"What's wrong? What's wrong! God, the young master smiled. Jesus Christ, I finally know why everyone calls him the young master! Oh my God, I'm going to die!"

"What are they saying? What? What the young master said just now, have you heard it? Why are all of them laughing? Ahhhh! What to do? My fingers are trembling now, I can't help it! I don't care, I want to go over, I want to go over!"

"How long has it been? How long has it been? This is simply a torture! Why is the young master still at the door? Shouldn't he leave immediately and throw us into the wind and messy? Then he left? Why did he stop here! God! Why did he test me like this?"

At this time, the gate of Almeida Theater was in a battle between heaven and man. Whether to stick to his own team or leave the queue to get in close contact with Renli, this is definitely one of the most terrifying, tormenting and difficult tests in history. Especially when seeing Renli having a happy conversation with others, it is indeed a torture.

Finally, someone could not bear it anymore.

Rebecca Burke left his team, walked up quickly, and then captured a clip of the words, "...Ha, no, I wouldn't think so. I never thought I was a genius, otherwise I wouldn't have to come here to practice so early." Lan Li's eyes were a slight smile, and a curved corner of his mouth was outlined, and he replied with a chuckling.

"Young Master, Young Master, so, did you come here so early to practice?" Rebecca burst into a lively light and couldn't wait to ask his first question.

At this moment, there were 30 to 40 people gathered at the entrance of the Almeida Theater, not many. More audiences stood in the team from afar, tiptoed, poked their heads, curiously and expectantly, and painfully excitedly trying to capture some clues; but the strange thing is that 30 to 40 people are orderly, presenting a beautiful and complete fan shape, centered on Lanli, showing without any confusion.

Such order and momentum are really eye-catching.

"Yes." Lanli looked over the voice, nodded slightly, expressing her affirmation; Rebecca only felt her chest hit hard, and her bright eyes and the shallow smile gave her a critical frontal blow; "Huh, talk about practice. The delay time exceeded expectations. I must go to the theater to practice now. Sorry."

Lan Li's words came out, and everyone made a frustrated voice.

Rebecca's brain was just in the crash, and the next second the dream was about to break. She hugged her head tightly, annoyed that she had not come here earlier, annoyed that she was hesitant, and she unconsciously let out an exaggerated cry of mourning in her mouth. Why did she ask that question just now? Why did she awaken the young master's attention? Why! Why!

"Young Master, Young Master." Rebecca shouted, "Can I take a photo with you?" The gaze of pleading was revealed in my eyes.

"Of course, there is no problem." Lanli's answer was so straightforward that no one could react. Even Rebecca was stunned. Then Lanli added, "But, there is only one. I have to hurry up. Sorry." After pursing his lips, Lanli spread his hands helplessly, tilted his head, and sincerely expressed his regret and regret.

But Rebecca captured a hint of playfulness and banter, and his dark brown eyes flashed with a hint of prank success. It was fleeting, and before he could even blink, the light disappeared, so that Rebecca doubted whether he was dazzled.

Then Rebecca was pushed out and stood beside Renly.

Lanli politely embraced Rebecca's waist, bent down slightly, and matched Rebecca's height; but his right hand maintained the gentleman's etiquette and did not really put it on. Rebecca's waist could feel the warmth from the wide palm, the beating of his heart began to become disordered, and the blood all over his body began to boil quietly.

Finally, Rebecca didn't even know how Lanli left, but there was only a buzzing sound in his ears, which lasted for a long time; he was suppressed and suppressed, but he still couldn't suppress it. "Ahhhh!" Rebecca began to scream: she took a photo with the young master, she and the young master were standing side by side, she and the young master were almost about to face each other, she...

Countless thoughts and thoughts were surging in my mind, but they could not be expressed clearly. I just screamed uncontrollably, "Ahhhh!" Standing in place, spinning, and then spinning, the feeling of flying into the sky was really indescribable, and the overheated brain was almost about to explode.

Returning to her original position, Rebecca unexpectedly found that the team was still not in chaos and her position was still maintained. She widened her eyes and looked at the friends around her. Everyone whistled, and some people cheered, "Hey, girl, how about you share your photo with the young master in Facebook's group? Among us, you are the only one who has the opportunity to get close to the young master."

Rebecca didn't say anything, just nodded, nodded vigorously, and tears fell off guard.

The bustling hustle and bustle at the entrance of the Almeida Theater gradually fell behind. Lan Li stepped into the theater, and her cheerful mood slowly settled down. The support of the audience is motivation and pressure, because in the stage performances in the theater, the fault tolerance space is too small, and all the performances and all the strength are clearly presented to the audience.

Without the modification of the camera, without the director's dispatch, and even the pattern of the lights and the rendering of the soundtrack are reduced to the minimum range, completely relying on the script and the actor's skills to support it. Such a test is completely different from the movie; but at the same time, the difficulty also increases exponentially.

What's more, the play "Les Miserables" lasted for six hours, which is epic.

As the male protagonist, Lan Li hopes to truly present the essence of this masterpiece; and he also needs to challenge Ran Ahjong's roles with such difficulty, complexity, and age span. Just imagine in his mind, he is already excited.

The audience's fanaticism means that Renli needs to calm down and concentrate more.

At this time, the entire theater was still empty, and the other members of the crew had not arrived yet, so the entire space belonged to Renly alone.

Lan Li put her belongings on the edge of the stage, and did not rush to warm up or go on stage. Instead, she began to walk inside the theater, measuring the entire first floor with her own steps, and even entered the audience seats, watching the stage in different positions and corners, while making sounds.

In the past seven days, Lan Li would enter the Almeida Theater in advance every day and repeat the same process.

For laymen, adapting to the stage is simply adapting to the stage, but they don’t understand what the stage needs to adapt to? Isn’t it just a platform?

For insiders, there is a basic process for adapting to the stage, but everyone has their own little habits.

The so-called adaptation to the stage is to adapt to the softness and hardness of the stage. The stages on the West End of London and Broadway are all cork boards, which are a little elastic, which facilitates the actors to stretch their limbs and perform dance/martial arts. At the same time, there are many small mechanisms on the stage. The wooden floors in some places may creak, and the wooden boards in some places may become a little soft due to the age of time. These are details that the audience cannot see, but are crucial to the actors.

On the other hand, it is adapting to lights and space. During the performance, actors need to make full use of the entire stage. This is a kind of basic skill. They will only be limited to actors in the center of the stage. His performance is bound and rigid and lacks highlights. However, when using space, actors cannot stare at the floor clumsyly. In addition to the lighting factor, they need to have a three-dimensional and three-dimensional feeling about the entire space.

The last aspect is sound effects. In contemporary stage plays, actors are still not allowed to wear microphones. Actors must make corresponding adjustments from body to voice to expressions to ensure that their performances can be conveyed to the audience, especially the lines. The basic skills of the stage play are crucial.

Of course, a small number of dramas that specialize in performing for tourists have begun to compromise and allow actors to wear microphones. However, the Almeda Theater still did not compromise this time.

To adapt to the stage is definitely not something that can end in two rounds on the court. The importance of rehearsal is self-evident.

However, Lanli also has his own little quirk. He is used to watching the stage in every corner of the theater. The perspectives presented in different positions are different, and the performance information he receives is also different, which is the biggest difference from the movie.

The movie screen is flat. For the audience, the information they receive is fixed by the photographer's pictures and the director's lens; but on the drama stage, the first and last rows, the middle and sides, the first and second floors, the viewing angles are different, so the prices of each position in the theater are also different.

Naturally, different locations of different theaters are arranged subtly.

Now, Renli is adapting to the location of the Almeda Theater. After the first floor ends, he comes to the second and third floors. After walking around each corner, today's warm-up exercise ends, and then he returns to the stage and begins to prepare for today's rehearsal.

One after another, the members of the "Les Miserables" crew also arrived at the Almeda Theater. Today, not only the director, screenwriter and producer, but also the theater manager Emma Fiddin arrived at the scene.

The six-hour "Les Miserables" was chosen, and the new young cast was a suicide challenge for Emma. She always paid close attention to the progress of the rehearsal, but until today, she arrived at the Almeda Theater for the first time to watch the live rehearsal.

What’s gratifying is: from the queuing effect, at least, the premiere of "Les Miserables" will be extremely sensational. The problem now is that under the sensational effect, the expectation value is rising steadily, so can the plays meet people’s expected value?
Chapter completed!