When I saw Huang Botao filming "The Legend of the Condor Heroes", Guo Dalu became more and more wrong and he became more and more unhappy as he watched it. He always felt a sense of pain that his work was ruined.

Although these martial arts were all inexplicably in his mind, they were typing out word by word from his hand, and they were also works that had a certain emotion. Seeing Huang Botao making such a work look like this, Guo Dalu felt more and more uncomfortable as he watched it. In the end, he couldn't stand it anymore and said to Huang Botao: "Old Huang, I'll do this drama, you can help me!"

Huang Botao actually had the idea of ​​letting Guo Dalu shoot. It was not that he didn't want to continue shooting, but that he guided film and television works in front of Guo Dalu. There was always a feeling of playing with a pen in front of Confucius. Every shooting idea and every action instruction of his own is a serious lack of confidence.

Guo Dalu's aura was so strong that even if he didn't say anything, as long as he sat next to him, the entire crew would feel uneasy and dare not make a loud noise.

In this case, not only Guo Dalu was uncomfortable, but Huang Botao and others were even at a loss and felt wrong in anything they did.

Now Guo Dalu takes the initiative to ask himself to be a director. Whether it is an actor or Huang Botao, everyone breathes a sigh of relief. A group of people think this is the normal style. The previous shooting was simply messy and too inconsistent.

Once the director was replaced by Guo Dalu, the ideas, lines and action design of the entire drama were all modified by Guo Dalu. Even the crew members were replaced by him. Several of Guo Dalu's junior brothers and sisters were called to the set to serve as supporting roles and action substitutes, and the entire crew immediately improved several levels.

When he films with Huang Botao, the company's attention and investment inclination are not at the same level.

When Guo Dalu was filming, all the resources of Tianxi Film and Television were used by Guo Dalu. If you want an actor, even if the actor is filming on another crew, you have to temporarily stop working to obey Guo Dalu's arrangements. This is the case for actors, and the same is true for other staff, such as photographers and makeup artists. These people have to serve Guo Dalu as soon as possible.

This kind of resource tilt has become the norm for Tianxi Film and Television. Not many people will feel dissatisfied. The profits Guo Dalu has created for the company are obvious to all. Unless you can make a lot of money like him, you are not qualified to challenge Guo Dalu.

When Huang Botao was directing, although the actors were very obedient, they always lacked a passion that was indescribable and the actors worked very hard, but they always did something inadequate. Either they didn’t work hard or something was missing. As for what was missing, many people couldn’t say it themselves.

But after Guo Dalu came on, the emotions of the entire crew suddenly rose. Both the actors and crew members were in a different state, with anger and vitality that they had not had before.

When Huang Botao was directing, he rarely lost his temper. He basically communicated slowly with the actors, trying to make the actors perform the picture they wanted. However, once it was Guo Dalu's turn, the tyrant's roar suddenly sounded on the set. Many actors were so nervous that they couldn't sleep, and no one dared to relax. The shooting progress was more than twice as fast as when Huang Botao was directing.

In less than half a year, the play was filmed by Guo Dalu. The theme song of this play was also written by Guo Dalu himself. The name is "Swords Like Dreams". Guo Dalu originally wanted to find a singer to sing this song, but later he found that it was not very suitable. Later, he simply went on stage and recorded the song himself.

"Old Huang, I will not film my martial arts TV series again in the future."

After the filming of this drama was completed, Guo Dalu called Huang Botao in front of him, "It takes time and energy to shoot this thing, and it is not profitable. In the future, I will leave my martial arts to people in the company to shoot."

Guo Dalu kept his word. Since then, he has never filmed martial arts TV series again, and his energy has shifted to action movies.

This also led to the The Legend of the Condor Heroes trilogy becoming a stunning sound. More than a dozen directors after Guo Dalu had wanted to remake the The Legend of the Condor Heroes trilogy, but they did not have the strength and talent of Guo Dalu, but instead they became worse and worse, which was incomparable to the trilogy filmed by Guo Dalu.

Therefore, the Legend of the Condor Heroes trilogy filmed by Guo Dalu has become the peak of the entire martial arts TV series classification many years later, and no drama can surpass these three TV series. Even if the special effects become more and more brilliant after decades, it is still impossible to shoot the unique martial arts flavor in these three dramas.

The filming of "The Legend of the Condor Heroes" wasted a lot of Guo Dalu's time. Zhang Jianzhong, who is preparing to film "Red Sorghum", has been calling Guo Dalu, "Master Guo, the sorghum is popular. When will you come to shoot? The crop solar term is unpopular!"

It turns out that Zhang Jianzhong has always been obsessed with "Red Sorghum". He is a member of the system and has a lot of free time. After deciding to be the deputy director of Guo Dalu, this guy specially bought more than 100 acres of land in a remote and poor countryside, and planted red sorghum all for the filming.

It's almost autumn now, sorghum earing will probably become popular in a while. If Guo Dalu doesn't come to shoot, his sorghum will be white.

Therefore, Zhang Jianzhong was very anxious and called Guo Dalu every few days, urging him to finish the filming of the TV series quickly and shoot real art works with him.

Guo Dalu was so annoyed by this guy's harassment, but after all, the project of this movie was decided by himself, so it was hard not to go. After the Yitian crew finished the filming, they rushed to the place where Zhang Jianzhong was.

It was an extremely remote rural area, with adobe houses and colored wooden doors that are rare in modern society. Except for the green plants, the rest of the places are all yellow. This is a place that is extremely poor.

When Guo Dalu drove into the village, many bare-ass children ran excitedly behind the car. After he got off the car, a group of children surrounded him and spoke in dialects and local languages, reaching out to ask Guo Dalu for things.

Zhang Jianzhong walked out of the yard and scolded the children. After saying to Guo Dalu: "Master Guo, don't worry about them for now. If you come, I will be a little unable to hold on if you don't come again! This place is really unavailable!"

Zhang Jianzhong rented a farmhouse yard here. The crew had been living here for a while now. Several rooms in the house were empty, which was the real home.

Because the windows are small, the whole house is insufficient in light and is very dark.
Chapter completed!