At that moment, the air almost solidified.

Old Tang stood with a smile, but his subordinates threw them hard without any ambiguity!

My heart seemed to be broken as well.

The basket was filled with broken pieces.

Blue and purple, with various colors.

No matter how exquisite the artifact is, it will become a touch of jinn when it falls into the bamboo basket.

Old Tang listened to the crisp sound, his hands trembled for a long time and could not relax.

When Master Lu broke the failed porcelain, he felt a little disappointed, but he didn't feel much.

That feeling is that there are too many regrets and sadness.

He was just experiencing the porcelain that was not successfully transformed, but he never thought about what would happen when Master Lu broke those carefully crafted works with his own hands.

At this moment, I feel the same way and then I understand that I have never gained it, but I am sad that I have gained it and lost it again.

I destroyed my hard-earned beloved with my own hands, and I was so heartbroken that I couldn't breathe.

Old Tang slowly looked up at Lu Zian and he only smashed this one and it was so painful. Master Lu smashed so many of them, how would he feel?

Seeing his gaze, Lu Zian thought for a moment and comforted him: "Old Tang, don't be too sad. Let's study it together tomorrow. Since one piece of Jun porcelain can be produced, it will definitely be produced with the second piece! The third piece!"

He knew that he had misunderstood his meaning, but Mr. Tang did not explain too much.

He nodded, thanked him, wiped his eyes silently, and tried to smile at Lu Zi'an: "Okay, with your words, that will definitely happen... Oh, this man is old, he just can't stand the creation. He didn't sleep all night, and I can't even open my eyes. You guys are busy, then I'll see Master Lu tomorrow."

In fact, he wanted to stay, but the eyes of everyone looking at him were mixed with too much sympathy, and perhaps there was a bit of sadness in the rabbit's death and fox.

I am old and can't stand this most. Anyway, if Master Lu's words are left here, it's not too late to come again tomorrow.

“…Okay, see you tomorrow.”

Lu Zian personally sent him to the door, and he stopped until Mr. Tang refused repeatedly.

It's very dark.

The autumn wind was bleak, and Old Tang, wearing a bulky coat, wrapped his clothes and walked slowly forward with his steps.

The thin and slightly hunched back makes people unable to help but recall the glittering look of his eyes holding the hanging plate just now.

When he arrived at the door, he seemed to notice something. Old Tang turned around and waved his hand hard at them with a blurry face.

His slightly hoarse voice drifted from the wind: "Go back! Go back..."

Lu Zian sighed, turned around and walked back to the workbench, and continued to pick up the selection.

The others looked at each other and silently picked up their works.

Without any communication, everyone went over and over again and carefully checked to confirm whether their porcelain had kiln changes.

Then, crisp sounds rang out in the workroom.

Lu Zi'an turned his back to everyone, and gently stroked his fingers on the glaze surface of the porcelain bottle on both ears.

He listened to the movements silently and dared not turn around for a long time.

I always feel easy when I see others’ experiences, but only when things come to an end will I realize sadness.

How would they feel in their hearts?

He didn't ask.

I thought this kiln porcelain would probably be the two pieces of glaze that turned into color.

Unexpectedly, when Lu Zian opened the last sack, a cold white jumped into his eyes.

"Oh, why is it white..."

Before everyone could finish their regrets and sighs, Lu Zian tried hard to pick up the slightly sank porcelain bottle that was 40 centimeters tall and was directly lifted out.

"……red!?"

No one expected that the pure white only occupied half of the bottle.

The glaze changes color suddenly and passionately, as if it was a red plum that suddenly appeared in the snow, and as if it was frost and snow that had not melted for thousands of years.

What is rare is that this red is bright but not charming, pure but not condensed.

It was like a stream of light, swaying and flowing in the bottle.

No matter from which perspective you look at it, you have new experiences and understandings.

Especially at the intersection of red and white, the faint ice cracks make it lustrous and enamel vivid and shattered, and it really feels like it is broken. It really has a texture of melting frost and cold air.

Even Lu Zian was quite surprised by this scene.

The fingertips gently stroked the glaze surface, and the under fingers were clearly burning, but the snow color gave people a cold feeling.

If the ice layer is too thick, it will give people a clumsy feeling.

But the snow is bright and the process of hanging red in the fire, and a little blue is faintly revealed under the snow.

"The top of the snow-capped mountain! I have climbed the snow-capped mountain, this is the feeling, this is the feeling!" A young man was so excited that he screamed in silence.

The sound came abruptly and harshly, but no one scolded it.

Everyone stared at the porcelain bottle intently, and they couldn't bear to look around.

"Why do I feel like the glaze surface has patterns?" A master couldn't help but take out a magnifying glass and wished he could just go to the bottle to see it.

During the process of the white glaze flowing down, it is tilted and converges through multiple channels, forming a "bending and twisting" state.

The red glaze below is darker in color, and the two conflict, leaving behind some insignificant but rather lively patterns.

"It seems like hey, Master Lu, what is this?"

As he asked, he was muttering in his heart: Don't bother to break again? Their little hearts really can't bear it.

Lu Zian picked up the porcelain bottle, looked at the light carefully, and the corners of his lips curled: "The thin line hidden patterns are flowing..."

Before he could give the answer, someone shouted out in surprise: "Is it true! Earthworms are walking in mud patterns?"

Indeed, when you appreciate it carefully, you can see these patterns as if they are like earthworms walking through mud after rain.

Antique dealers generally call it cricket pattern, but in porcelain business, the professional name is "earthworms walking on mud pattern".

All the patterns are not easy, but among them, it is the most rare "earthworms walk through mud patterns".

There is a confusing sentence in "The Legend of the Condor Heroes", which briefly outlines the creation of earthworms walking through mud patterns.

[The person who paints the glaze shrinks.

Also like a snake, it is ashes.

Hainanese people have not ground snake bones and burned them into green fragrance, so the incense ash will not fall.

And it is bent and circled, like a snake-shaped shape.]

It means that the Song people added a substance similar to "snake bone" to the fire of Jun kiln, which made the tears more viscous (and more lusterful).

The fired porcelain, this snake bone substance, is mostly inclined and converged in multiple ways during the flow, and finally forms this strange pattern.

It is just because there is no reference to craftsman's letters and there is no detailed record in history books. All the creation process of this pattern has always been limited to people's imagination.

It is precisely because of this that they cannot associate the patterns in front of them with the mud patterns in the earthworms as soon as possible.

Lu Zi'an pondered for a moment and nodded: "It's just that it's worth mentioning that the earthworms are walking in mud patterns are not unique to Jun kiln, but also to Ru kiln."

"Well……"

Everyone looked at each other, and they were quite unified: "I haven't heard of it."

Lu Zian took the towel and wiped his hands while saying, "The "Yu Ya" once recorded: [The small cup of Ru kiln is not very bright and moist. There is a porcelain seat underneath. The patterns are like earthworms walking through mud. It is also worthy of treasures.] Although this porcelain does not leave any authentic products, it is rare to imagine just to know..."

This statement is quite rare, they concentrate on thinking.

Before they could come up with a result, Lu Zi'an said again: "In addition, there are [the glaze is very flat. The coarse [u] patterns appear inside, and the curved and twisted. If the earthworms walk in the sand and mud, it is both in the Ru kiln.] This confirms the fact that the Ru kiln also has earthworms walk in the mud pattern. However, the Ru kiln tools are rare, and those with earthworms walk in the mud pattern are even more rare. There has never been a genuine product in the world so far."

In fact, many collectors have misunderstandings about the mud pattern of earthworms. The biggest misunderstanding is that this pattern is limited to Jun porcelain.

Although he has never seen the finished product, since there have been records, he cannot give people the wrong concept that the pattern is unique to Jun porcelain.

"I have seen a treasure of Jun porcelain. At that time, the price was sold at a sky-high price, and there were earthworms on it... "A master thought: "But it only appears at the intersection of red and blue. I have never seen this kind of white..."

Could it be that Master Lu discovered a new technology during the process of studying Jun porcelain?

It is so pure that it has a faint moon-white luster under the light...

If they hadn't seen it with their own eyes, they wouldn't believe that there was such exquisite craftsmanship in the world.
Chapter completed!