions were inevitably exposed. This way, she revealed a trace of the little woman's cuteness.

Lan Li was also watching the performance replay. After calming down, he realized that he was exerting too much force.

Although, from a medium-scene perspective, those emotions are accurate and not outrageous; there are still many aspects to consider in the performance, such as the actors who play the opposite scene, such as the overall picture, the style of the work, etc. Otherwise, the actors are too prominent and destroy the integrity, and the actors are also dereliction of duty - at least they must bear part of the responsibility that the work is not as expected.

That's it now.

Ouges's style is still relatively cold and stable, and all performances must be restrained inward. This is why Buster Keaton's previous performance style could bring a lot of inspiration. The rigid and dull performance can actually give the whole work a more wonderful and intense chemical reaction.

Lan Li's performance just now clearly shows the traces of exerting force - those detailed actions did increase emotions, but they seemed too many. At this moment, it should be "less than more". It should be clicked until it is left with the afterglow. This is the most appropriate thing. He made an obvious mistake.

It's a bit similar to Matthew McConaughey. After winning the Oscar for the "Dallas Buyers Club", Matthew's career trajectory plummeted. At his peak in 2013 and 2014, his performance received countless praises, and there were praises from both inside and outside the industry. Some even joked that Leonardo DiCaprio should learn from Matthew's - the two did contribute their rival scenes in "Wolf of Wall Street".

But what happened then?

In fact, it is very simple. Matthew learned to sculpt the details, but did not learn to control it. This also made him continue his habitual performance in his subsequent works, just like a template, using the same performance to interpret different roles. Too many complex details become a burden and destroy the role and work. Then, his performance is "failed".

The same set of performances is icing on the cake in some works, but in some works it is a bad sheep. This is the truth of "Your honey, my arsenic".

In this scene, Lan Li also encountered the same problem - he was able to act and he was able to control the overall situation, but the scene at this moment did not require him to show off his skills. His show off instead destroyed the integrity and sense of balance, and he needed to recycle his performance.

Ouges is not a specialty in acting. He can vaguely detect the difference, just like Rachel, but for a while, he couldn't tell a reason; but after Lan Li calmed down, his whole thoughts became clear, and he also realized that the chaotic thoughts in his mind still made him too tense and too devoted, and he fell into the stalemate of "too much is not enough", and he needed to adjust his rhythm.

Then, Rachel's inquiry came over, and Renley did not hesitate at all, "Of course, I'm very happy!"

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Chapter completed!