When Kohashi Rikai saw it, he immediately shouted, "I'll give you money yourself, so you won't have to worry about spending money."

"It's okay, a little bit of money." Hanamaru Hanamaru didn't care at all, so he took out a 10,000 yen and handed it to the staff, and got the change and bills handed back by the other party.

Huamaru is really rich.

Kohashi Rikai thought to himself.

While the popcorn was being made, Hanamaru Hanabu took the initiative to ask Rikai Kohashi: "Souhashi San seems to be from the oil painting department, right?"

"Ah, yes, Rehwa's three years of school enrollment."

"Then we are in the same class." Hanamaru Hanabu said with a smile.

Rikai Kohashi felt a little embarrassed and his movements were quite restrained: "Hanmaru San should be a senior."

"I'm not a senior, I'm a classmate in the same class, all of them are Reiwa 3 years old." Hanamaru Hanabu said, and looked at her movements, "Why does Kohashi San seem to be a little... too polite?"

Kohashi Rikai didn't know where the psychological pressure came from when facing Hanamaru Hanagua. She didn't feel this way when facing Hanamaru Hanagua, who had the same face as her.

The other party's voice and posture were obviously quite friendly.

So strange.

Rikai Kohashi tried to calm his mood and said, "I don't go out very much...it should be because of this."

After hearing this, Hanaman Hanabu nodded and said:

"That's it. In fact, Huahuo was similar to Xiaoqiaosan. You didn't like going out. Many people don't know how to talk. But if you really take the initiative to talk to the other party, the other party will still have a high probability of polite replying to you. So, don't worry too much, just relax and deal with it with a chat mentality."

"Okay." Kohashi Rikai nodded in front of Hanamaru Hanabu.

At this time, Uesugi and Tozuka Katsuki walked back from the toilet.

"Why haven't you entered yet?" Uesugi asked the two girls.

"Wait for popcorn." Hanamara Hanamaru turned around and looked at the popcorn bucket that was pinched in the hand of the staff.

"Okay."

After waiting for a while, four people entered the screening room with a bucket of popcorn and a glass of soda.

When we arrived at the ticket gate, Uesugi saw the name of the movie.

"Flower Bridge"

On the movie poster, a man and a woman stand in a bush with her back facing each other.

There is also a line of matching words next to it, "Love, is it right?"

Art film?

It should be a romantic art film.

Uesuma guessed in his heart.

It probably tells the story of love, hate and separation between men and women, and finally forced to separate due to life.

good.

Love, hate, separation and separation are popular themes from ancient times to the present. When combined together, it makes people feel endless aftertaste.

The four of them sat in the cinema. The surroundings were dark, and the attendance rate was quite large. At least there were many people sitting in front of them.

Uesugi and Hanamaru Hanai sit together, while Kobashi and Tozuka sit on the other side.

Before the movie began, Hanaman Hanabu began to pick up popcorn one by one and stuff it into his mouth.

Still a greedy mouth.

Uesugi Skirted at her.

After waiting for five minutes, the movie opened.

It can be said to be the opening lightning strike.

It is a scene of a foreigner man and a woman expressing love to each other by a river. They look at each other with smiles on their eyes, which is very sweet.

Then, the male protagonist pushed the female protagonist into the tree and leaned over to kiss.

The heroine wanted to refuse but welcomed her, but wanted to push her away, but gradually fell into a passionate kiss.

Up to now, the appearance is OK, not a big scale, only a little sweet intimacy.

Uesugi Take a look at Hanamaru Hanawa halfway through, and found that she was just staring at the screen and eating popcorn.

I didn't blush when I saw the intimate scene.

Is it because I'm too focused on eating, so I didn't notice such an intimate scene?

Uesugi turned around and continued watching the movie.

The screen turns black and the picture turns, and a daily picture comes.

The male protagonist picks up and drops off the heroine from get off work. The two met each other and kisses enthusiastically inside and outside the car window. Then the female protagonist gets into the male protagonist's car. They talk about intimate topics all the way. When they arrive in a room, the woman gets out of the car and says goodbye to each other.

Uesugizo was still very surprised why such a close woman had to get off the bus halfway, but when the hero parked the car and returned to the room just now, he realized what kind of movie it was.

The male protagonist returned to the house and came out with a woman who looked very similar to the female protagonist. The two met each other and kissed each other.

Just when Uesugizo wondered why Europeans and Americans said hello and kissed them.

Both parties affectionately called each other "daling", and their identities were shown through some details and wedding photos in the scene arrangement:

couple.

The heroine who first appeared also appeared in the photo with the hero's wife.

She is the male protagonist's wife's sister and sister-in-law.

In other words, this is a...a movie about cheating on my sister-in-law.

As he watched along the way, Uesugi saw the male protagonist's struggle in desire, his greed under the pressure of family and society, and his love for his wife.

The burning love gives the male protagonist inspiration and passion, but after marriage, boredom also follows.

He fell in love with his wife's sister and his younger and more beautiful sister-in-law.

And my sister-in-law also admires her young, promising and extremely handsome brother-in-law.

The two of them hooked up together, separated and separated, and made several promises from the family, but because of some unintentional touches, they broke the taboo again and got entangled together again.

It just fits the saying "What you can't get is always in agitation."

......

Uesugi Sato looked at the scene of the male and female protagonists kissing in an affair with a speechless look.

【How is Uesugi feel guilty?】

Tozuka Katsuki looked at the text message Aka Erina sent to him on his phone, and he tapped his finger on the screen to reply: [The light line in the cinema is too dark, and he can't see his expression, but he doesn't get up or something. It's very quiet. Also, the most important turning point of the plot has not reached, don't worry.]

【That's good, you always pay attention.】

[It would be better if you are not present. How should I explain this movie later?]
Chapter completed!