For ordinary music fans, what can be intuitively felt from the third movement is the freshness and even excitement of combining Chinese and Western elements, and this stimulation is obviously intentional by the composer.

However, the people present did not have time to feel too much. The fourth movement started immediately, which was more direct. It was played in full from the beginning, but it was changed to a new form and the whole piece had a completely new feeling.

The musical material of the fourth movement is not complicated. It looks like a rondo as a whole, but the rondo also contains canons, variations, and various complex counterpoint relationships. The musical color and emotion of the fourth movement are not complicated either.

, it’s almost an impassioned cantata, with nothing profound or difficult at all, and all the composer’s technical means are basically to enhance the emotional expression or the charm of the instrumental music.

The fourth movement is not long either, only about six minutes. At the fourth minute, the Rondo of Western music and the Canon Variations of folk music join forces, which is the climax of the movement and the climax of the whole piece. In other words, what the conductor said is that the music is enveloped by a tsunami.

At this time, the string orchestra and percussion on the stage were all working hard in one direction. However, not only were they playing in full, but all the members were playing. All the big violins came together to play vigorously and rhythmically with steady and sonorous staccato.

The upward and powerful melody was then supported by the brass ensemble to promote the variations, reaching the climax. At this time, Lian Lixin's movements were so violent and exaggerated that President Wu frowned and seemed to be sweating for him.

During the climax of the music, which lasted more than a minute, the declining folk music was almost drowned, but everyone still persisted. After the climax, those Western instruments began to fade and gradually stopped completely, while the national instruments persisted until the end.

, and there was only folk music on the stage, and even Lixin became gentle at this time.

The music is obviously coming to an end. This is also the most traditional folk music section in the whole piece but still fresh. It is very nice but not too long. The dulcimer stopped, the pipa stopped, and the erhu also stopped.

There were only four sanxian instruments left, and they were all practiced well. No one was looking at the conductor and they were in perfect order, but Lian Lixin still danced his arms with great emotion.

And cleverly, as if by coincidence, the melody of the three-stringed strings progresses to the six-bar ultra-long cello phrase at the beginning of the second movement. If the audience is still impressed by those six bars, they will definitely sigh or even exclaim, the same notes, completely

It has a different feeling, and this difference is so timely. At least for the Chinese audience, this is the best ending.

The four sanxian players had no skills, but they all played the six-bar melody with concentration. After two bars, He Peiyuan and the young colleague next to her stopped. After another two bars, another player stopped playing.

Only Chief Sanxian and Lian Lixin were left working on the stage. Fortunately, it was only the last two bars. Lian Lixin's posture was that he wanted to get in front of the Chief and whisper, but the Chief didn't even look at him. He only loved him deeply.

Hold your own musical instrument so lovingly and play every note lovingly.

It feels like the composer also played around with the feeling of great music and sound at the end. From the roaring mountains and tsunami before to just one note per second now, everything is about to calm down.

Finally, the last crisp three-stringed note spread in the quiet theater and quickly disappeared. Lian Lixin maintained his last posture for two seconds, then relaxed and stood up straight.

There was applause from the audience, and it was time to call it a day and go home. It was very enthusiastic and neat, and the leaders didn’t even hold it. President Wu clapped his hands quite hard.

After listening to the applause for two seconds, Lian Lixin turned around and faced the audience, looking proud of the artist.

President Wu was probably in a hurry to leave, so he stood up to applaud and glanced behind him. Everyone around him and even the entire audience stood up and applauded.

Lian Lixin expressed his thanks, then raised his hand and introduced in a strictly rehearsed manner: "Yang Jingxing!" As he said this, he himself also conducted the conductor's applause.

The guest audience really cooperated and made their applause even louder.

Yang Jingxing is funny, but he also nods to the stage and behind him. However, others perform better than him. So many senior performers can express their love for music and art, enjoy and reminisce, and even pay tribute to the composer.
Chapter completed!